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Uncovering Jewish Heritage

Uncovering Jewish Heritage

Category Archives: Synagogues

Memory Map Exhibition includes Skierniewice, the Piwkos’ Hometown

08 Friday May 2020

Posted by Marysia Galbraith in Cemeteries, Heritage work, Jewish Culture, Memory, Museum, Piwko, Post-World War II, Skierniewice, Synagogues, Yiddish

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Cousins in Poland, Grodzka Gate-NN Theatre Center, map

The Atlas of Memory Maps exhibit features maps drafted by non-experts in an effort to preserve the memory of their hometowns, which had been destroyed or radically transformed during and after World War II. Most were published in Yizkor books, memorial books compiled by Jewish survivors. The exhibition is mostly in Polish, but includes some English-language information. The maps contain notations in Yiddish or Hebrew. This virtual exhibition by Grodzka Gate-NN Theatre Center includes maps from Poland, Belarus, Ukraine, Lithuania, Moldavia and Slovakia.

I found a map of Skierniewice among over 150 included in the exhibition. My grandfather Hil Majer Piwko was born in there in 1854, as were his siblings Jankel Wolf (1857), Urysz (c. 1861), Dawid (1862, d. 1865), Nusen Dawid (1866), Chawa (c. 1871), and Fajga (c. 1878). It’s where Hil Majer brought his bride Hinda Walfisz in 1873, and where they started their own family. It’s also where his parents were buried (Cywia Rajch in 1862 and Chaim Josef in 1912), and probably his stepmothers, too.

Here is the map from the exhibition:

SkierniewiceMapInterwar_onlineexhibit

Map of prewar Skierniewice drawn from memory by an unknown author

Comparing it with a contemporary map, it’s hard to figure out exactly how they match up. Maybe someone who can read Yiddish can help me by translating the words on the map. Please leave me a comment if you do! I think the rivers on each map are the same, and the space marked with crosses in the bottom center of the prewar map may be the green space marked “Church of St. Stanislaus” in the bottom right of the contemporary map.

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Map of contemporary Skierniewice. The site of the synagogue is marked with a black dot surrounded by a grey circle. Source: Google Maps

I’ve been to Skierniewice twice, with my cousin Krysia in 2013 and with my cousin Bob in 2018. Little remains of the town’s Jewish heritage.

Skierniewice Rynek in 2013
Skierniewice Rynek in 2013
Krysia and me in Skierniewice, the birthplace of our great grandfather. April 2013
Krysia and me in Skierniewice, the birthplace of our great grandfather. April 2013
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With cousin Bob, the former synagogue in the background–it’s now an electrical supply store

The synagogue, though the exterior is well maintained, now houses an electrical supply store. On the road running parallel to the river, a few tombstones have survived in the old Jewish cemetery, but they are in what is currently the backyard of a private residence. I wonder if this cemetery was included on the prewar map? The newer Jewish cemetery contains  many more surviving tombstones as well as commemorative markers outlining the history of the town’s Jewish population. It is located beyond the bottom edges of these maps, off a dirt road a short ride south of town.

 

Located in Lublin, Grodzka Gate-NN Theatre is one of the oldest and most active Jewish heritage organizations in Poland. About its origins, Tomasz Pietrasiewicz writes:

The changes brought about by the fall of communism in Poland in 1989 initiated the process of regaining Memory by the Polish society, and Lublin was among many Polish cities which had to face their forgotten past.

When we began our activities at the Grodzka Gate [which historically separated the Jewish and Catholic districts of the city] in the early 1990s, we knew nothing about the history of Jews in Lublin. We were not aware that the enormous empty space on one side of the Gate conceals the Memory of the Jewish Quarter. We did not realize that the Gate leads to the non-existent town, the Jewish Atlantis.There is a huge parking area, lawns and new roads where there used to be houses, synagogues and streets. A large part of this area, including the foundations of the former Jewish houses, was buried under a concrete cover, and the memory of those who lived here was hidden as well. You cannot  understand Lublin’s history without these empty spaces near the Gate. For the NN Theatre, they have become a natural setting for artistic actions, Mysteries of Memory, which uncover the memory of the past while mourning the victims of the Holocaust. (from “History of Grodzka Gate-NN Theatre“).

More information about the exhibition and Grodzka Gate-NN Theatre can be found at the following websites:

Jewish Heritage Europe

Grodzka Gate-NN Theatre Center

 

Learning about Jewish Religion and Culture in Leszno

07 Thursday Jun 2018

Posted by Marysia Galbraith in Catholicism, Fieldwork, Heritage work, Jewish Culture, Jewish Religion, Leszno, Museum, Polish-Jewish Heritage, Polish-Jewish relations, Synagogues

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Leszno Regional Museum, Muzeum Okręgowe w Lesznie, Religious Instruction in Schools

“Why should we learn about Judaism?” Mirosława Maćkowiak asked, gazing kindly at my son’s 5th grade class. The twenty-five ten-year-olds sat in chairs in the Jewish Gallery of the Leszno Regional Museum, which is housed in the former synagogue. I hurried to translate Maćkowiak’s question; the language of instruction at the International School of Poznan is English, and only some of the students speak Polish. Maćkowiak, the curator of the Museum’s Jewish collection, answered her own question: We should learn about Judaism because Jesus was a Jew. He celebrated all the Jewish holidays, followed all the Jewish laws, and dressed like a Jew. It’s important to know about the older religion from which Christians came. Judaism is that older religion.

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ISOP students heading to the museum in Leszno, 2015.

Ian’s teacher, Ms. Ania grew up in Leszno, which is about 50 miles south of Poznan. Blond, with the perky beauty of a cheerleader, she is perhaps the only Pole I have ever met who openly declares herself an atheist. She developed a special interest in Judaism after getting to know some Jewish people in London. She lived on a kibbutz in Israel, where she absolutely loved the country and the people. When she returned to Poland, she made a point of learning more about its Jewish history. She brings her students to Leszno every year so they can see artifacts that once were part of the Jewish life that filled the city. She said there isn’t really an equivalent space in Poznan, where the historic synagogue housed a public swimming pool for years, and closed to the public in 2012.

