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Uncovering Jewish Heritage

Uncovering Jewish Heritage

Category Archives: Poland

The Photo that Started it All: What Year Was It?

22 Friday Dec 2017

Posted by Marysia Galbraith in Family, Genealogy, Jewish immigrants, Kolski, Memory, Photographs, Piwko, Włocławek

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1910s fashion, Efraim/Philip Piwko

This blog started with a photograph. A family portrait of adult siblings with their parents. The photo also instigated my search for my hidden Jewish ancestors.

JechielHindaAndChildren

The Photo that started it all

Here, in my great grandfather’s long beard, head covering, and black robe, I saw for the first time visible proof that I descend from Jews. It took a long time, but I managed to identify everyone in the photo, including my grandmother (Babcia) who appears in the bottom left, her hand resting proprietarily on her mother’s wrist.

Based on their clothing and ages, I have guessed this photo was taken sometime around World War I. But I just came across some new information about my grand uncle Philip, the man standing to the right, that throws this date into question. Let me walk through what I have figured out.

Two Pifko brothers came to America, Abraham in 1906 and Philip in 1907. Here they are with Abraham’s wife and children and some other relatives:

BerthaPiwkoNathanPaulineEwa c1908

The Pifko brothers around 1908, New York. Front from left: Philip, Abraham, Paulina, Ewa, Bertha, Nathan. Back from left: Raphael Kolski, Sam and Max Alexander

This photo is easy to date; everything fits together. It must have been taken after Bertha and the children arrived in New York in May 1907, and Philip arrived in December 1907, but before Abraham and Bertha had their fourth child in October 1909. The style of Bertha’s dress is also consistent with this time period. Census records add another piece of supporting evidence; in 1910, all the people in the photo lived in the same household in Manhattan. So the photo was taken sometime between 1908 and the middle of 1909.

2Brothers

Philip and Abraham Pifko in the US.

In another photo of Philip and Abraham (on the right), they look a bit older, and Philip has grown a mustache. In my last post, I said that Philip is on the left, but my cousin Joan, who knew Philip when he was older, says she’s pretty sure he is on the right, driving the car. She also has no idea why his complexion was labeled “light brown” on an official document I found. His skin was not dark.

The photo that started this blog, and my search for ancestors, would seem to have been taken next, sometime around 1914-1918. Except it seems strange that Philip visited Poland during World War I.

Then, while looking through Philip’s documents on Ancestry.com, I clicked on a passport application from 1920. It was for both him and his wife Goldie, to go to England and France. According to what is written, Philip became a US citizen in January 1916, and resided in the US uninterruptedly since arriving in 1907. In response to a question about where he has lived outside of the US since his naturalization, the space is stamped, “I have never resided outside of the U.S.” Below, in response to a question about previous passports, it’s stamped “I have never had a passport.”

So this got me wondering. If Philip didn’t leave the country between 1907 and 1920, could the photo have been made later than I thought, in 1920? Could it have been when he traveled on this passport?

1920PPifkoPassportAppln

Goldie and Philip Pifko 1920, passport application photo

I found this passport application a while ago, but it didn’t occur to me until now that it might have a back. Sure enough, when I clicked to the next page in the database, there it was. The back of the form includes a place where a lawyer verified the truth of everything on it. There is also a handwritten note, “Applicant says he will not go to Russia or Poland. Instruct Amer consul [American Consulate] at France and England.” And even more convincingly, Philip and Goldie’s photo is attached at the bottom.

At age 37, Philip clearly seems older than in any of the other photos. His hair is receding (and, by the way, his skin does not look particularly dark).

It seems unlikely, after all, that the photo was taken in 1920. Could it have been taken before Philip’s departure in 1907? I went back to the photo itself, to reconsider all the details. First, I checked everyone’s ages. In 1907, my grandmother would have only been 13, but clearly she is older in the photo. The boy in front, sitting between his grandparents is Nathan Kolski, whose mother Regina died when he was born; several of my cousins have confirmed his identity. But Nathan was born in 1905, and he is definitely not a toddler in the photo. He almost certainly isn’t 15 either, making it unlikely the photo was taken in 1920. Also, the oldest sister Liba was 20 years older than Babcia. It’s really hard to tell for sure, but I would say that none of the women who are standing in the photo look as old as 48. Perhaps a couple are around 40. So again, considering everyone’s ages, it seems most likely the photo was taken around 1915, when Babcia was 21, Nathan was 10, Liba was 42, and Philip was 32.

It is also worth noting that the youngest child in the family, Malka, is missing, making me think the photo was taken after she died in 1913. Otherwise she would have been in it.

Next, I looked at the way everyone is dressed. Clearly, there is a great deal of variation between my great grandmother’s conservative dress and my grandmother’s short hemline and high heels. The dresses of the younger women flow; they are not fitted and buttoned up like Bertha’s in the photo from 1908. Fashion catalogs from the period show that during World War I, fashions changed markedly. Hemlines went up, waistlines became higher, and clothes used less fabric to conserve resources for the war. Other characteristics from the period include the “V” neckline with a lace inset, as well as attractive high heeled shoes, like Babcia and her sisters wear. The clothes date this photo back at my original estimate, 1914-1918.

I even considered whether I could be mistaken about the identity of the man standing to the right. Could it be the spouse of one of the sisters beside him? But several relatives have identified him as Philip, and he looks like Philip based on the other photos. Rachel’s husband Pinkus Kolski looked completely different. I don’t have a photo of Nunia’s husband, so I can’t compare.

But if the photo was taken around 1914-1918, how can Philip have been there? Occam’s razor says when there are multiple explanations, the simplest is probably the best one. The simplest explanation in this case is that Philip was indeed in Poland at some point during World War I. Maybe the photo was taken in celebration of his visit. Maybe a space was left between Jacob and Nunia to symbolically mark where Abraham, the brother who stayed in the US, would have stood. Maybe it was taken for Abraham, so he would have a memento of his kin back in Poland. That would explain why the photo was passed down in Abraham’s family. Many years later, his grandson made copies for my grandmother and other branches of the family.

