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Uncovering Jewish Heritage

Uncovering Jewish Heritage

Category Archives: Poland

Posts about Poland as a nation.

Erik Ross, a priest, blogs about Poznan’s Jewish history and heritage

15 Wednesday Mar 2017

Posted by Marysia Galbraith in antisemitism, Catholicism, Polish-Jewish Heritage, Poznan

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Erik Ross

I came across some extraordinary posts about the fragments of Jewish life in Poznan, written by Erik Ross, a priest of the Dominican order, whose blog appears in the Times of Israel.

His posts are heart-wrenching and entertaining, full of photos, personal reflections, and difficult facts.

In Walk down Jew Street, he describes the frescoes in the Church of the Holy Blood of the Lord Jesus (Kościół Najświętszej Krwi Pana Jezusa). The church is on what is now called “Jewish Street” but inside, the recently renovated paintings depict the story of the desecration of the host by three Jews. Most striking to me, Ross points out the many places around town where this story is renewed–in the weekly opportunities to get miraculous water from the well below the church (where according to legend the Jews tried to wash off the blood that ran from the stolen hosts where they had stabbed them); in the fresh gold leaf on the Latin words recounting the story in the Corpus Christi Church, as well as three newly painted doll-sized figures of Jews around a well under a fragment of alter (marking the site where the stolen hosts were discarded in what was originally a swamp, reclaimed by a priest who brought them to another church, but then miraculously flew back to the swamp leading to the decision to build the church there).

But you should read his post, which goes into much more detail.

Frescos over the alter depicting the profaning of the host, Church of the Most Holy Blood of the Lord Jesus in Poznan
Frescos over the alter depicting the profaning of the host, Church of the Most Holy Blood of the Lord Jesus in Poznan
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DSC03873

Ross has also written Fake Lake, about the beautiful Lake Rusałka that was built with Jewish slave labor and reinforced with Jewish tombstones, and Swim-a-gogue about the pool that until recently filled the main sanctuary of the synagogue (I’ve written about it too, in Swimming in the Synagogue).

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Lake Rusałka, where the CityTrail runs are held in Poznań. Built with the forced labor of Jews during World War II, many of whom died in the process.

 

 

Jewish history of Kutno

18 Saturday Feb 2017

Posted by Marysia Galbraith in Archives, Fieldwork, Heritage work, Jewish Culture, Kutno

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Kutno Museum, Kutno Public Library

When I first visited Kutno in 2013, I only stopped for a few minutes on the way from Poznan to Warsaw. I had found a record of my great grandmother on JewishGen, and the original document from the 1860s was in the Kutno archive. I got there too late to see the record (the archive was about to close), but I spoke briefly with one of the archivists, and asked her if any traces of Kutno’s Jewish culture can be found today. She said she didn’t know of anything, except perhaps some fragments of tombstones in the municipal museum.

I returned to that museum in early 2015, and the director showed me their small display of Jewish artifacts.

Jewish candleholders in the Kutno Museum
Jewish candleholders in the Kutno Museum
Torah in the Kutno Museum
Torah in the Kutno Museum
Fragment of a tombstone in Kutno Museum
Fragment of a tombstone in Kutno Museum

Finally last summer, I met some people who have spent years documenting the history of Kutno’s Jews. It turns out a lot is going on. There is a biannual festival in honor of Sholem Asch, a highly regarded Yiddish writer who was from Kutno. There are also commemorative markers at a number of sites around town. And a book was just published—a collection of articles about the Jews of Kutno (Karol Koszada, Elżbieta Świątkowska, Bożena Gajewska, Zaryz Historii Żydów Ziemi Kutnowski, 2016, Kutno: Towarzystwo Przyjaciół Ziemi Kutnowskiej).

I’ve been to the archive a few times now, often enough to break through the reserve of the archivists a couple of times. One told me that school groups sometimes come to visit. “This is a good thing,” she told me “because youths need to know that heritage is not always as straightforward as some people make it out to be. Things change.” She also said that youth don’t necessarily value the past, but seeing the records in the archive helps them to connect with history.

At the Kutno public library, I met Andrzej Olewnik, a librarian with a deep interest in town history. He seemed delighted to meet someone who shared his interest; his whole face smiled as we talked. Pan Andrzej is also a collector, and finds documents associated with Kutno in auctions. He showed me old postcards and photos, including a photo taken in the Kutno ghetto during the Nazi occupation. He also showed me one of Sholem Asch’s business cards, given to him by Asch’s great grandson. He keeps these treasures in protective plastic covers, but slid them out so I could examine them more closely.

Sketch of Kutno synagogue, in Kutno Museum. My shadow reflection is on the far left.
Sketch of Kutno synagogue, in Kutno Museum. My shadow reflection is on the far left.
Postcard of the Sugar Factory in Kutno
Postcard of the Sugar Factory in Kutno
Passport application of Icek and Ruchla Holeman, 1865. In the collection of the Kutno Museum
Passport application of Icek and Ruchla Holeman, 1865. In the collection of the Kutno Museum

The library has a collection of books about Kutno history. One features historic passport photos from the Kutno museum collection, many of which belonged to Jewish residents of the region. It turns out that the museum has other items related to Jewish culture they keep in storage. Some tombstones were found in a sidewalk and brought to the museum. The museum has them in storage, but took photographs of the inscriptions, which are in Yiddish and Hebrew. They are looking for someone to transcribe and translate them.