Ania and Mirosława have known each other for years, but each has a very different perspective on religion. Both are positively oriented toward Judaism, and celebrate the historic cultural and religious diversity of Poland, but Mirosława also makes the assumption that the Polish nation is Catholic, and so legitimizes Judaism for her young Polish audience by linking it to the origins of Christianity. Segments of the Catholic Church promote the perspective that Jews are “older brothers in faith, as I witnessed during Judaism Day, which has been a holiday of the Polish Catholic Church since 1997.

During our visit, Ania kept reminding Mirosława that her students were not there to study Judaism from a Catholic theological perspective. “Not all of my students are Catholic,” she insisted. When Ania took a turn translating, she distanced herself from statements framed in a Christian perspective by prefacing them “According to Ms. Mirosława.”

Jewish memory work in Leszno shows us a few things about what can be done with Jewish heritage in Poland. In Leszno, important tangible heritage survived the war, providing a foundation for building public awareness about the history of Leszno’s Jewish population. Additionally, a local institution, the Leszno Regional Museum (Muzeum Okręgowe w Lesznie), became active in historical preservation right after the fall of communism, making Leszno one of the first communities in Poland to renovate Jewish structures, mount Jewish-themed exhibitions, and organize related public events. A central cornerstone of museum activity includes programs for school children, such as the one attended by my son’s class.

Leszno is a regional center with a population of about 64,000. More than a century of Prussian rule contributed to German cultural influences, and in the mid-19th century, the Jewish population began to emigrate to other German cities. By 1923 the last Leszno rabbi departed and was not replaced; only 160 Jews remained in Leszno. When Leszno was absorbed into Hitler’s Third Reich, the few remaining Jews were forced to move to places further east and then became victims of the Holocaust.

Besides the synagogue, several other buildings remain of the city’s Jewish past: a mortuary building where bodies were prepared for burial, now the public library; a mikvah; and multiple houses within the narrow, winding streets of the Jewish district. Little remains of the cemetery, on which socialist-era concrete apartments were built in the 1970s. Some tombstones have returned, however, rediscovered in farmyards and under roads, and now wait in a pile outside the mortuary building until someone gathers the funds and the initiative to create a lapidarium.

Former synagogue, Leszno
Former synagogue, Leszno
Childhood home of Leo Baeck (1987-1958), rabbi and theologian of Liberal Judaism. Leszno.
Childhood home of Leo Baeck (1987-1958), rabbi and theologian of Liberal Judaism. Leszno.
Mortuary building, Leszno. Apartments behind it were built on the Jewish cemetery
Mortuary building, Leszno. Apartments behind it were built on the Jewish cemetery
Grave stones outside the former mortuary house, Leszno
Grave stones outside the former mortuary house, Leszno
Mikvah, Leszno
Mikvah, Leszno
Jewish quarter, Leszno
Jewish quarter, Leszno
Old House of Prayer, dating from the first half of the 18th century, Leszno Jewish quarter
Old House of Prayer, dating from the first half of the 18th century, Leszno Jewish quarter

The Leszno Regional Museum’s impressive collection of Jewish sacred and everyday objects are mostly on loan from other regional museums. They are arranged in wood-framed glass display cases, each containing objects associated with a religious holiday. A laminated sheet on top of each case describes the historical and religious significance of the holiday, typical activities and meals, as well as characteristic objects associated with the holiday. For instance, one case contains artifacts relevant to Hanukah, mostly nine-candle menorahs called hanukiahs. The written description explains Hanukah, the Holiday of Lights, is “the eight-day holiday commemorating the triumph of Judah Maccabee against the Syrian army in 165 BC….” and explains, “Each day a successive candle is lit.” Words like “hanukiah,” “gelt,” and “dreidel” are written in bold, followed by their definition and their significance for the holiday.

Students meet Mirosława Maćkowiak, Director of the Jewish Division of the Leszno Museum, in the former sanctuary of the synagogue
Students meet Mirosława Maćkowiak, Director of the Jewish Division of the Leszno Museum, in the former sanctuary of the synagogue
Maćkowiak, Director of the Jewish Division of the Leszno Museum, discusses Jewish religion and culture. On the wall hangs an ornately embroidered parochet, a curtain that would go in front of the wooden cabinet containing the Torah scrolls.
Maćkowiak, Director of the Jewish Division of the Leszno Museum, discusses Jewish religion and culture. On the wall hangs an ornately embroidered parochet, a curtain that would go in front of the wooden cabinet containing the Torah scrolls.
Shabbat artifacts, including cups, tray, spice tower, and challah draped by a white cloth, Leszno Museum.
Shabbat artifacts, including cups, tray, spice tower, and challah draped by a white cloth, Leszno Museum.
Torah, crown and cover, Leszno Museum.
Torah, crown and cover, Leszno Museum.
Barrel and dippers for ablution, Leszno Museum.
Barrel and dippers for ablution, Leszno Museum.
Maćkowiak explains to the the children how to use a yad, a Torah pointer, Leszno Museum.
Maćkowiak explains to the the children how to use a yad, a Torah pointer, Leszno Museum.

Another case labeled “Shabbat table” contains silver cups, goblets, spice towers, candlesticks, a tray, and a knife, all arranged atop a white linen cloth. Two loaves of challah covered with a white cloth complete the display. The information sheet says, “Shabbat (rest) is the most important weekly Jewish holiday, in which there is an obligatory restriction on doing any kind of work. It begins on Friday at sunset and ends on Saturday at dusk. It is a joyful holiday.” It goes on to describe how candles are lit by a woman, while the father of the family says a prayer called kaddish (written in bold). Further, it explains that herbs are placed in the spice tower (bessamin, the Hebrew word is written in bold) and lit on fire. It describes typical Shabbat food, including challah, chicken soup, and the single-dish meal for Saturday dinner called cholent (again, this term is in bold).

The texts signal continuity over change. Jewish culture is portrayed as something that does not modernize. But this emphasis on normative customs also relegates Jewish culture to the past. The objects on display are old, most dating back to the 19th and early 20th centuries. While many of the objects, such as hanukiahs and Shabbat goblets, have contemporary equivalents that remain part of standard Jewish cultural and religious practice, other objects on display are artifacts of a former era. For instance, one of particular interest to the ten-year-olds on my son’s fieldtrip was a massive copper barrel set on the floor in a corner. Mirosława Maćkowiak explained that it would have been placed at the entrance of a mortuary building or some other place where it was customary for Jews to wash their hands. She pointed to two two-handled containers tacked to the wall above the barrel, and said they would have been used to scoop out and pour the water. She related this practice to the importance of cleanliness in the Jewish tradition.