Does that mean Philip lied on his passport application? Maybe not. If he traveled to Poland before he became a US citizen in 1916, maybe he didn’t need to report it on the form. And if that’s what happened, maybe I can pinpoint the photo more specifically to 1914-1916, before his hair had receded quite so much, and before the US entered the war. That seems like the simplest solution, even though it still doesn’t explain why Philip went back to Europe in the middle of a war.

Polish Independence Day is International News

16 Thursday Nov 2017

Posted by Marysia Galbraith in antisemitism, Identity, Poland, Warsaw

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American Anthropological Association Meeting 2017, International press, Marsz Niepodległości, Nationalism, patriotism, Polish Independence Day, xenophobia

The Marsz Niepodlegołości, March of Freedom, has gotten a lot of attention from the international press, no doubt because of parallels with rising nationalism in other parts of the world. The march, organized by radical nationalist parties, was on November 11, Polish Independence Day. Started in 2010, it has attracted more attendees than the official Independence Day celebrations almost since it began.

2017NYTPolishIndependenceMarch

2017 March of Freedom under the shadow of the Palace of Culture. Photo credit: Radek Pietruszka/European Pressphoto Agency

Here are links to a few articles. Unfortunately, some of them are behind pay walls.

From The Wall Street Journal, “Polish Nationalist Youth March Draws Thousands in Capital”

The next day, “Polish Leaders Condemn Nationalist March” was published.

From BuzzFeed: “March Led By White Nationalist Group In Poland Draws Tens Of Thousands From Across Europe“

From Politico, “White nationalists call for ethnic purity at Polish demonstration“

From The New York Times: “Nationalist March Dominates Poland’s Independence Day”

And a couple days later: “Polish President Sharply Condemns Weekend Nationalist March”

From The Guardian: “‘White Europe’: 60,000 nationalists march on Poland’s independence day”

And a couple days later: “Polish president condemns far-right scenes at Independence Day march”

And in Haaretz: “Tens of Thousands Join Far-right Nationalist March for Polish Independence”

My post about the march: Independence Day: The Emotional Tenor of Populism in Poland

I’ll give a paper about it at the American Anthropological Association Meeting on November 30.

 

Finding Family at the Jewish Historical Institute

24 Sunday Sep 2017

Posted by Marysia Galbraith in Archives, Family, Genealogy, Piwko, Research Methodology, Rotblit, Warsaw

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Jewish Historical Institute, JewishGen, Żydowski Instytut Historyczny

When my cousin Krysia and I first started searching for our Jewish roots, we barely knew where to start. Our Aunt Pat, a genealogist, had shared an impressive record of names, places, and even stories. Obsessive Internet searches yielded limited results–things like a notice in the Canadian Jewish Review from October 1963 that listed my grandmother’s sister Maria Weglinska among the out-of-town guests at Rochelle Pifko’s bat mitzvah in Toronto. Pifko/Piwko was my grandmother and her sister’s maiden name. But how were they related to these Canadian Pifkos?

1963CanadianJewishReviewBatMizvah

Notice in the Canadian Jewish Review on October 18, 1963 about Rochelle Pifko’s bat mitzvah.

How could we push beyond these tidbits? What more could we learn about our family?

Thanks to the Jewish Historical Institute (JHI, Żydowski Instytut Historyczny) in Warsaw we made some breakthroughs that have helped us piece together our family tree. Krysia’s husband Steve stopped in during a business trip to Warsaw and met Anna Przybyszewska-Drozd at the genealogical division of the JHI. She did a preliminary search on JewishGen, and found references to vital records of some of our ancestors. A few months later, Krysia and I went on our first roots trip to Poland. We still had no idea what we were doing so we stopped in at the JHI, meeting with Anna’s associate Aleksandra (Ola) Dybkowska-Grefkowicz who stayed after hours to help us with our search. She prefaced everything with her usual caution, “Don’t be disappointed if you don’t find anything” because so many records were destroyed and most Holocaust deaths were not recorded. Then, she showed us how to make use of the records in JewishGen and the databases of  the Polish National Archives, and suggested other places we could search for records.

I learned enough at that meeting to make some breakthroughs. I discovered my Zurich cousins through the Family Finder database on JewishGen, and shortly after my Israeli cousins through myHeritage.

On successive trips to Warsaw, Anna and Ola helped me learn more about my grandfather Jakob Rotblit. I was speaking with Ola about his automobile dealership in Gdansk when Anna walked in. A look of recognition flashed across her face; she pulled a book off the shelf about Jewish business owners in Gdansk between the World Wars. Sure enough, Jakob Rotblit was listed with information about his Ford dealership and with details about his wife and his parents. Another time, I mentioned that my mother and grandmother are on the list of Jewish survivors who registered after World War II ended. With a satisfied smile, Ola told me that the original registration cards are in the JHI archive. I walked upstairs to the archive and was able to hold those cards in my hand. The archivist showed me how the earliest records, from 1945, were handwritten on the backs of cut up prewar accounting records. Paper was scarce, so they used what they could find. By 1946, information was filled in on larger, pre-printed cards made especially for this purpose.

Once again, just a few months ago, the genealogical division helped me with my search. Anna e-mailed me that a woman, Ellen, had contacted her to find out about her Piwko ancestors. Anna thought we were related and asked if she could share my contact information with her. Of course I agreed, and since then Ellen and I have been in ongoing communication. She is an avid genealogist who turns out to be my 3rd cousin. Her great grandfather was my great grandfather Hiel Majer Piwko’s younger brother Urish. I knew nothing about him, maybe in part because he moved to Canada in the 1880s.

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3rd Cousins in Krakow, Poland in June 2017

Ellen and I had the extraordinary good fortune to be in Poland at the same time this June. She was on a once in a lifetime Jewish history tour of Eastern Europe with Professor Stephen Berk. Although I didn’t know anything about her or her great grandfather, I had an inkling about her branch of the family from that notice I found years ago about my Auntie Nunia’s (Maria Weglinska) visit to Toronto in 1963. Rochelle Pifko, the girl whose bat mitzvah she attended, was Ellen’s cousin and another descendent of Urish. So another mystery is solved. Some contact was maintained between my great aunt and her uncle who migrated to Canada shortly after she was born. And when Nunia/Maria came to the US in the 1950s, she renewed that connection and even visited. Ellen remembers when Nunia came to Canada some years later for another family event.