Another book Andrzej showed me was the Kutno Yizkor book. Yizkor books were compiled after World War II; in them, Jews who survived the Holocaust collected all the information they could about the Jewish population of their hometowns, including historic documents, demographic data, and personal accounts. This one was written in Hebrew—only some Yizkor books have been translated into English. Other books are by or about Sholem Asch, including precious Polish language translations of some of Asch’s plays.

Andrzej showed me digital photos of the prewar synagogue. It was right in the center of the street. Traffic would go around it on both sides. It had columns on one side, and the main entrance on the other. A map from the 1820s shows there was a long narrow green area in front of the building. Across the street from the synagogue there used to be the Jewish school, and behind that the ritual bathes. Andrzej had photos that were taken from the air showing synagogue’s destruction. First the roof was removed in 1940. Later, explosives were embedded in the pillars and the building was blown up.

Grażyna Baranowska, another librarian, organizes the Sholem Asch Festival which takes place every other year. It started as a literature contest, in which contestants competed for prizes for their original writing or their reading of literary texts. Then, it expanded into a culture festival. Next, an academic conference on the life and work of Sholem Asch was added. For the past two festivals, the great-grandson of Asch, David Mazower, has come from England. The next conference is in September 2017 and the festival is in October or November 2017. I’m trying to work out a way to attend this year.

Podgórze: Below the hill and through the ghetto

16 Monday Jan 2017

Posted by Marysia Galbraith in antisemitism, Commemoration, Jewish Ghetto, Krakow, Memory, Podgórze, Polish-Jewish relations, Post-World War II, Reclaimed Property, World War II

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Ghetto Heroes Square, Plac Bohaterów Getta, Places of Holocaust Memory

When Krysia and I visited Poland a few years ago, we walked to her friend Wanda’s apartment in Podgórze, a district across the Vistula River from Krakow’s Old City. Historically, Podgórze was an industrial part of town, and also the site of the Jewish Ghetto during World War II. Until recently, this was not a particularly desirable place to live. I went there for the first time in 1986 when my Polish teacher invited me for dinner. She lived with her doctor husband and baby daughter on Limanowski Street in a ground floor apartment that was a converted storefront. The building was grey and crumbling, and the tram rumbled by loudly and frequently. They couldn’t wait to move somewhere better. In 1992, I met a high school student whose classmates joked he was “from the country” because he lived in Podgórze. Even though you could see Wawel Castle on the opposite shore of the river, Podgórze was considered a remote corner of the city.

I really discovered Podgórze in 2005 when I was back in Kraków for 5 months during my first sabbatical leave. I made a point of exploring all the city’s parks and playgrounds as a way of entertaining my two-year-old son; long afternoon walks were often the only way I could get him to nap. Podgórze charmed me. The buildings along the tramline on Limanowski Street were still grey and crumbling, but there was also a lovely triangular plaza and a beautiful church with a hillside rising up behind it. Maybe that’s the source of the name—Podgórze means “below the hill.” Climbing up the curving street from the plaza, large houses with fenced gardens replaced the apartment buildings, and then a massive park appeared on the right. And yet, despite these explorations, I still didn’t know that I had been moving in and out of the borders of the former ghetto, where the Nazis had forced Jews to live (and die).

Plaza and church in Podgórze
Plaza and church in Podgórze
Heading up the hill
Heading up the hill
One of the large houses on the way to the park
One of the large houses on the way to the park

Wanda, a long-time resident of Podgórze, pointed out traces of that difficult era as we walked to her apartment. It was the first time I actually connected the contemporary streets of Podgórze with the places associated with the Holocaust. Just over the bridge, we entered Ghetto Heroes Square (Plac Bohaterów Getta), the site where Jews were assembled before being transported to work, the ghetto, or the camps. It wasn’t until December 2005 that a monument commemorating these historical events was installed. The monument is comprised of 33 large chairs arranged in rows throughout the plaza and 37 smaller chairs scattered around the edges of the square and at the nearby tram stop. These serve as a symbol of the people whose material possessions were taken from them as they were selected for the ghetto and elsewhere. The idea was “to tell the story of the place through the configuration of the urban space itself, so that the memory of the absent ones would be manifested through the presence of everyday objects which compose the urban furniture” (Bordas 2006). The chairs make an impression, especially the big ones. They look like they should be functional but they’re not–another way they symbolize the way ordinary life became abnormal.

Chair monument in Ghetto Heroes Square

Ghetto Heroes Square

Wanda led us to a nearby street where a fragment of the ghetto wall still stands. Its characteristic scalloped top makes it resemble side-by-side tombstones. Flowers rested at the foot of a historical marker, an offering made during a commemorative event in March. Wanda also pointed out where a gate of the ghetto used to cross the street near her apartment. For 23 years, Wanda lived on that street. But then the prewar owners—Jews—regained ownership of the property and doubled the rent. Faced with the option of paying 2000 zloties per month or move, Wanda decided it would be better to invest that kind of money in a place she could own herself. That way, she doesn’t have to worry about being displaced again.