Maćkowiak made similar generalizations about the value Jews placed on education, their kosher dietary practices, as well as the kinds of activities restricted on the Sabbath, such as cooking or turning lights on or off. She made no mention of the fact that many contemporary Jews dispense with these practices, nor did she discuss historical variation among Jewish populations. Even though Mirosława Maćkowiak talked about Judaism as a living religion, still practiced by millions of people worldwide, the static portrayal within the museum exhibition reflects the absence of Jews within contemporary Polish society.

My son’s class, when given the opportunity, gazed at the articles in the display cases with curiosity. Of far greater interest to them, however, was the hands-on demonstration by Maćkowiak in front of a two-meter tall display case intended as the focal point of the room. She explained that this was meant to evoke the most sacred part of a synagogue—the Aron haKodesh, where the Torah scrolls are stored. She pointed out the parochet hanging on the wall to the right of the case, explaining elaborately embroidered curtains such as this would cover the front of the wooden Torah cabinet. She pointed out the items in the case, including a silver crown set atop a fabric Torah cover, as well as some Torah scrolls wound around wooden dowels. Then she put on white archivist gloves, and took out a silver yad with a pointing end shaped like a tiny hand with its index finger extended, and demonstrated how such pointers were used to read the Torah from right to left without touching the parchment.

My son’s class was not the traditional school group. Their teacher brought them as part of a unit on world religions, where the emphasis was on cultural and religious diversity. By contrast, most school trips are initiated by religion teachers.

In most cases, religion is taught by Catholic clergy during the regular school day. This is an artifact of a law passed in 1991 in reaction to the Communist rejection of religion. As a reassertion of the centrality of religion for the Polish nation, religious education in schools became standard. Over the years, many have complained to me about it, but very few go to the trouble of filing the necessary paperwork to have their children attend “ethics” classes instead. After all, 90% of Poles identify as Catholic, and children risk ostracization if they are singled out like that.

Notably, this law passed at the same time that Jewish heritage work came out of the shadows and spurred public projects like the one that established the Jewish exhibition in Leszno. Poland is a complicated place, and relations between Jewish and non-Jewish Polish culture and history are a fundamental knot at the center of that complexity.

Jewish Warsaw in the Shadow of Skyscrapers

30 Friday Jun 2017

Posted by Marysia Galbraith in Jewish Culture, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Post-World War II, Synagogues, Warsaw

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Plac Grzybowski

I discovered Jewish Warsaw tucked between streets I’ve walked dozens of times. My first surprise was that the apartment I rented in an ugly green socialist-era tower is literally around the corner from Plac Grzybowski (Grzybowski Square), where Jewish life survived into the communist era.

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6th floor view of Plac Grzybowski. From the left, a socialist era apartment, All Saints’ Church, modern skyscraper, (at the center) green space, with the site of Jewish Theater behind it and the roof of the Gmina Żydowska behind that, (bottom right) back of building with Charlotte Menora Cafe.

I’ll say more about Plac Grzybowski in a minute, but I was even more surprised when, while mapping out a running route, I saw that I was also just a block away from Nożyk Synagogue, the only synagogue in Warsaw that survived the war. I’m embarrassed to admit that I had never been there before, nor is this the first time I’ve been so close and didn’t even realize it. When my best friend from childhood Kim visited with her father in November 2014, we stayed at a hotel on Grzybowska Street, and were it not for the newer building across the street, we could have seen the synagogue from the hotel entrance. Kim and her family introduced me to Passover Seders, and bagels with lox and cream cheese, and I’m sure they would have loved to see the synagogue. In my defense, the synagogue sits in the green space at the center of the block, with tall buildings all around it. It’s easy to miss. The street access to the synagogue looks like the entrance to a parking lot, and from Grzybowska Street, the only access is via pedestrian walkways.

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My friend Kim with her father Sandy and my son Ian in Saski Park, Grzybowska Street in the background, November 2014

This isn’t the first time I have seen a synagogue tucked within the central courtyard of a city block. I wonder what the historic reasons were for that. Regardless, I imagine that in the difficult years after the Holocaust, this location offered the synagogue some protection; only people looking for it would find it. This is also where the Gmina Żydowska—the Association of Jewish Communities—has its offices. I should have come here before.

Nożyk Synagogue, Warsaw
Nożyk Synagogue, Warsaw
"About the Jewish Community"
“About the Jewish Community”

Built in 1902, the synagogue is a solid stone rectangle with arch-topped windows all around. Above the front door, two arch-topped tablets contain the Ten Commandments, and above them is a Star of David. The building survived World War II because the Nazis used it as a warehouse. Jews returned to worship there after the War, and at present, it remains the main synagogue of Warsaw, home to the Orthodox community. The offices of the Gmina Żydowska fill a modern addition across the back of the building.

Both times I walked by the synagogue, a few men were inside praying. More people walked by briskly, probably residents of surrounding buildings. Along the edge of the parking area, large information boards contain headlines like “We, the Jews of Warsaw,” “About the community,” and “Kosher…what does it mean?”

All the pieces fit together from my 6th floor balcony. I can see the metal roof of the synagogue’s modern addition. I also look down at the corner of Charlotte Menora in Plac Grzybowski; this is one of four Charlotte Cafes in Poland. They all specialize in French pastries, but this one also includes Jewish offerings such as bagels and rugelach. My friend Beata took me there last summer. She also pointed out the center of the square that has been converted into a shaggy grassland and wildflower garden. Pathways lined with benches lead down to a central fountain. This novel use of space started out as an art installation by Joanna Rajkowska called “Dotleniacz,” which in English means “Oxegenator;” The project was later reworked into its present, more permanent form.  Beata also showed me Próżna Street, the only street in the ghetto where the original buildings weren’t destroyed in the systematic bombing after the Ghetto Uprising in 1943. On one side of the street, the townhouses have been painstakingly restored. On the other, netting covers the buildings to prevent pedestrians from being harmed by falling elements of the crumbling façade. One of the renovated buildings is home to the Austrian Cultural Forum. Some of my Polish friends say they feel uncomfortable about this because of Austrian support for the Nazis.