Crossing Boarders

07 Thursday Sep 2017

Posted by Marysia Galbraith in Commemoration, Polish-Jewish Heritage, Polish-Jewish relations, Radom

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Here’s a post from a heritage seeker on a similar quest to my own. She attended the commemoration of the 75th anniversary of the liquidation of the Radom ghetto, which took place in Radom last month.

radommusings1945's avatarRadom Musings

After a few weeks of decompression, I am finally able to sort through some of my feelings about last month’s commemoration ceremony in Radom.  At times solemn, while at other times celebratory, the event was a reflection of how present day Catholic Poles choose to confront Poland’s complicated relationship between Christians and Jews.

Poland’s internal and external struggles to reconcile its past were highlighted by the incongruity of a klezmer band playing music at the entrance of the Jewish cemetery, and by the reverence demonstrated when a Holocaust Survivor spoke about his fond pre-War memories, followed by a concert of a well-known Polish performer.  While one can say that this combination of somber commemoration and entertaining celebration reflects the merger of past and present, not all of us are ready for the journey.  Poland’s past has a long way to travel before it catches up to present day Jewry.  At…

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AK Verification, Part III

02 Saturday Sep 2017

Posted by Marysia Galbraith in Archives, Bereda, Family, Memory, Polish Culture, Polish Underground Army, Warsaw, World War II

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AK, Armia Krajowa, Maria Bereda(y) Galbraith, patriotism

NOTE: This overview of my recent discoveries at the Polish Underground Movement Study Trust, Studium Polskiej Podziemniej (SPP) got so long I am publishing it in three separate posts. Here is part III. During the German occupation of Poland during World War II, the Polish Underground Army worked in secret to resist, sabotage, and fight against the Nazis. Another name for the Polish forces is “AK,” short for “Armia Krajowa,” or “Home Army.” I talk about the soldiers as “the partisans;” in Polish sources they are also called “konspiracja,” “the conspiracy.”

Sorry it’s taken a while for me to get to part III. The semester has begun which means I’ve been very busy.

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Pencil sketch of Maria Bereday from the 1950s, signed Ditri. Friends tell me she looks like a spy.

All of the questions the archivist Krystyna asked me about the names Mama went by paid off because she found another file; the envelope was mislabeled “Maria Fijułkowska.” Inside was a six-page report, relacja, Mama had written titled, “Outline of Courier Work.”

Initially, neither Krystyna nor I found this file because not only was “Bereda” missing, but Fijałkowska was also misspelled. Krystyna wrote “Fijałkowska” on a new envelope; I don’t know why she didn’t also add the Bereda, even after I pointed out that Mama’s full name was hand-written in large letters along the left margin of the document’s first page. Around World War II, the family usually used the name Bereda-Fijałkowska. Mama told me they added the Fijałkowski/a, which was grandpa Bereda’s mother’s maiden name and a name associated with the Polish gentry, because of Babcia’s social aspirations.

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Mama’s name (Bereda-Fijałkowska) and pseudonym “Renata” in the margins of her typewritten report.

Mama’s report matches up with some of the stories she told me, and confirms some of what she did during the occupation. It also gives more details about the way her courier unit “Zadra,” was organized, and how couriers carried out their duties. The report is dry and factual. It contains no specifics about her emotional engagement or personal thoughts. A historian might find it interesting for what it reveals about the operations of the Underground conspiracy. I keep trying to look beyond the words to find the person behind them.

She writes, that “Zadra” started out very small, and because the work wasn’t systematized, the couriers were on call at all times. “By the end of 1942,” she writes, “the number of couriers stabilized at 15, and that group became close and experienced, and worked together for a long time without changing members.” This all changed in the fall of 1943 when the occupier, okupant, limited train travel to Germans only. Overnight, the courier corps dropped from 60 to just six who spoke German well and had German papers. “The work for these couriers during this time was nonstop,” she continues, “The number of trips for each courier came to 10-12 per month, depending on the route.” My mother doesn’t state it in the report, but she must have been one of the couriers who carried out missions during this time. Some of her most vivid stories were about traveling in the train cars with an assumed identity as a “volksdeutch,” a half-German whose father was fighting for the Reich on the Eastern front.

After about two months, the courier corps were reorganized and expanded, with more reserve couriers brought into regular service. In the half year before the Warsaw Uprising, the number of couriers in her unit approached 40, and overall reached 100.

The duties of the couriers included delivering coded and uncoded orders hidden in ordinary objects such as candles or paint, special messages that had to be handed to specific commanders, and large sums of money (1/4-12 million zloties in 500 zloty bills). Some missions involved carrying the messages brought by paratroopers they called “ptaszki,” “little birds.” This is the code name for the cichociemni, the officers who parachuted in from the West carrying money and messages from the Polish Government in Exile.

The report includes an example of a special mission Mama undertook at the end of 1943. Instead of being briefed by her usual commander “Wanda”, “Beata,” the head of communication with the west, did it. “Wanda” gave her a special coded message she had to hand directly to the chief of staff or the commander of the Radom District. This was to occur in private with no witnesses. Mama also had to memorize and deliver the oral message, “The commanders of the divisions and subdivisions of “Burza” require complete secrecy in the event of the invasion of the Russians.” Burza, Tempest, was the code name for the Warsaw Uprising.

Because the chief of staff wasn’t available on the day Mama arrived, she had to spend the night at a safe house. The next day, she delivered the messages to Chief of Staff “Rawicz” [his real name was Jan Stencel or Stenzel], but had to spend another two days before “Rawicz” returned from the forest, where the partisans were hiding out, with the required response for the Central Command in Warsaw.

Reading this sparked another memory for me. I think it was a big deal for Mama to stay away from home for so long, especially because her father didn’t know she was in the Underground. Her mother did know, though, and they hatched an alibi about a visit to Mama’s fiance’s family. Or maybe this is the story she told the authorities on the train to explain why she was returning several days late. Hopefully, my brothers remember this story, too, and can confirm one of these versions.