Like many Poles, Wanda feels personally affronted by former owners reasserting their claim over property. These feelings are complicated.

It seems only right that descendants of victims of the Holocaust be compensated. Regaining ownership of a building can only to the slightest degree address what those families lost.

And yet, losing their home to the prewar owner seems particularly unfair to the generation that endured years of communism, and never was able to accumulate much wealth in their own lives. Since the end of communism, prices have risen, unemployment has become common, and wages remain modest. Often it’s the poorest residents who live in former homes of Jews because the government took over their management and made them into low-cost housing for those in greatest need. This affordable housing was a small oasis of security in unsettled times. Many such residents today are elderly; others are unemployed; some have problems with their health or with substance abuse. They don’t have many options.

Wanda was one of the lucky ones with the wherewithal and the financial means to buy her own place. But still she carries the resentment with her that she sometimes translates into resentment of Jews more generally. Who was looking out for her rights when the apartment was returned to the prewar owners? What did some rich foreigner need with her building? Why should they get even wealthier at her expense?

In fact, prewar owners are reclaiming properties all over Poland, and even though they are not all Jewish, the greatest resentment is directed toward those who are.

Ghetto Memory Trail marker
Ghetto Memory Trail marker
Star of David crossed out--on a storefront in Podgórze
Star of David crossed out–on a storefront in Podgórze

In Podgórze, you can see both the effort to acknowledge sites of Jewish heritage, and also signs of continued antisemitism.

Wanda loves her neighborhood and doesn’t want to live anywhere else (even though she has to spend part of each year in the US to earn enough money to pay her mortgage). The apartment she lives in now is new construction on top of a historic townhouse; an additional floor was added to an existing building. As we climbed the three flights of stairs, she explained that when she bought the place, all that was there were the bare walls. This is standard practice in Poland. The buyer has to select, purchase, and install all the flooring, fixtures, wall coverings cabinets, and appliances. The apartment is long and narrow, with a wall of windows and a sleeping loft. Wanda said she bought it at the peak of the market; today she could find something for half that price. But that would mean moving again.

As we ate a generous spread of Polish dishes, including stuffed cabbage (gołąbki) and two kinds of pickles, Wanda said that Podgórze has become one of the most popular neighborhoods in Krakow. The new heritage sites and museums—including the Ghetto Heroes Square, the Schindler Factory Museum, and the Museum of Modern Art—have brought with them tourists and the amenities that tourists expect. People are moving out of the center of the city because it has become too crowded, cars are restricted on most streets, there are few stores with everyday necessities, and the prices are too high. Podgórze is desirable because it has good public transportation, is within walking distance of the city center, and because of the park, the trees, and the hill that I find so appealing.

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The new pedestrian bridge across the Vistula River to Podgórze.

The Curious Tale of the Fake Rabbi

29 Tuesday Nov 2016

Posted by Marysia Galbraith in Identity, Jewish Culture, Polish-Jewish relations, Poznan, stereotypes

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Fake rabbi, Jacek Niszczota, Jacoob Ben Nistell, Ruth Ellen Gruber, Virtually Jewish

Purim 2015
Purim 2015
http://www.gloswielkopolski.pl/
http://www.gloswielkopolski.pl/

Not long ago, a reporter revealed that that the man acting as Poznan’s rabbi was not in fact a rabbi. He called himself Jacoob Ben Nistell and claimed to be an Israeli from Haifa, but it turns out he is actually Jacek Niszczota, a Catholic Pole from Ciechanów, a town 60 miles north of Warsaw.

I’m not quite sure what to think of the story, but it resonates with Ruth Ellen Gruber’s characterization of much of Jewish activity in contemporary Europe as “virtual.” In her book Virtually Jewish: Reinventing Jewish Culture in Europe (2002), Gruber describes the myriad ways Jewish spaces, performances, and even people are in fact idealizations, representations, or stylizations of Jewishness. They are done up in “Jewish style” but often without actual Jews. This has occurred throughout Europe, where the interest in all things Jewish far exceeds the capacity of the tiny or absent populations of Jews to fulfill. Instead, non-Jews renovate synagogues, restore cemeteries, run Jewish restaurants, perform Klezmer music, and lead Jewish heritage tours.

Jacoob/Jacek’s self-presentation as Hasidic rabbi can be added to this long list of virtual Jewish performances, with the important qualification that his role was deceptive. He claimed to be a real Hasidic Jew, not someone just dressed up as one. He wore his hair long, with the distinctive side curls. He also dressed in a black brimmed hat and long black jacket. I don’t believe his intentions were malicious. Nor am I sure how much he deliberately deceived people, and how much people saw him as they wanted him to be. When I met him, he didn’t tell me “I’m a rabbi.” Rather, he said “They call me a rabbi,” his sweet smile and amused tone suggesting he was willing to go along with what others were saying about him. He did, however, claim to be from Israel. I didn’t quite believe him; more accurately, I questioned whether I heard him correctly because it didn’t fit my reading of him. He seemed Polish to me. Others tell me he put on an Israeli accent, but I can’t always recognize accents of Polish speakers. When I talked with him about a possible interview, he did not refuse, but he did not seem very eager either so I never pursued it. He seemed quirky and harmless, a bit of a happy jester.