Park in the middle of Plac Grzybowski
Park in the middle of Plac Grzybowski
Próżna Street at night
Próżna Street at night

Grzybowski Square is actually shaped more like a triangle. Charlotte Menora and the intersection with Próżna Street are on one long side. At the second long side, a pile of debris peaks above a barrier fence where the Jewish Theater was torn down last year. This theatre continued to operate all through the communist period, offering performances in Yiddish. Posters on the fence announce that the theater will be rebuilt, along with the TSKŻ, which stands for Towarzystwo Społeczno – Kulturalne Żydów, The Social and Cultural Association of Jews. Sophie, whom I met because she shares the last name of my great grandmother, lived in Warsaw until 1968. Her face lit up as she recalled going to youth activities at the TSKŻ. But she, like most of Poland’s remaining Jews, left in 1968 when the government waged a campaign against Jews. That’s also when many of the TSKŻ branches closed. In Warsaw, the organization hobbled along until after the end of communism, and has since been growing once again.

"Coming here, The new location of the TSKŻ. Jewish Theater and Office-Services Building"
“Coming here, The new location of the TSKŻ. Jewish Theater and Office-Services Building”
All Saints Church
All Saints Church
Pope John Paul II statue in front of All Saints' Church
Pope John Paul II statue in front of All Saints’ Church

At the third, shorter side of the triangle stands the All Saints Church, where Christian Poland asserts itself even in this Jewish part of town. I’ve read that the church was right along the border of the ghetto, and it was where converts to Catholicism living in the ghetto would come to pray. More recently, symbols of Polish nationalism have been placed across the front of the church. Numerous plaques commemorate Home Army soldiers who fought against the Nazi occupation and in the Warsaw Uprising of 1944. These soldiers belonged to companies with names like “Buttress,” and “Brave,” and had wartime pseudonyms such as “Goliath,” “Fisherman,” and “Rooster.” A sculpture of Pope John Paul II stands on the steps leading up to the church, and a monument honoring the Home Army soldiers who produced weapons for the partisans is in the park across the street.

Plac Grzybowski is virtually unrecognizable from the first time I saw it. Marta, a family friend from Warsaw, pointed out the Jewish theatre to me in what I remember as a wide, crowded, dirty intersection with no central green space. It might have been 1990 or 1991, or maybe even 1986. Marta also painted a picture for me of how the square looked still earlier in time, before the war, when the streets were filled with Jews, many of them orthodox men with long beards and black coats, and women wearing wigs or kerchiefs.

The view from my window encapsulates this city–a mishmash of old and new, Catholic and Jewish, nationalism and subversion. Add to this the layers of memory every place contains, along with the energy of a capital city, and you can feel the beating heart of Warsaw.

More Jewish Heritage Work in Kutno

26 Wednesday Apr 2017

Posted by Marysia Galbraith in Cemeteries, Heritage work, Jewish Culture, Jewish Ghetto, Kutno, Memory, Names, Polish-Jewish Heritage, Polish-Jewish relations, Synagogues, World War II

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Friends of Kutno, Polin Museum, Reclaiming "Jew", Towarzystwo Przyjaciół Ziemi Kutnowski

This is part II about heritage work in Kutno. The first is Jewish History of Kutno.

While in Kutno, I visited the Society of Friends of Kutno (Towarzystwo Przyjaciół Ziemi Kutnowski). The organization has been active since the early 1970s, and has put out an annual periodical about local history and customs for about 20 years. Most issues of the publication contain an article about Jews. In 2016, these articles were compiled in a book along with other historical materials about Kutno’s Jews, including Holocaust witness reports and photographs, and a list of people who lived in the Kutno ghetto.

okladka zarys historii

Outline of the History of Kutno Area Jews, published by the Friends of Kutno

The chairwoman of the Friends of Kutno Bożena Gajewska is an energetic and upbeat woman. She accepted the position because of her interest in local history and her desire to promote that history among local residents. She isn’t paid for this; she volunteers for the organization after getting off work. The Friends of Kutno have their office in a historic wooden villa that was recently renovated by the city. Most of their funding comes from grants. Over the years, they have placed historical markers where the synagogue, Jewish cemetery, and ghetto used to be. Other recent projects related to Jewish culture include field trips for local residents to the Polin Museum in Warsaw, to a production of a Sholem Asch play at the Yiddish Theatre in Warsaw, and to the Chełmno Extermination Camp, where Kutno Jews were transported when the ghetto was liquidated. Kutno was selected as a site where the Museum on Wheels (a traveling branch of the Polin Museum of the History of Polish Jews) would visit; this happened in August 2016.

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Marker reads, “In this place the 18th century synagogue stood. It was destroyed by the Nazis during World War II, evidence of the hatred of one human to another, and to his works.”

Pani Bożena says she’s noticed that orientations toward Jews have improved since the Polin Museum has opened. Thanks to the Museum, you can talk about Jews, whereas before, the word “Jew” had negative connotations, and was even used as an insult. This made people unsure what to call practitioners of the Jewish faith. Polin has helped to rehabilitate the term. While this may seem like a manifestation of the particularly fraught relationship between Poles and Jews, Mark Oppenheimer just published an opinion piece in the New York Times (Sunday, April 23, 2017, “Reclaiming ‘Jew’”) in which he notes that it’s the same in the US. “Jew” is almost never used as a noun; rather, the adjective “Jewish” is used, as in “Jewish people” or “I’m Jewish” (never “I’m a Jew”). Oppenheimer quotes the comedian Louis C. K. who called “Jew” a funny word “because ‘Jew’ is the only word that is the polite thing to call a group of people and a slur for the same group.”

The Polin Museum has also contributed to a surge of activity related to Jewish history and culture throughout Poland. This has led some townspeople to complain to the Friends of Kutno, “Why is everything always about Jews?” Bożena says she reminds these people that the Friends are interested in all aspects of regional history, and Jews were a part of that history. They address plenty of other topics, as well. For example, they recently published the biography of a native son who was an ultra nationalist during the period when the majority of Kutno residents were Jews (I can’t remember his name but maybe someone reading this can remind me).