The documents from the Studium Polski Podziemnej in London have been a lynch pin that holds together information from a variety of sources. While I was there, I also found a citation for Communication, Sabotage, and Diversion: Women in the Home Army, Łączność, Sabotaż, Dywersja: Kobiety w Armii Krajowej, published in 1985. The book was written in Polish but published in London. I found a copy of it at an online used bookstore whose brick and mortar shop is in Warsaw. I called, and sure enough they had it in the shop, so I picked it up while I was in Warsaw. It contains the recollections of the head of the Women’s division of Central Command (VK) Janina Karasiówna, the oficer who confirmed Mama’s verification file. Another chapter contains the report of Natalia Żukowska who was the assistant commander of Mama’s courier unit; Mama identifies her by her pseudonym “Klara.” From Żukowska’s report, I learned that “Zadra” was the name used by the couriers who had been working with the unit for the longest, but in 1943 the name was changed to “Dworzec Zachodni.” Reviewing Mama’s documents, I see now that she identified her unit as Zadra-Dworzec Zachodni in one place. She underlined it, too. Until I read this book, I had thought Dworzec Zachodni, which means Western Station, referred to Zadra’s location, not an alternative cryptonym. And then there’s this: the names of the 15 couriers, including “Renata.” That’s Mama’s pseudonym; her last name is misidentified as “Brodzka” instead of “Bereda,” but Natalia writes, “Unfortunately, it wasn’t possible to decrypt all of the last names” (p. 118).

Mama was proud of her service for her country, but she was also painfully aware of the cost of war. She called herself a pacifist and the war solidified her abhorrence of armed conflict. I remember her asking, “Are there times when fighting is necessary?” I could tell from her voice that she wanted to believe all conflicts can be resolved peaceably. But her experience had taught her otherwise.

AK Verification: Part II

13 Sunday Aug 2017

Posted by Marysia Galbraith in Archives, Bereda, Family, Poland, Polish Culture, Polish Underground Army, Warsaw, World War II

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"Zadra", AK, Armia Krajowa, Courier, General Bór Komorowski, Grupa "Koło", Major Janina Karaś, Maria Bereda(y) Galbraith, Polish Home Army, Polish Underground Study Trust, Studium Polski Podziemnej, Warsaw Uprising

NOTE: This overview of my recent discoveries at the Polish Underground Movement Study Trust, Studium Polskiej Podziemniej (SPP) got so long I am publishing it in three separate posts. Here is part II. During the German occupation of Poland during World War II, the Polish Underground Army worked in secret to resist, sabotage, and fight against the Nazis. Another name for the Polish forces is “AK,” short for “Armia Krajowa,” or “Home Army.” I talk about the soldiers as “the partisans;” in Polish sources they are also called “konspiracja,” “the conspiracy.”

 

The file at the archive of the Polish Underground Movement Study Trust, Studium Polski Podziemnej (SPP), contained the same verification questionnaire I had from my mother’s papers and so much more. On the envelope itself is the following identifying information:

VerificationEnvelope

Information on the envelope containing Mama’s papers at the SPP

I ‘ve learned how to decipher all of this. Here’s what it means:

Cadet Bereda-Fijałkowska Maria

2.785/46 [record #]     “Renata” [her pseudonym]

   26. VI 1922 Wilno [birth date and place of birth]

 

            Central Command division V/Women “Zadra” courier

Uprising: after the fall of the Wola district of Warsaw

                                    “Koło” Group-liaison officer [the names of her units]

The documents inside the envelope confirm Mama’s service and rank in the AK [Home Army], as well as her receipt of the Cross of Bravery. She submitted her questionnaire on March 9, 1946, her commanding officer confirmed her claims on April 15th of the same year, and the official report was completed the next day on April 16. The final report says the head of the Polish Army himself, General Bór-Komorowski, confirmed her receipt of the Cross of Bravery. Here is what looks like his signature on the document:

BórSignature

General Bór Komorowski’s signature verifying Mama’s service in the Polish Home Army. It looks like he wrote “Stwierdzam (I confirm)  16/IV 46” above his signature. Note the “gn” for “generał.”

Mama started military training in middle school, gimnasium, at the Klementyna Hoffman School in the mid-1930s. She continued training in high school, liceum, and entered the Underground in June 1941, right after finishing high school. She took courses on how to be a courier, the organization of the Underground and of the German military, as well as marksmanship, topography, and first aid. She was in “Zadra” Group, part of the women’s courier corps in the 5th Division of the Central Command. She delivered encoded communications, money, and oral messages on the routes between Warsaw and Krakow, Radom and Skarżysko-Kamienna. In these latter two places, she acted as a go-between for the partisans in the surrounding forests and Central Command in Warsaw. From 1942-4, she also worked as an instructor training other women to serve in the Underground.

When the Warsaw Uprising began on August 1, 1944, she was with her unit “Zadra” in Wola, a district to the northwest of downtown. A handwritten note on her typed questionnaire says “wounded on route from Wola to the Old City.” The handwriting is different from Mama’s distinctive, almost calligraphic style, so somebody else must have added it after Mama submitted her answers.

The archivist Krystyna Zatylna said that the heaviest fighting in the first days of the Uprising was in Wola. Mama was lucky to have survived. By August 8, 40,000 civilians died in Wola.

The Home Army regrouped in the Old City. Mama got separated from her unit and joined “Koło” group. She is referred to here as a “liaison,” “lączniczka,” rather than “courier,” “kurierka.” Both terms refer to people entrusted with delivering critical information. Initially, however, she worked as a medic on Długa Street. When the Germans pushed the partisans out of the Old City, they escaped to the City Center, Śródmieście, via the sewers.

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Document dated September 9, 1944 that allowed “Renata” to travel through the City Center during the Warsaw Uprising.