Nevertheless, Jacoob/Jacek was deceptive and his actions are highly offensive. I saw him at a number of commemorative events: praying at the grave of Akiva Eger, a respected early 19th century Poznan rabbi; saying kaddish at the unveiling of the commemorative monument and lapidarium in Wronki; leading prayers at the Jewish Religious Community in Poznan. What got him caught was the media attention he received when he appeared at an ecumenical meeting with a Catholic priest and a Muslim imam. Someone from his hometown recognized him and alerted the media.

At that point, it became clear that there had been rumblings among Israelis and other Hebrew speakers that Jacoob/Jacek didn’t actually know Hebrew. Rather he read texts phonetically, putting emphasis and accents in the wrong places.

So that leaves me with the question why no one at the Jewish Religious Community (which is an official religious association for practicing Jews) challenged the veracity of his claims. Either they were genuinely deceived or they chose not to do anything about it. It’s problematic either way. If they didn’t know, it reveals how tenuous their knowledge of Jewish religious practice, culture, and language is. If they did know, it suggests they allowed the deception to go on. Even though Jacoob/Jacek was never declared a rabbi officially, I did hear him referred to affectionately as “our rabbi” (“nasz rabin”) and he was allowed to lead prayers in contexts that everyone expected would be done by a real rabbi. The Jewish Religious Community has a legal status. It is supposed to be the official institution for practicing Jews. What it turned out to be instead in this case is part of the virtual Jewish space. The idea, look, and performance of Jewishness was deemed sufficient.

I feel sympathy for Jacoob/Jacek, who has disappeared since his deception was revealed. I wonder what compelled him to pretend he was Jewish, and why he adopted the stereotypical form of a Hasidic Jew. It’s anachronistic in so many ways. Being any kind of Jew is a rarity in Poland, and the only Hasidic Jews in Poznan are occasional foreign visitors. Even historically, when Jews lived in Poznan in greater numbers, very few were Hasidic. This was even pointed out to me by a prominent member of the Jewish Religious Community. He gestured toward Jacoob/Jacek and assured me that even in the past, Poznan Jews tended to be more modernized.

“Who, 30 years ago in this country, would have pretended to be a rabbi, to say nothing of 70 years ago?”asked the Chief Rabbi of Poland Michael Schudrich in an article in the Times of Israel. He described Jacoob/Jacek as “very sweet and smiley,” much the same as I saw him.

Revisioning Jewish Poland through Art

11 Friday Nov 2016

Posted by Marysia Galbraith in Anthropology, Memory, Poland, Polish-Jewish Heritage, Post-World War II

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American Anthropological Association Meeting 2016, Andrzej Niziołek, art, Janusz Marciniak, moral self, political action, Wojtek Wilczyk

The abstract for the paper I will be giving at the American Anthropological Association Meeting next week:

Artistic expression can be a powerful means to challenge the hegemonic power structure and to imagine an alternative social and moral order. In this paper, I highlight the work of three Polish artists who experienced a moral awakening during the Solidarity Movement in the early 1980s which made them sensitive to the repression of memories of Poland’s multi-ethnic, multi-religious past. In the ensuing years, they have engaged politically through their art to expose what remains of Jewish material culture (such as synagogues, cemeteries, and photographs), and to bring back into the public sphere a recognition of the space Jews once filled in everyday life in Poland. This artwork is both documentary and affective; it is intended to simultaneously inform viewers and to generate in them deep emotional responses that encourage ethical reflection.  Through various media, the artists seek to communicate that Jews were an essential part of Polish culture until the Holocaust, and also to give form to a collective sense of loss experienced after their violent removal. The cases examined are Wojtek Wilczyk’s photographs of former synagogues, called “There is no Innocent Eye,” Janusz Marciniak’s installations in the former synagogue in Poznan, and Andrzej Niziołek’s book Fira which traces the everyday life of a Jewish woman as revealed in her photo album of snapshots taken between the World Wars. These artists engage their moral selves to challenge political exclusion, public indifference, and antisemitism that until recently has kept Jewish spaces outside of everyday public and personal memories.

Synagogue by Wojtek Wilczyk
Synagogue by Wojtek Wilczyk
Atlantis, 2004, by Janusz Marciniak. Star of David floating on water and lit by hundreds of blue candle lanterns, while the Academic Choir sang "Meditation on Peace."
Atlantis, 2004, by Janusz Marciniak. Star of David floating on water and lit by hundreds of blue candle lanterns, while the Academic Choir sang “Meditation on Peace.”
Fira by Andrzej Niziołek
Fira by Andrzej Niziołek

It’s part of a panel organized by Natasa Garic-Humphrey at UCSD:

The Politics of Indignation, Resistance, and Reconstitution of the Moral Self

This panel explores the intersections of governmentality, citizenship, political subjectivity, activism, ethics, and morality, and critically examines the importance of inserting “the moral self” within political theory to better understand how citizens come to confront political organizations and policies. Recent years have provided unprecedented examples of large-scale resistance, uprising, protest, and violent confrontation to authoritarian regimes, invidious state policies, and localized manifestations of neoliberal political-economics. To explain current confrontations to prevailing forms of state power, scholars have successfully highlighted the gaps between policy making from above and people’s on-the-ground experiences, resulting in citizens’ alienation from governmental ideologies, programs, and practices, while another line of research explored the various ways in which experiences of subjectivity and suffering are shaped within particular contexts of political economy.