Pani Bożena drove me to see some historical sites around town. The Jewish cemetery is on a hill overlooking a neighborhood of concrete apartment buildings. The hillside is covered with tall grass and wildflowers, and crisscrossed by dirt tracks where people walk their dogs, kids play, and people hang out. Many leave their trash behind. The Friends of Kutno recently put up signs around the cemetery that say “Here is the resting place of Kutno Jews, who settled in the city from the beginning of the 16th century. The cemetery located on this hill was established in 1793. Jews were buried here until March 1943. Please maintain its solemnity.” Below this historical information is the reminder, “Keep in mind as you go into this vast expanse that this is a cemetery; people are buried here, you walk on their graves, even though there are no longer tombstones…” Further, the sign states the cemetery is a registered monument and thus legally protected, and any vandalism is subject to a sentence of imprisonment. Nevertheless, within just a few months, four out of six such signs were vandalized. The metal poles were snapped at ground level. Bożena condemned the destruction, but also minimized it as the work of thoughtless hooligans (as opposed to a deliberately antisemitic act). In September, the poles were replaced and the signs stand once again.

Bożena showing me the new sign at the Jewish cemetery in Kutno
Bożena showing me the new sign at the Jewish cemetery in Kutno
An older monument at the top of the cemetery hill
An older monument at the top of the cemetery hill

We passed people with dogs as we walked to the top of the hill to an older monument. It contains the same historical information as the new metal signs in Polish and Hebrew (but not the reminders about proper behavior and legal issues), and is shaped like two adjoining tombstones. Heading back down the hill, past some children playing, we saw the bases of some grave markers peaking out of the grass. Many tombstones were recovered and are stored at the Kutno Museum.

Bożena dreams of building a fence around the cemetery so there will be a more substantial barrier against further vandalism. They have received all the necessary approvals, but are in need of funding.

From the cemetery, we went on to the site of the ghetto, which is outside the center of town on the grounds of a former sugar factory. The factory was used by various industries after the war, but now is closed. The buildings, some dating from the late 19th century, stand behind a high fence and a guard patrols the site. Historic markers tell the story of the ghetto. A granite plaque reads:

Here on the terrain of the former Konstancja Sugar Factory

Germans established a ghetto for the Jewish population of Kutno and the surrounding area.

After its liquidation in 1942, the surviving Jews perished in the camp at Chelmno.

Honoring their memory, the People of Kutno.

Kutno, April 1993

A more recent sign contains a bit more historical information in both Polish and English (if you want to read it, click on the photo below to enlarge it).

Former site of the Kutno ghetto.
Former site of the Kutno ghetto.
Wall plaque at the site of the Kutno ghetto
Wall plaque at the site of the Kutno ghetto
Historical marker in front of the main gate of the factory where the Kutno ghetto used to be.
Historical marker in front of the main gate of the factory where the Kutno ghetto used to be.

Bożena told me that over 8000 people lived in the ghetto from 1940-1942. Those who got there first occupied all the most obvious places, so later arrivals had to build shacks from scrap wood, or find ways of populating balconies and any other inhabitable space throughout the large factory hall. In 1942, they were all transported to the camp at Chełmno by train (the tracks are right across the street from the factory) and by truck.

Thinking about the people I met in Kutno (and elsewhere), one thing I am trying to sort out is why Christian Poles get involved in Jewish heritage projects. Not surprisingly, the reasons are varied. One is interested in historical artifacts; he has no political agenda. Another of my companions tried to place this history into a more pro-Polish framework. He explained that the Nazis forced Christian townspeople to do horrible things as part of a strategy to damage relations between Poles and Jews. “All people really want is to live in peace (Chcą w spokoju żyć)”, he continued, “Poland is in the heart of Europe, a pretty terrain that has historically been attacked from all sides.” Others feel personally drawn to Jewish culture. One of my acquaintances in Kutno believes she has Jewish heritage. She seems to understand my quest for my own family history. “It’s important to know where you’re from,” she told me. She hasn’t found anything as concrete as my family photograph (the one I use at the top of the blog) to confirm her feeling that she has Jewish roots. All she can point to are allusions in family stories she remembers from childhood, and sometimes people have told her she looks Jewish. But anyone she could have asked has passed away.

But what’s clear from my visits to Kutno is that fragments of Jewish history remain, and some have been marked as such thanks to the efforts of a small group of residents who think it is important to include the stories of Kutno’s Jews in the history of their town.

How Żychlin Remembers, part 2

01 Thursday Sep 2016

Posted by Marysia Galbraith in antisemitism, Jewish Ghetto, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Post-World War II, Pre-World War II, stereotypes, Synagogues, World War II, Żychlin

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The next morning I met Tadeusz Kafarski for a tour of the city. He was with Józef Staszewski, the director of the Żychlin branch of the Association of Children of War. Because Józef was born in 1929, he remembers wartime better than Tadeusz, who was only a year old when the Nazis invaded. The two sometimes disagreed about details, but together they reconstructed for me Jewish life in Żychlin. As they pointed to the buildings that stand here and now, their descriptions transported me back and forth through time, to prewar life, wartime murder, and communist era absence. I had the odd sensation as I did so many times on this trip of being both here (in the present) and then (in the past), my mind trying to reconcile what stood before my eyes with what used to be. My guides led me back in time with varied fragments of information:

On Łukasieńskiego Street, we passed concrete apartment buildings built in the 1970s on the site of the second, larger Jewish ghetto.

Mr. Helmer, the richest Jew in town, lived across from the market square, to the left of Narutowicza Street, in what is now a well maintained two story building.

One block south, near the synagogue (the blue Star of David on the map below) on Kilińskiego Street, we passed the former home of a Jewish doctor, a building that used to be a dairy collection point, and another that was the preschool Tadeusz attended. A man named Merc lived nearer the synagogue. Behind some houses was the Jewish slaughterhouse, but Christian Poles also bought meat from there.

Jews and Poles lived side by side, even though this part of town was predominantly Jewish. Today, this section of town is run down though these particular buildings seem in good shape.