The file contains two papers dated from the Uprising. No doubt Mama brought them with her to London to help corroborate her report. These tattered notes—physical proof of her service—must have been very precious to her. The first, on a third of a piece of paper that has deep creases from having been folded many times, is dated September 9, 1944. It states:

I assert that cadet Renata is a liaison of “Koło” Group. The conditions of her service require movement within the region between Savior Square and Napoleon Square.

The note is signed by the Chief of Staff of “Koło” Group, Major Krynicki. The document contains a round stamp with a crowned eagle in the middle surrounded by the words “Motorized Transport Brigade, “Brygada Dyspozycyjna Zmotoryzowana.” Mama must have shown this note at barricades on the streets so the AK soldiers would let her pass. Savior Square and Napoleon Square are in the City Center, which means she retreated through the sewers before September 9. I can, however, imagine her dodging Nazi bullets as she ran across the barricaded Jerusalem Street carrying messages from Napoleon Square to Savior Square. These names would sound good in a poem. Too bad I’m not a poet.

The second paper dates from October 3, 1944, the last day of the Uprising. Signed by Colonel Bolesław Kołodziejski, the commander of “Koło” Group, it is titled, “Provisional certificate (to be exchanged after the war for official recognition).” The text reads:

I confirm that “Renata Lewandowska” was decorated for her activity during the Uprising from August 1 to October 3 1944 with the Cross of Bravery for the first time.

Based on: the personal confirmation of the head of the Warsaw Corps of the A.K. Brigadier General Montera and his assistant Colonel Wachowski, as told to the commander of “Koło” Group during the last days of the Uprising.

“Montera” was the code name for General Antoni Chruściel, who led the Home Army (AK) in Warsaw during the Uprising. Kołodziejski was also a code name. Elsewhere in the documents, Mama writes that his real name was Zygmunt Trzaska-Reliszko.

Mama writes that she was promoted twice; in September 1944 she became a cadet, plutonowy podchorązy and in October she was promoted again to ensign, podporucznik. It looks as though the Verification Commission could only confirm the first promotion. A handwritten note on Mama’s questionnaire says they weren’t able to contact her commanding officer from “Koło” Group to verify the second promotion.

Also in the file are two statements written by the commander of the women’s branch of the 5th division of Central Command (V.K. KG) Major Janina Karaś, dated April 15, 1946. In them Karaś, also known as Karasiówna, confirmed that Mama earned the rank of cadet in “Koło” Group, and was also granted the Cross of Bravery for her service. Clearly, the Verification Commission contacted Karaś to corroborate Mama’s claims on her questionnaire. One of Karaś’s statements reads:

As the chief of the V.K. [5th Women’s] Central Command I certify that in the course of her service as a courier, “Renata” Maria Bereda Fijałkowska distinguished herself on the route Warsaw-Krakow and Warsaw-Skarzysko-Radom with bravery and decision to take risks. Traveling with German false papers she carried money, mail, and oral orders /for example related to the order for [Operation] Tempest. She earned the Cross of Bravery for her service.

Operation Tempest, “Burza,” was the code name for the beginning of the Warsaw Uprising. In other words, some of the messages Mama carried between Central Command and the partisans in the forest involved critical details about the Polish Underground’s battle to free the capital city from German occupation. I’m reminded of something the archivist at the Warsaw Uprising Museum kept repeating when I showed him Mama’s verification questionnaire two years ago: “She must have been very high in the conspiracy.” He couldn’t find the exact connection, but I believe I have it right here.

Krystyna Zatylna helped me put the pieces together. The forests around Radom are where the so-called “cichociemni,” “the quiet unseen” soldiers parachuted in from the West, bringing messages and money from the Polish Government in Exile for the leaders of the Underground in Poland. I believe Mama was given these items from the cichociemni and carried them back to Central Command in Warsaw. It fits with stories she sometimes told, and it fits with the seven-page report she filed with her verification papers. And that will be the subject of the third part of this blog post.

Jewish Warsaw in the Shadow of Skyscrapers

30 Friday Jun 2017

Posted by Marysia Galbraith in Jewish Culture, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Post-World War II, Synagogues, Warsaw

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Plac Grzybowski

I discovered Jewish Warsaw tucked between streets I’ve walked dozens of times. My first surprise was that the apartment I rented in an ugly green socialist-era tower is literally around the corner from Plac Grzybowski (Grzybowski Square), where Jewish life survived into the communist era.

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6th floor view of Plac Grzybowski. From the left, a socialist era apartment, All Saints’ Church, modern skyscraper, (at the center) green space, with the site of Jewish Theater behind it and the roof of the Gmina Żydowska behind that, (bottom right) back of building with Charlotte Menora Cafe.

I’ll say more about Plac Grzybowski in a minute, but I was even more surprised when, while mapping out a running route, I saw that I was also just a block away from Nożyk Synagogue, the only synagogue in Warsaw that survived the war. I’m embarrassed to admit that I had never been there before, nor is this the first time I’ve been so close and didn’t even realize it. When my best friend from childhood Kim visited with her father in November 2014, we stayed at a hotel on Grzybowska Street, and were it not for the newer building across the street, we could have seen the synagogue from the hotel entrance. Kim and her family introduced me to Passover Seders, and bagels with lox and cream cheese, and I’m sure they would have loved to see the synagogue. In my defense, the synagogue sits in the green space at the center of the block, with tall buildings all around it. It’s easy to miss. The street access to the synagogue looks like the entrance to a parking lot, and from Grzybowska Street, the only access is via pedestrian walkways.

DSC02259

My friend Kim with her father Sandy and my son Ian in Saski Park, Grzybowska Street in the background, November 2014

This isn’t the first time I have seen a synagogue tucked within the central courtyard of a city block. I wonder what the historic reasons were for that. Regardless, I imagine that in the difficult years after the Holocaust, this location offered the synagogue some protection; only people looking for it would find it. This is also where the Gmina Żydowska—the Association of Jewish Communities—has its offices. I should have come here before.