This panel however, takes a closer look at the ways people manage to change their moral orientations within the context of hegemonic power and (re)make their moral selves to engage in and confront larger political and socioeconomic processes. How do specific situations, events, and visceral experiences in people’s lives evoke moments of self-reflection, engender reorientations towards the self, and inspire courses of action that cultivate a new sense of moral personhood? How does this experience of generating a new moral self shape one’s perceptions of government ineptitude and prepare them to engage in citizen-based action to confront political injustices and socio-political reforms? What motivates people to resist, initiate change, and form new senses of themselves as moral actors in the midst of stifling crises brought by socioeconomic and political transformations, war, genocide, fear, and other examples of structural violence?

Poles Remember

01 Tuesday Nov 2016

Posted by Marysia Galbraith in Catholicism, Cemeteries, Commemoration, Dukla, Memory, Polish Culture, Polish-Jewish Heritage, Polish-Jewish relations

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All Saints Day

Today is the Catholic holiday, All Saints Day, the time to honor the dead. Customarily, Poles visit cemeteries to clean and decorate the graves of their family members. During the day, chrysanthemums in all shades adorn tombstones. At night, candle lanterns on graves make the cemeteries glow. Twinkling hillsides can be seen from far away.

I’m pleased to see that some Poles also remember Poland’s now-absent Jewish population on November 1. I’ve seen this in Warsaw and in Lutowiska. And here is a photo Jacek Koszczan posted on Facebook today showing the candle lanterns on the commemorative monument at the town of Dukla’s Jewish cemetery.

Candle lanterns on the monument commemorating Dukla's Jewish population, November 1, 2016, All Saint's Day.

Candle lanterns on the monument commemorating Dukla’s Jewish population, November 1, 2016, All Saint’s Day.

He and other citizens of Dukla made the trip out to the cemetery to light a candle for the dead. In this, I see an expression of honor that transcends religious difference.

Jacek has done a great deal to reassemble the memory of Jewish life in Dukla. In fact, he was honored last month by the Polin Museum for his work. The Polin website explains, “Jacek Koszczan is the founder and director of the Organization for the Preservation of Jewish Heritage in the Dukla Region–Dukla Shtetl. His work involves both obtaining and archiving knowledge about the Jews of Dukla and its surroundings, as well as educational activities. Jacek Koszczan is the initiator and builder of a monument commemorating the 70th anniversary of the murder of Dukla’s Jews, the volunteer caretaker of the Jewish cemeteries, mass grave, as well as the ruins of the Dukla synagogue. Thanks to his efforts and knowledge, he succeeded in facilitating the honoring of two Dukla-region families with the medal for the Righteous among Nations.”

Jacek Koszczan receiving his award from the Polin Museum for his work on Jewish heritage in Dukla, October 21, 2016. Photo by Janusz Czamarski

Jacek Koszczan receiving his award from the Polin Museum for his work on Jewish heritage in Dukla, October 21, 2016. Photo by Janusz Czamarski

All in all, Jacek has been instrumental in the return of the memory of Jews to his community. I have been impressed by his energy, enthusiasm, and generosity. For him, this is a labor of love–for his community, for the memory of those who suffered, and for humanity in the face of evil.

Mapping Family Roots

23 Sunday Oct 2016

Posted by Marysia Galbraith in Archives, Family, Identity, Polish-Jewish Heritage, Pre-World War II, Walfisz, Żychlin

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map

I made an extraordinary find in the Kutno archive—a map of Żychlin dating from 1869. I found reference to it in an article, but the archivists had a little difficulty locating it because it didn’t have an identification number (signatura). One archivist said something about it being so fragile they don’t show it. But another found it hanging on the wall and brought it out for me. The writing is in Russian. At that time, Żychlin was in the Russian partition of Poland. After the January Insurrection in 1863, the Russians mandated all public documents had to be in Russian, not Polish. That is why archival documents before the 1860s are in Polish while the later ones are mostly in Russian.

Russian writing on the 1869 map of Żychlin
Russian writing on the 1869 map of Żychlin
Russian writing on the 1869 map of Żychlin
Russian writing on the 1869 map of Żychlin

I don’t know what is written here–maybe a reader could translate it for me?

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Map of Żychlin dated 1869

Properties are numbered on the map, but not by street address. That means the numbers are scattered throughout the city making it difficult to find particular locations. According to the Żychlin Books of Residents (Akta Miasta Żychlina, also in the archive), my Walfisz ancestors lived at various times at numbers 28, 53, and 63. My great grandmother Hinda Walfisz married my great grandfather Hiel Majer Piwko. I wrote about them in previous posts: Piwko Saga, The Photo, and Super Kosher Cookies and Sliced Ham.