Map of Żychlin 1940-42 showing the ghettos in red, the first one is on the left and the second is on the right. The dark green shows the main areas where Jews lived--note that most were not in what became the ghetto. That meant gentiles had to move out of those areas when the Jews were forced to move in.

Map of Żychlin 1940-42 showing the ghettos in red, the first one is on the left and the second is on the right. The dark green shows the main areas where Jews lived–note that most were not in what became the ghetto. That meant gentiles had to move out of the ghetto areas when the Jews were forced to move into them.

As we wound through the dusty streets, the contemporary residents stared at us suspiciously, though some who know my guides greeted them, “Dzień dobry (Good day).”

The patch of tall weeds in front of the synagogue (on Jana Kulińskiego Street) used to be a fenced garden. The garden continued to be maintained after the war, even though the Polish residents used the synagogue as a warehouse, as did the Nazis. The lower sections of the windows were bricked in and new doorways were installed in the sides of the building to facilitate loading and unloading.

What's left of the Żychlin synagogue. Note the windows used to extend much father down, and the more recent doorway (now blocked) added when the building was used as a warehouse. The weedy area in the foreground used to be a fenced garden.
What’s left of the Żychlin synagogue. Note the windows used to extend much father down, and the more recent doorway (now blocked) added when the building was used as a warehouse. The weedy area in the foreground used to be a fenced garden.
Pan Józef beside the site of the well and mikvah
Pan Józef beside the site of the well and mikvah
Worn stones--something I learned to value as a student archeologist. These were used in place of asphalt before World War II
Worn stones–something I learned to value as a student archeologist. These were used in place of asphalt before World War II

As a child, Józef went inside several times with his parents, though he could only describe the general layout of the interior. The candlelit altar was on the east wall, the main entrance on the west. Above the entrance was a balcony that would have been for the choir in a church but in the synagogue was for women to pray in. In a neighboring building, the rabbi would change. On the other side of the synagogue were a well (with the best water in town) and mikvah. After the war, everyone used that bathhouse.

Józef said, “There is just one faith; Jews believe in God just like we do.” He declared children played together regardless of religion. He described distinctive aspects of the Jewish population. Men wore head covers and beards. They would take their shoes off in the synagogue, but had to keep their head covered. The Jewish “priest” was the only one with side curls. He wore a black hat, black clothes, and a white shirt. Jews stayed home Friday and Saturday; they didn’t work. They held their hands at their waist and rocked as they prayed. They read scrolls. Jews used to bury their dead in a sitting position with money on their eyes. Men carried the unclothed, shrouded body to the cemetery. They returned to God as they began. When they left the cemetery after the burial, mourners dispersed in different directions . He asked why and was told it was so the spirit doesn’t return home with them.

Are these personal memories or stereotypes picked up from other sources?

My guides told me about a man named Rozenberg. They pointed to the yard of his bakery, and then we walked around to what used to be its storefront on Narutowicza Street. Rozenberg lived in a multi-story home on the other side of the street. He married a Christian named Czajka. Jozek said the Rozenbergs’ children Krysia and Rudek were Jewish. He played with the boy. After her husband died, Czajka married her brother-in-law, a judge. They had two more children. After the war, the family was harassed by the police so they sold all their buildings and went to Israel. One child moved to Norway.

The Germans occupied the town on September 15. At first, they didn’t treat anyone harshly, but they did take their property—first the stores and richer buildings owned by Jews, and then jewelry and everything anyone had that was valuable.

The main entrance to the ghetto used to be across from Rozenberg’s bakery. This was the second ghetto, established later for the poorer Jews. The first ghetto, where the richer Jews were sent, was on the grounds of an old factory outside the center of town. As Jews were forced into the ghetto, Poles whose homes were within the ghetto territory had to move to homes on the other side of the street—homes that had been emptied of their Jewish residents.

In July 1942, the second ghetto was liquidated. It took five hours because thousands of people were loaded onto wagons, and then everything was removed from their homes and segregated into piles. Some Poles helped, forced to work under threat of death. My guides disputed claims that Poles plundered Jewish possessions. They insisted the Germans took everything valuable, then piled up all the remaining dirty and broken things and burned them.

We crossed the street to the main square. Right there in front of the church there used to be a row of market stalls run by Jews. The church owned the land, but didn’t have any problem with Jewish venders. We continued behind the church and across another market square to the town library. This solid stone structure was originally built for Hempel, the Nazi mayor of the town remembered for his cruelty.

My guides Tadeusz Kafarski and Józef Staszewski in the town square
My guides Tadeusz Kafarski and Józef Staszewski in the town square
The Żychlin town square
The Żychlin town square
Director of the Żychlin Library, Ewa Andrzejewska
Director of the Żychlin Library, Ewa Andrzejewska
Nazi Mayor Hempel's villa is now the Żychlin Public Library
Nazi Mayor Hempel’s villa is now the Żychlin Public Library

Tadeusz told me the wartime mayor’s villa was built with tombstones from the Jewish cemetery. Jews were pressed into service carrying the heavy stones. It was backbreaking labor made more difficult by the extreme heat. When one of the workers asked for a drink of water, the Nazi officer shot and killed him. Then, he held up a stick threateningly and asked who else wants a drink. No one dared ask for water after that. Józef told the story a little differently. He said the man who asked for water was dragged to the nearby lake and drowned.

Pani Ewa Andrzejewska, the director of the library, said her aunt who took care of Hempel’s children described him as ruthless, “A typical German.” He furnished his house with things he took from the richer people in the city. He rode a white horse. She also suggested my guides were a little too invested in showing Poles in a positive light to me—emphasizing heroism and victimization and minimizing complicity. She said that on one hand, Jews and Poles lived peacefully together. She was raised to not feel any prejudice. But on the other, many have negative sentiments toward Jews. She even went further to say Poles are genetically indisposed toward Jews. I challenged her on this saying that since sentiments toward Jews have changed over time, it’s a matter of history, not biology. She still didn’t agree, and repeated that Poles have a problem with this.

A dream of mine would be to help preserve and maybe even rebuild the town synagogue. My hosts said the TMHŻ has looked into turning it into their meeting space. Ewa said the ownership of the building is in dispute. So for now it just sits there, slowly crumbling away.