Nożyk Synagogue, Warsaw
Nożyk Synagogue, Warsaw
"About the Jewish Community"
“About the Jewish Community”

Built in 1902, the synagogue is a solid stone rectangle with arch-topped windows all around. Above the front door, two arch-topped tablets contain the Ten Commandments, and above them is a Star of David. The building survived World War II because the Nazis used it as a warehouse. Jews returned to worship there after the War, and at present, it remains the main synagogue of Warsaw, home to the Orthodox community. The offices of the Gmina Żydowska fill a modern addition across the back of the building.

Both times I walked by the synagogue, a few men were inside praying. More people walked by briskly, probably residents of surrounding buildings. Along the edge of the parking area, large information boards contain headlines like “We, the Jews of Warsaw,” “About the community,” and “Kosher…what does it mean?”

All the pieces fit together from my 6th floor balcony. I can see the metal roof of the synagogue’s modern addition. I also look down at the corner of Charlotte Menora in Plac Grzybowski; this is one of four Charlotte Cafes in Poland. They all specialize in French pastries, but this one also includes Jewish offerings such as bagels and rugelach. My friend Beata took me there last summer. She also pointed out the center of the square that has been converted into a shaggy grassland and wildflower garden. Pathways lined with benches lead down to a central fountain. This novel use of space started out as an art installation by Joanna Rajkowska called “Dotleniacz,” which in English means “Oxegenator;” The project was later reworked into its present, more permanent form.  Beata also showed me Próżna Street, the only street in the ghetto where the original buildings weren’t destroyed in the systematic bombing after the Ghetto Uprising in 1943. On one side of the street, the townhouses have been painstakingly restored. On the other, netting covers the buildings to prevent pedestrians from being harmed by falling elements of the crumbling façade. One of the renovated buildings is home to the Austrian Cultural Forum. Some of my Polish friends say they feel uncomfortable about this because of Austrian support for the Nazis.

Park in the middle of Plac Grzybowski
Park in the middle of Plac Grzybowski
Próżna Street at night
Próżna Street at night

Grzybowski Square is actually shaped more like a triangle. Charlotte Menora and the intersection with Próżna Street are on one long side. At the second long side, a pile of debris peaks above a barrier fence where the Jewish Theater was torn down last year. This theatre continued to operate all through the communist period, offering performances in Yiddish. Posters on the fence announce that the theater will be rebuilt, along with the TSKŻ, which stands for Towarzystwo Społeczno – Kulturalne Żydów, The Social and Cultural Association of Jews. Sophie, whom I met because she shares the last name of my great grandmother, lived in Warsaw until 1968. Her face lit up as she recalled going to youth activities at the TSKŻ. But she, like most of Poland’s remaining Jews, left in 1968 when the government waged a campaign against Jews. That’s also when many of the TSKŻ branches closed. In Warsaw, the organization hobbled along until after the end of communism, and has since been growing once again.

"Coming here, The new location of the TSKŻ. Jewish Theater and Office-Services Building"
“Coming here, The new location of the TSKŻ. Jewish Theater and Office-Services Building”
All Saints Church
All Saints Church
Pope John Paul II statue in front of All Saints' Church
Pope John Paul II statue in front of All Saints’ Church

At the third, shorter side of the triangle stands the All Saints Church, where Christian Poland asserts itself even in this Jewish part of town. I’ve read that the church was right along the border of the ghetto, and it was where converts to Catholicism living in the ghetto would come to pray. More recently, symbols of Polish nationalism have been placed across the front of the church. Numerous plaques commemorate Home Army soldiers who fought against the Nazi occupation and in the Warsaw Uprising of 1944. These soldiers belonged to companies with names like “Buttress,” and “Brave,” and had wartime pseudonyms such as “Goliath,” “Fisherman,” and “Rooster.” A sculpture of Pope John Paul II stands on the steps leading up to the church, and a monument honoring the Home Army soldiers who produced weapons for the partisans is in the park across the street.

Plac Grzybowski is virtually unrecognizable from the first time I saw it. Marta, a family friend from Warsaw, pointed out the Jewish theatre to me in what I remember as a wide, crowded, dirty intersection with no central green space. It might have been 1990 or 1991, or maybe even 1986. Marta also painted a picture for me of how the square looked still earlier in time, before the war, when the streets were filled with Jews, many of them orthodox men with long beards and black coats, and women wearing wigs or kerchiefs.

The view from my window encapsulates this city–a mishmash of old and new, Catholic and Jewish, nationalism and subversion. Add to this the layers of memory every place contains, along with the energy of a capital city, and you can feel the beating heart of Warsaw.

Sholem Asch: A Yiddish Playwright Ahead of His Time

11 Thursday May 2017

Posted by Marysia Galbraith in Jewish Culture, Kutno, Pre-World War II, Yiddish

≈ 1 Comment

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God of Vengence, Indecent: the play, Paula Vogel, Sholem Asch

 

Kutno’s native son Sholem Asch is in the news a hundred years after writing a play that deals with issues that remain controversial today. His work also shatters a lot of assumptions about Jewish life in Poland in the early 20th century–Written in Yiddish, it features a brothel, a Torah scroll, and love between two women. Asch’s play God of Vengeance was written in Yiddish in 1907 and first produced in Berlin in 1910. I found an electronic version of the 1918 English translation (you can follow the hotlink above). In the play, Yekel, who lives with his family above the brothel he owns, tries to improve his family’s status by commissioning a Torah scroll and marrying his daughter Rifkele to a Yeshiva student. Instead, the young daughter falls in love with one of the prostitutes and in a pivotal scene, they kiss. The play highlights the tension between piety, reflected in the Holy Scroll that is supposed to bring respectability to the family and the economic and sensual attraction of the brothel downstairs, as well as observations about women’s empowerment and oppression.

The play has been getting attention recently because of Paula Vogel’s Broadway play Indecent, a play about a Yiddish play that was ahead of its time (as the NPR report about Indecent is titled). Vogel’s play centers around the 1923 staging of God of Vengeance in New York’s Apollo Theater (also on Broadway), notable because the whole cast, the producer, and one of the theatre owners were arrested and eventually convicted of indecency. The play had been controversial where it had been staged throughout Europe, but it also received critical acclaim.