The map is hard to read, patched, and creased. The cross-shaped church stands out in the top half. Below it is the market square, and #53 is in the row of buildings along its lower edge. #63 is further to the left, and #28 is on the street running down from the market square.Not surprisingly, these properties are all near the synagogue, which as best as I can tell is #86 on the map (a bit below #63).

I had already seen one Book of Residents in 2013, but in 2016 I found my great grandmother’s family listed in three others, as well. Since the books have been indexed, the archivist was able to tell me what page to look on. And even though these records are only a few years older than the map, they are in Polish. There is only one Walfisz family in the books (my great grandmother with her sisters and parents), but other more distant family names also appear: many Losmans, a couple of Kolskis, and one Jakubowicz. Each household has its own page in the book, but there can be several households in the same building. Because religion is one of the things recorded in the Books, I could see that it wasn’t uncommon for addresses with multiple households to include families of multiple faiths: some Catholic, some Jewish, some Evangelical.

I know this is just an old map, but being able to pore over it, to touch it, helped to transport me back in time, and to once again (for the first time?) connect with the place where I’m from. It doesn’t matter that I never actually lived there (nor did my mother nor even my grandmother). Some of my people did. Right there in that place. With this newfound knowledge, I drove back through Żychlin one more time, this time gazing at the buildings that once housed my family. It didn’t really matter that the buildings had changed, nor that I was still unsure how exactly the old building numbers match the contemporary ones. Once this was their home.

My elusive grandfather Jakob Rotblit

27 Tuesday Sep 2016

Posted by Marysia Galbraith in Family, Gdynia, Memory, Names, Poland, Pre-World War II, Rotblit, Warsaw

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Jakub Rotblit

The danger of digging up family skeletons is that you never know what kind of bones you’ll find.

My mom rarely said anything about her biological father. In fact, it wasn’t until I was a teenager that she told me the man she called Papa, the husband of her mother, was not her birth father. As children, she and her older brother felt like orphans. They never saw their birth father, which I’m sure was related to the fact that talking about him would have revealed the family’s secret Jewish roots. Back then, in prewar Poland, Catholics did not divorce and remarry.

When she finally opened up to me about him, Mama said she barely knew her father. She almost never saw him. Then one summer, following a big fight between him and her mother, Babcia (my grandmother) got fed up and told him, “If you want your children you can have them.” She put George (who was 15 at the time) and my mother (who was 13) onto a train to Gdansk, where they joined their father with his second wife and their daughter.

The Baltic Coast was beautiful, but Mama was miserable. Her father didn’t know what to do with them, and his 2nd wife didn’t want them there; perhaps she felt threatened. After two months (that’s what I remember mom said, though some relatives have told me it’s inconceivable Babcia would have left her children for that long), my grandmother came to Gdansk and with effusive tears and passionate apologies, she brought them back with her to Warsaw. That’s the last time Mama saw her father. She told me she did not know what happened to him, but that probably he died during the war. She never told me his name.

Victorian high button shoes. Source: http://antique-gown.com/

Victorian high button shoes. Source: http://antique-gown.com/

One of the stories my mother would tell me from time to time was about the “high button shoes” her father insisted she wear when she was around 13 years old. The bitterness still lingered when she described to me how much she hated those boots; they were old fashioned and ugly, the kind that were commonly worn in the 19th century. Her father contended they were sturdy, and proper for a young girl. They were also expensive because he’d had them custom made for her. I always assumed this was a conflict Mama had with Papa, her stepfather. It’s only now, as I piece together the fragments, it occurs to me this argument might have been with her biological father. The timing fits. Also I imagine he was probably the more conservative of the two.

I only learned my biological grandfather’s name in 2011, when my Aunt Pat (the wife of my mother’s younger brother Sig) showed me a family tree she had made identifying my grandfather as Jacob Rotblit (in a previous post, I’ve written about how names can vary), son of Ignacy and Hanna, and brother of Maurice and Helena. Pat reiterated another fact my mother had mentioned: Jacob was from Warsaw but had moved to the Baltic Coast. Pat also had notes, presumably from conversations with my grandmother’s sister, that Rotblit had been a merchant who sold fine jewelry and luxury cars.

Jakub Rotblit b. 1891

Jakob Rotblit, b. 1891

Then my cousin Krysia remembered that before he died, her father (my mother’s brother George) gave her a photo of his father. Krysia wrote some notes on the back of the photo: “He was a respected Jew. Babcia fell in love with his friend Zygmunt and left him.” Then, with a rectangle around it was the name “Jakup Rotblit” and under that “my father’s father” and a roughly sketched family tree. So not only could I attach a name to my mysterious grandfather. I also had a photograph. And yes, his children resemble him. And so does one of my brothers and a cousin.

From here, the trail went cold. It took another two years before Krysia and I obtained a copy of a birth certificate of a Jacob Rotblit who was born in Warsaw in 1891. The name, city, and date were plausible, but we didn’t know if this was our grandfather, our Jacob Rotblit or some other one. Though not a common name, I have found prewar records of at least three.