Leaving town the next day, I was once again stopped at the railway crossing as a train sped by. I didn’t mind having one last moment in this town where my great grandmother lived. I felt saddened and rooted by what I had learned, and grateful for the acquaintances who showed me Żychlin as it is now and as it was then.

How Żychlin Remembers, part 1

01 Thursday Sep 2016

Posted by Marysia Galbraith in Bolimów, Jewish Ghetto, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Post-World War II, Pre-World War II, Sobota, Synagogues, World War II, Żychlin

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My visit to Żychlin began and ended at the railway crossing. I had meandered up from the highway, passing through the small communities of Bolimów and Sobota where my ancestors lived over a century ago, and had to stop as a train sped by. I called pan Henryk to make sure I was on the right road. He assured me I was, and met me a few minutes later. Henryk, whom I met in 2014 through his website Historia Żychlina, had arranged meetings, tours, and interviews for me with resident fans of local history.

Bolimów synagogue, now the police station at 6 Farna Street
Bolimów synagogue, now the police station at 6 Farna Street
Central Square, Sobota
Central Square, Sobota

Tadeusz Kafarski, Vice President of the Association of Enthusiasts of Żychlin History (TMHŻ) joined us for a look around the train station. He and Henryk pointed across the tracks where during World War II transports took 2500 Jews from the Żychlin ghetto to Kulmhof (Chełmno) Camp near Poznań. They debated exactly where the trains had stood, but later, Henryk and his wife took me to a platform across from the main train station, saying that is where it happened.

Pan Tadeusz describing the transports that took away the Jewish residents of Żychlin in 1942.
Pan Tadeusz describing the transports that took away the Jewish residents of Żychlin in 1942.
Żychlin Train station, boarded up and unused
Żychlin Train station, boarded up and unused
Looking across the express train tracks to the platform where Jews were loaded onto transports
Looking across the express train tracks to the platform where Jews were loaded onto transports
A closer look at the same platform
A closer look at the same platform

The station building signals the effects of communism and its demise on this community. My guides told me the prewar station was imposing and beautiful. The postwar building that stands today—boarded up in places, broken windows and graffiti in others—is more functional than attractive. Its size shows that this used to be a major stop on the route from Moscow to Berlin. But since the express tracks were laid following the fall of communism, only a few trains stop here each day. Instead, every few minutes, one zips by at breakneck speed. The place was deserted, except for a group of teenagers who were hanging out.

Tadeusz told me he remembers the transports as they left the station with their human cargo in 1942, even though he was only four years old. During the war, when his family was forced to move from their home, as were many residents, they were resettled in a former Jewish residence. From the street it looked like a normal cottage with a living room on one side and a kitchen on the other. A distinctive feature of this house, though, was the stairs from the kitchen to the basement and the door from the basement to the courtyard behind the house. This private entrance was used sometimes by the men of the family who didn’t want to be seen returning in their dirty clothes.

Others whom I met during my visit shared similar memories of childhood. Janusz Tomczak, who was a teenager during the war, remembers seeing the land covered with wagons. Only later, he understood that these belonged to the Jews who were being taken to the camps. Józef Staszewski was with some older boys when the ghetto was being liquidated. It was a few days before Easter. He was a scout at the time and he made a vow to God he that he would choose death before he betrayed his friends. A couple of blocks from where they stood, Nazis loaded people into wagons and took them away. Now he knows that the captives were segregated by age and ability, and the children and elderly were led to special vehicles and then gassed inside them.

To be continued….

 

Włocławek’s Forgotten Street: The Street of Death (Ulica Śmierci)

04 Thursday Aug 2016

Posted by Marysia Galbraith in Heritage work, Memory, Polish-Jewish Heritage, Synagogues, World War II, Wronki, Włocławek

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Facebook Fan Page, Memory for the Future, Miejsce Pamięci Zagłady Blisko Nas, Pamięć dla Przyszłości, Places of Holocaust Memory Near Us, Włocławek’s Forgotten Street, Włocławska Zapomniana Ulica

“Here and then” (“Tu i wtedy”)…that was the recurring line in Deputy Mayor Robert Dorna’s speech at the unveiling of the lapidarium in the Jewish cemetery in Wronki in December 2014. He linked the place we were standing (tu—here) to various moments in history (wtedy—then).

This could be an apt description of many of the heritage projects I have observed. They are efforts to gather together the fragments that can be recovered, and to reassemble them so they bring back to everyday landscapes the memories of multiple historical events in the lives of former Jewish residents. Seeing the past in the present has also been the touchstone of my recent trip to Poland. Everywhere, it seemed I was walking through streets as they look today, and at the same time carrying envisioning the way they looked back then (wtedy). Linking a particular place concretely to its past was also the goal of the contest that led the students and teachers at the Automotive High School in Włocławek (Zespół Szkół Samochodowych im. Tadeusza Kościuszki) to develop their Facebook “fan page” Włocławek’s Forgotten Street (Włocławska Zapomniana Ulica). They decided to focus on Piwna Street, which despite its small size (just two blocks long) became a focal point for viewing Jewish life and death in this city.

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Włocławska Zapomniana Ulica–the Facebook fanpage documenting the history of Włocławek’s Jews, on Piwna Street and beyond.

For thirteen years, the program “Memory for the Future” (“Pamięć dla Przyszłości”) has held annual contests for middle and high school students, challenging them to explore some aspect of Holocaust history. Initiated by the Association of Children of the Holocaust in Poland, and joined in recent years by the Polin Museum, Jewish Historical Institute, and Center for Educational Development, students have produced a variety of projects—essays, posters, and drawings. This year, the sponsors decided to try something new, more in keeping with the way young people communicate today. That’s why this year’s challenge “Places of Holocaust Memory Near Us” (“Miejsce Pamięci Zagłady Blisko Nas”) involved the production of a Facebook page.

Włocławek is a city of about 114,000 residents; the population has been declining since the fall of state socialism as local industries have closed and residents have sought better opportunities in more prosperous places within and outside of Poland. A century earlier, the city experienced rapid growth; during the four decades before World War II, it became a regional industrial center and the population tripled, reaching 68,000 by 1939. Jews were important contributors to the city’s development, and comprised nearly 20% of residents. My family was among the migrants to the city during this time. By the end of the war, most of Włocławek’s Jews had been murdered, the synagogues burned, and the cemetery desecrated.