The popularity of Indecent has led to renewed interest in Asch and his play, which was recently produced at LaMaMa Experimental Theater in the East Village (In God of Vengeance, a Nice Jewish Family Lives Above a Brothel).

30godofvengeance-master768

From left, Eleanor Reissa, Shayna Schmidt and Shane Baker as Orthodox Jewish parents and their marriageable young daughter in Sholem Asch’s “God of Vengeance,” at La MaMa. Credit Richard Termine for The New York Times

 

 

More Jewish Heritage Work in Kutno

26 Wednesday Apr 2017

Posted by Marysia Galbraith in Cemeteries, Heritage work, Jewish Culture, Jewish Ghetto, Kutno, Memory, Names, Polish-Jewish Heritage, Polish-Jewish relations, Synagogues, World War II

≈ 2 Comments

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Friends of Kutno, Polin Museum, Reclaiming "Jew", Towarzystwo Przyjaciół Ziemi Kutnowski

This is part II about heritage work in Kutno. The first is Jewish History of Kutno.

While in Kutno, I visited the Society of Friends of Kutno (Towarzystwo Przyjaciół Ziemi Kutnowski). The organization has been active since the early 1970s, and has put out an annual periodical about local history and customs for about 20 years. Most issues of the publication contain an article about Jews. In 2016, these articles were compiled in a book along with other historical materials about Kutno’s Jews, including Holocaust witness reports and photographs, and a list of people who lived in the Kutno ghetto.

okladka zarys historii

Outline of the History of Kutno Area Jews, published by the Friends of Kutno

The chairwoman of the Friends of Kutno Bożena Gajewska is an energetic and upbeat woman. She accepted the position because of her interest in local history and her desire to promote that history among local residents. She isn’t paid for this; she volunteers for the organization after getting off work. The Friends of Kutno have their office in a historic wooden villa that was recently renovated by the city. Most of their funding comes from grants. Over the years, they have placed historical markers where the synagogue, Jewish cemetery, and ghetto used to be. Other recent projects related to Jewish culture include field trips for local residents to the Polin Museum in Warsaw, to a production of a Sholem Asch play at the Yiddish Theatre in Warsaw, and to the Chełmno Extermination Camp, where Kutno Jews were transported when the ghetto was liquidated. Kutno was selected as a site where the Museum on Wheels (a traveling branch of the Polin Museum of the History of Polish Jews) would visit; this happened in August 2016.

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Marker reads, “In this place the 18th century synagogue stood. It was destroyed by the Nazis during World War II, evidence of the hatred of one human to another, and to his works.”

Pani Bożena says she’s noticed that orientations toward Jews have improved since the Polin Museum has opened. Thanks to the Museum, you can talk about Jews, whereas before, the word “Jew” had negative connotations, and was even used as an insult. This made people unsure what to call practitioners of the Jewish faith. Polin has helped to rehabilitate the term. While this may seem like a manifestation of the particularly fraught relationship between Poles and Jews, Mark Oppenheimer just published an opinion piece in the New York Times (Sunday, April 23, 2017, “Reclaiming ‘Jew’”) in which he notes that it’s the same in the US. “Jew” is almost never used as a noun; rather, the adjective “Jewish” is used, as in “Jewish people” or “I’m Jewish” (never “I’m a Jew”). Oppenheimer quotes the comedian Louis C. K. who called “Jew” a funny word “because ‘Jew’ is the only word that is the polite thing to call a group of people and a slur for the same group.”

The Polin Museum has also contributed to a surge of activity related to Jewish history and culture throughout Poland. This has led some townspeople to complain to the Friends of Kutno, “Why is everything always about Jews?” Bożena says she reminds these people that the Friends are interested in all aspects of regional history, and Jews were a part of that history. They address plenty of other topics, as well. For example, they recently published the biography of a native son who was an ultra nationalist during the period when the majority of Kutno residents were Jews (I can’t remember his name but maybe someone reading this can remind me).

Pani Bożena drove me to see some historical sites around town. The Jewish cemetery is on a hill overlooking a neighborhood of concrete apartment buildings. The hillside is covered with tall grass and wildflowers, and crisscrossed by dirt tracks where people walk their dogs, kids play, and people hang out. Many leave their trash behind. The Friends of Kutno recently put up signs around the cemetery that say “Here is the resting place of Kutno Jews, who settled in the city from the beginning of the 16th century. The cemetery located on this hill may have been established as early as the 16th century, also. Jews were buried here until March 1943. Please maintain its solemnity.” Below this historical information is the reminder, “Keep in mind as you go into this vast expanse that this is a cemetery; people are buried here, you walk on their graves, even though there are no longer tombstones…” Further, the sign states the cemetery is a registered monument and thus legally protected, and any vandalism is subject to a sentence of imprisonment. Nevertheless, within just a few months, four out of six such signs were vandalized. The metal poles were snapped at ground level. Bożena condemned the destruction, but also minimized it as the work of thoughtless hooligans (as opposed to a deliberately antisemitic act). In September, the poles were replaced and the signs stand once again.

Bożena showing me the new sign at the Jewish cemetery in Kutno
Bożena showing me the new sign at the Jewish cemetery in Kutno
An older monument at the top of the cemetery hill
An older monument at the top of the cemetery hill

We passed people with dogs as we walked to the top of the hill to an older monument. It contains the same historical information as the new metal signs in Polish and Hebrew (but not the reminders about proper behavior and legal issues), and is shaped like two adjoining tombstones. Heading back down the hill, past some children playing, we saw the bases of some grave markers peaking out of the grass. Many tombstones were recovered and are stored at the Kutno Museum.

Bożena dreams of building a fence around the cemetery so there will be a more substantial barrier against further vandalism. They have received all the necessary approvals, but are in need of funding.

From the cemetery, we went on to the site of the ghetto, which is outside the center of town on the grounds of a former sugar factory. The factory was used by various industries after the war, but now is closed. The buildings, some dating from the late 19th century, stand behind a high fence and a guard patrols the site. Historic markers tell the story of the ghetto. A granite plaque reads:

Here on the terrain of the former Konstancja Sugar Factory

Germans established a ghetto for the Jewish population of Kutno and the surrounding area.