This was in 2013, a time when Krysia and I would stay up until early morning searching everything we could think of on Google, and sending tidbits back and forth to try and fill out the story of our grandfather . She contacted several Rotblits she found to inquire if we might be related. I dug up references to Jacob Rotblit’s Ford dealership. This business, car sales, corresponded with my aunt’s notes. Granted, neither now nor then were Fords “luxury cars,” but in the 1930s any car was a luxury.

Ad for Jakob Rotblit, Ford Dealer in Gdansk, Sopot, and Gdynia, Gazeta Gdanska 1935

Ad for Jakob Rotblit, Ford Dealer in Gdansk, Sopot, and Gdynia, Gazeta Gdanska 1935

In September 2013, when I was back in Warsaw at the Jewish Historical Institute, Anna Przybyszewska recalled seeing the name in a book, J. Drozd Społeczność Żydowska Gdyni w Okresie Miedzywojennym [Jewish Residents of Gdynia during the Interwar Period]. Indeed, on page 309 is the following (I’ve translated it):

 

On November 20, 1936, a company was registered in Gdynia named “Permanent Automobile Market (Stałe Targi Samochodowe).” It was the initiative of the married couple Jakub and Bronisława Rotblit. The object of the enterprise Stałe Targi Samochodowe was the management of the trade in domestic and international products, specifically mechanized vehicles (new and used) as well as their accessories. In addition, the company offered parts, service, and repairs of vehicles. Jakub Rotblit specialized in the sale of automobiles and accessories of the Ford firm, of which he was an authorized dealer. The specific headquarters of the Rotblit’s company were always located in places beneficial to the interests of the place—first in the BGK building (at #31 10 Lutego [Tenth of February] Street), and from July 1938 in the new office building of the firm “Bananas” (at #24 Kwiatkowskiego Street). The operation of the firm ended suddenly upon the death of Bronisława Rotblit, as a result of which her husband moved to Warsaw.

In the footnote: Jakub Rotblit (born June 25, 1891 in Warsaw), son of Arkadiusz Rotblit and Racheli Prowizor, married, merchant. Arrived in Gdynia from Warsaw June 25 1935. He lived at 25/7 10 Lutego Street and 6 Hetmańskiej Street.

 

It took another year before I got the birth certificate (which was in Russian) translated and could confirm the vital information was consistent with what was written in this book: The birthdate was the same; the parent’s names were similar enough to likely be Hebrew and Polish versions of the same names (Aron/Arkadiusz and Ruchla/Racheli Prowizor). In my Aunt Pat’s notes, Jacob’s second wife was “Blanka” and their daughter’s name “Rosa.” I still couldn’t be sure, but it was looking more likely I had uncovered more traces of my biological grandfather.

I have continued to collect fragments, fleeting references to Jacob Rotblit, never sure if they’re about my grandfather or not. Did his 2nd wife really commit suicide? Was he really arrested for business fraud? Was he shot outside of Warsaw in 1941 by a German officer? I have documents saying these things happened, but I have no way of checking these details and no way of linking them conclusively to my grandfather.

But I have recently learned something truly extraordinary. Last month I was contacted by someone through Ancestry’s DNA matches. Genetically, we appear to be second cousins. And yes. His mother was a Rotblit, daughter of Louis/Leib Rotblit who came from Russia/Poland. Louis arrived in England, married and had three children around the time of World War I. My cousin knows very little about his grandfather because he left his grandmother after several years. His mother never talked about him. But on his grandparent’s marriage certificate, Louis’ father was named Aaron and his brothers Moshe and Ya’akov (all written in Hebrew, so the English or Polish forms could easily be Arkadiusz, Maurice (?), and Jacob).

Enough of these details add up. And DNA is likely to be the most concrete evidence I’ll ever find. Another branch of my family tree is filling out. More relatives survived.

Dwie Butelki Wódki

21 Wednesday Sep 2016

Posted by Marysia Galbraith in Memory, Polish-Jewish relations, Post-World War II, Żychlin

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Historia “Dwie Butelki Wódki,” napisana przez Mirosława Stojak, prezentacja opracowana przez Henryk Olszewski:

dwie-butelki

Two Bottles of Vodka

19 Monday Sep 2016

Posted by Marysia Galbraith in Heritage work, Jewish Culture, Memory, Polish-Jewish relations, Post-World War II, Survival, Włocławek, Żychlin

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Two times over the course of my visit to Żychlin, my host Henryk told me a story about a young Jewish boy who survived the war and returned to the town to collect his family’s jewels. A bad Pole threatened the boy’s life unless he showed him where the valuables were hidden. The frightened boy showed him. They sat down at a table and for each one item the bad Pole gave the boy, he took several for himself. The boy took out a roll of money and offered to buy the jewelry. Then, the brother of the bad Pole came in and saw what was going on. He told his brother, “Here, I have two bottles of vodka. We’ll drink together.” Then he gave the boy all his money and jewels back.