After its liquidation in 1942, the surviving Jews perished in the camp at Chelmno.

Honoring their memory, the People of Kutno.

Kutno, April 1993

A more recent sign contains a bit more historical information in both Polish and English (if you want to read it, click on the photo below to enlarge it).

Former site of the Kutno ghetto.
Former site of the Kutno ghetto.
Wall plaque at the site of the Kutno ghetto
Wall plaque at the site of the Kutno ghetto
Historical marker in front of the main gate of the factory where the Kutno ghetto used to be.
Historical marker in front of the main gate of the factory where the Kutno ghetto used to be.

Bożena told me that over 8000 people lived in the ghetto from 1940-1942. Those who got there first occupied all the most obvious places, so later arrivals had to build shacks from scrap wood, or find ways of populating balconies and any other inhabitable space throughout the large factory hall. In 1942, they were all transported to the camp at Chełmno by train (the tracks are right across the street from the factory) and by truck.

Thinking about the people I met in Kutno (and elsewhere), one thing I am trying to sort out is why Christian Poles get involved in Jewish heritage projects. Not surprisingly, the reasons are varied. One is interested in historical artifacts; he has no political agenda. Another of my companions tried to place this history into a more pro-Polish framework. He explained that the Nazis forced Christian townspeople to do horrible things as part of a strategy to damage relations between Poles and Jews. “All people really want is to live in peace (Chcą w spokoju żyć)”, he continued, “Poland is in the heart of Europe, a pretty terrain that has historically been attacked from all sides.” Others feel personally drawn to Jewish culture. One of my acquaintances in Kutno believes she has Jewish heritage. She seems to understand my quest for my own family history. “It’s important to know where you’re from,” she told me. She hasn’t found anything as concrete as my family photograph (the one I use at the top of the blog) to confirm her feeling that she has Jewish roots. All she can point to are allusions in family stories she remembers from childhood, and sometimes people have told her she looks Jewish. But anyone she could have asked has passed away.

But what’s clear from my visits to Kutno is that fragments of Jewish history remain, and some have been marked as such thanks to the efforts of a small group of residents who think it is important to include the stories of Kutno’s Jews in the history of their town.

Healing Collective Trauma: Jewish Heritage Work in Poland

18 Saturday Mar 2017

Posted by Marysia Galbraith in Cemeteries, Commemoration, Fieldwork, Heritage work, Memory, Polish-Jewish Heritage, Trauma, Wronki

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affect, Aleida Assmann, collective memory, lapidarium in Wronki, Piotr Pojasek, Shadows of Trauma, Society for Psychological Anthropology Meeting

Healing Collective Trauma: Jewish Heritage Work in Poland is the title of the paper I presented at the Society for Psychological Anthropology Meeting in New Orleans on March 12. Here is the abstract I submitted:

The legacy of the Holocaust weighs heavily on Polish communities that were witness to unspeakable events. The paper examines how collective and personal trauma and recovery are intertwined, particularly in relation to Jewish heritage work in Poland. It emphasizes the affective engagement of heritage workers, most of whom are Catholic Poles, working on local projects intended to bring the history and culture of the community’s absent Jews back into the public sphere. Person-centered ethnography helps to reveal how participants talk about the work they do in relation to notions of self and society, and associated personal and social meanings. It further reveals their particular narratives about past and present relationships between Catholics and Jews in Poland, which they often pose as a challenge to the silences of the socialist era and the present-day reemergence of xenophobic nationalism. As members of the post-memory generation—they grew up with stories about former Jewish residents and the destruction of their communities, but they did not actually experience these events themselves—heritage workers are able to work towards reconciliation in ways that older generations could not. They have coming-of-age stories associated with the moment historical events became real to them, and their emotional distress about the past became the force that compelled them to do something about it in the present. Their personal narratives suggest motivation stems from the convergence of attachment to their native place, a sense of responsibility to those who are no longer present, and a desire to realize a more inclusive community that accepts past and present diversity within the Polish polity.

In memory of the Jewish community that inhabited Wronki from 1507-1939. Lapidarium of tombstones from the destroyed Jewish cemeteries of Wronki
In memory of the Jewish community that inhabited Wronki from 1507-1939. Lapidarium of tombstones from the destroyed Jewish cemeteries of Wronki
Lapidarium of Jewish Tombstones, Wronki
Lapidarium of Jewish Tombstones, Wronki
Piotr Pojasek pointing to one of Wronki's Jewish cemeteries. Some pedestals of tombstones remain buried, as well as a large spruce tree that was planted when the cemetery was still functioning.
Piotr Pojasek pointing to one of Wronki’s Jewish cemeteries. Some pedestals of tombstones remain buried, as well as a large spruce tree that was planted when the cemetery was still functioning.

The paper starts with the story of Piotr Pojasek, who grew up in an old farmhouse near Wronki. From childhood, he knew that the curb on his street had been made out of Jewish tombstones during the Nazi occupation, but it was only as an adult that he really realized how wrong that was. And once he became engaged emotionally and morally, he knew he had to do something about it. It took many years, but in 2014, the lapidarium of the tombstones was completed. Applying the categories of memory as defined by Aleida Assmann, I use this case to explore how individual memories can shape social memory, and in turn national and cultural (collective) memory. The point is that individual connections to the past, as Piotr had through the uneasy presence of the tombstones outside his front door and the stories his father told him, are what compelled action. By collecting and sharing historical evidence and the stories of witnesses, social memory about the impact of the Holocaust grew, and developed a resonance for others. Eventually, a large coalition of local, national, and even international sponsors succeeded in building a public monument that revives and perpetuates collective memory of the Jews who lived there, of the inhuman circumstances of their death, and of the Polish citizens who recognize this as an important part of the history of their community.

Commonly, scholarship on collective memory focuses on public symbols and commemorative spaces, and has little to say about the transmission of meaning on the individual level. In my work, I am trying to show the relevance of individual memory workers and their personal engagement with the past as well as their local community. They are the ones who can bring things together, forging personal, affective links that make others care about far distant people and events.

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