The story made an impression on Henryk. He said a woman from Włocławek had told it to him. Because they were talking on the phone, he didn’t want her to tell him the real names of the men. He wants to save it for when they meet in person. That kind of information is better shared face-to-face. The second time he told me this story, it occurred to me I might know the woman he had spoken with. Indeed, it turned out that it was Mirosława Stojak, who has made it her personal quest to learn all she can about Włocławek Jews. Henryk promptly called Mira so we could talk. I met Mira during my first visit to Włocławek in 2014, and then again when I was there in June.

Mira uses her talents as a poet, writer, and actress to share the stories of Włocławek Jews. In her book Utkane Sercem Włocławskim Żydom, she includes the story that so captivated Henryk, called “Two Bottles of Vodka.” Here is the translation of the story:

Two Bottles of Vodka

Utkane Sercem Włocławskim Żydom by Mirosława StojakWinter 1946 was cold. All around, snow covered homes, roads, and trees. Long icicles hung from the roofs. On a January afternoon, Ariel came on the snowy road to the home of his relatives. Before the war, together with his sisters, he was there a few times. During his last visit in 1939 Ariel’s father, a merchant from Żychlin, knew that soon Germans would attack Poland militarily. Sixteen-year-old Ariel, a short boy, emaciated after the experience of the camp, walked pensively listening to the scrape of his creaking shoes. In his ears rang what his father once told him:

“You have to save yourself, and whoever survives should return here…”

He knew perfectly well that his visit would not be viewed happily by the new owners of the house. He was even afraid that he would be treated poorly. He wasn’t sure, either, if the home still stood, or if it was bombed during the war. He hoped not. He walked slowly, every once in a while touching an icy rock. He passed ruins of houses and ashes, people shoveled snow. He heard dogs barking. Before the war he loved dogs, and they even had two beautiful German shepherds at home. Now, they reminded him of scenes from the camp and he was horribly afraid of them. In Auschwitz they were trained to murder. Ariel picked up his pace. Soon the sun would set and it would be dark. After a while, he saw the home of his uncles and aunts, who didn’t much care for visitors during the war. Fearfully, he knocked on the door. A young man stood before him, tall and well built. He had an unfriendly expression on his face, as if he had been expecting him. With his strong hand, he pulled Ariel inside, shutting the door, and yelled,

“Where is it?”

The frightened Jew led him down the stairs to the basement, and then the “brute” pushed him against a wall and demanded he say where the treasure is. A few strikes of a hammer against a wall and in the hands of his “captor” appeared a casket. Now, the boy was led upstairs and into the kitchen. The man grabbed his shirt and sat him on a chair at the table, then sat down across from him and opened the box. Inside was the ancestral jewelry of Ariel’s family. There were brilliantly shiny rings, broaches, and necklaces. Taking the valuables out of the casket, the man put them on the table, between himself and Ariel, loudly counting:

“Mine, mine, yours, mine, mine, mine, yours, mine, mine…”

When he finished, there were just three family heirlooms in front of Ariel. Tears appeared in his eyes. They reminded him of his mother, who always wore a string of white pearls around her neck when she went to synagogue. Now they lay in front of him on the table awaiting their verdict. The boy slowly reached into his pocket and pulled out a role of banknotes, explaining that for him the jewelry has sentimental value for his family and he would gladly buy them back. The “brute,” without thinking, took all the valuables lying on the table for himself, and in a deep resonant voice called out,

“Józek!”

In the kitchen doorway appeared a “man like an oak,” big and broad-shouldered, who asked contemptuously,

“What?” and looked at the table.

The brute moved aside, his eyes not leaving the valuables. Józek who was much older was supposed to settle the matter. Ariel began quickly explaining, persuading him to agree to his proposition to buy the jewelry. He asked Józek to take the money and give back the valuables and then everyone would be satisfied. Józek thought; he silently looked at the young Jew and the table with an appraising eye. Frightened, Ariel imagined them closing him in the basement and starving him, or God forbid, murdering him. Wouldn’t it be ironic to die here and now, after he had the good fortune to miss death at the hands of the Nazis? After a while, Józek broke the silence, yelling:

“Karol!”

A boy who was perhaps eight years old came into the kitchen. Freckled, with wavy hair and an intelligent look. From the pile of money lying on the table, Józek took one bill, gave it to the boy and told him:

“Go and buy two bottles of vodka.”

The boy, like a shot, ran from the cottage. Józek pushed the jewelry and money in the direction of Arial and said:

“Take it and go!”

Ariel ran as fast as his legs would take him. It was a marathon. He didn’t even touch the rock; he didn’t hear the barking dogs. He sped ahead with all the strength in his legs, not looking back. When he got to the station, the train stood ready for departure.

Mirosława Stojak recounting stories about Włocławek Jews, October 1, 2015

Mirosława Stojak recounting stories about Włocławek Jews, October 1, 2015

Mirka told me she met the boy from the story when he visited Włocławek (now of course, he’s an elderly man). His wife wore some beautiful jewelry; she doesn’t know if these were pieces he recovered, but it is nice to think that they were. At his request, she changed all the names when she wrote down the story. Nor did she write about the further misfortunes the boy experienced before he found his way to safety in Israel. I won’t either—the most important thing is that he survived.

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