Screen Shot 2016-08-03 at 4.33.01 PM

Map of Włocławek in 1930. Piwna Street is to the left of the bridge, just past an estuary opening out to the river. Map by Wojskowy Instytut Geograficzny.

Piwna Street is located off of Wyszyński Street (one of the main routes through town). About one third of the way along its short length it makes a 90 degree turn and runs for another block parallel to the Vistula River. On the river side is a massive two story building and dock that includes the Rejs na Przystani Café. Across the street, colorful depictions of fruits and the products made with them decorate the wall around the Delecta factory (see the cover photo of the Facebook page above). Until the Forgotten Street project, nothing indicated that Piwna was called the “Street of Death” after the Nazi occupation.

In September of 1939, the city’s synagogues were burned to the ground and the Jewish population was terrorized (read more about this here); some were arrested while others were killed. The retreating Polish forces had blown up the bridge across the Vistula, so the Nazis decided to replace it with a pontoon bridge at Piwna Street. But first the riverbank had to be reinforced. Captive Jews were forced to do this backbreaking work, using the stone and concrete remnants of the synagogue as building materials. Many died in the process, hence the name “Street of Death.”

What’s extraordinary about the high schoolers’ project is how effectively it brings into the present an awareness of the past. It does so with a wide variety of archival information, photographs, and first-person recollections. The public nature of the fan page also meant that other people learned about this history and could even contribute to it. For instance, one viewer posted this gouache painting of Piwna Street from the mid-19th century.

WloclawekUlPiwna1853

The view across Zgłowiączki Estuary and Piwna Street. Gouache by Alfons Matuszkiewicz, c. 1853. Posted on Włocławkska Zapomniana Ulica

To date the fan page has 1773 “likes.” Another component of the project was the posting of a QR code that when scanned with a smartphone connects to a brief explanation of the history of Piwna Street in four languages. QR codes were also posted at several other sites around town that are associated with Jewish culture (listen here).

DSC08097

QR code linking to a brief history of Piwna Street.

For now, these notices are just on laminated paper, but the hope is that something more permanent will be installed so visitors will continue to connect here and then—this particular location with the events that occurred in the past. When I visited in June, the city’s president expressed his support for the project. The question remains where the money will come from to pay for a more lasting marker. Still, with people of good will and extraordinary energy like the teachers and students at the Automotive High School, I’m hopeful something will be done in the not too distant future.

DSC08098

The teachers who worked on the project Włocławska Zapomniana Ulica: from the left, Anita Kaniewska-Kwiatkowska, Monika Lamka-Czerwińska, and Robert Feter.

Włocławek Youth Document Jewish History

10 Sunday Apr 2016

Posted by Marysia Galbraith in Heritage work, Jewish Culture, Kolski, Memory, Piwko, Polish-Jewish Heritage, Post-World War II, Synagogues, World War II, Włocławek

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When I visited Włocławek last February, I was disheartened by the crumbling historic buildings that were formerly owned by pre-World War II Jewish residents. Still, I met a few people actively involved in documenting and preserving the memory of the city’s Jewish population. They include: Mirosława Stojak, who writes about Włocławek’s Jews and manages the website zydzi.wloclawek.pl, Tomasz Wąsik, the historian and director of the Museum of History in Włocławek, and Tomasz Kawski, a historian and professor at Kazimierz the Great University in Bydgoszcz, and author of several books on the history of Polish Jews.

And now high school students in Włocławek have been collecting photographs, writing historical accounts, and doing interviews with people who remember the events of World War II. Their work can be seen on their Facebook page. Here are just a few of the photos they have posted. The synagogue on Królowiecka Street:

Synagogue on ul. Królowiecka, Włocławek

Synagogue on ul. Królowiecka, Włocławek

The synagogue on Zabia Street:

Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek

 

And here the synagogue in flames:

The synagogue in flames. Source: http://www.4ict.pl/szlaki_pamieci/
The synagogue in flames. Source: http://www.4ict.pl/szlaki_pamieci/
Jews in front of the burned Włocławek synagogue. Source: http://www.4ict.pl/szlaki_pamieci/
Jews in front of the burned Włocławek synagogue. Source: http://www.4ict.pl/szlaki_pamieci/

The students write on their Facebook page:

“On September 24, 1939, Germans ordered Jews they selected to bring a barrel full of tar to the synagogue on Żabia Street. Then they forced them to ignite the fire.

In this way, one of the prettiest synagogues in Poland ceased to exist. The synagogue on Królowiecka Street met the same fate.”

“24 września 1939 roku Niemcy nakazali wyznaczonym przez siebie Żydom wprowadzenie do Synagogi na ulicy Żabiej beczek wypełnionych smołą. Następnie zmusili ich do wzniecenia pożaru.
“Tym samym przestała istnieć jedna z najpiękniejszych Synagog w Polsce.
Podobny los spotkał Synagogę przy ulicy Królewieckiej.”

So while horrible truths are communicated, this project and the Facebook page that documents it stand out to me as a marker of hope. A new generation of Włocławek residents are learning about this difficult history, and returning the story of what happened to the city’s Jews to the center of the narrative about their hometown.

 

 

Swimming in the Synagogue?

20 Sunday Mar 2016

Posted by Marysia Galbraith in Commemoration, Jewish Culture, Polish-Jewish Heritage, Post-World War II, Poznan, Pre-World War II, Synagogues, World War II

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Janusz Marciniak, swimming pool in a synagogue

How, realistically, can Jewish heritage be preserved in Poland? Some projects are easy to get behind, like the lapidarium in Wronki. Others fall into more problematic ethical territory. The fact remains that there are many more sites in need of preservation than there are funds for such projects. And yet, I would argue that because of the magnitude of the destruction of Jewish life in Poland, every fragment has enhanced value.

The survival of a building as grand as the New Synagogue in Poznań is thus of particular worth. As with most remaining synagogues in Poland, the New Synagogue was not destroyed because it was repurposed. The Nazis converted the building into a swimming pool; after World War II, it remained a municipal pool until 2011. Although there has been ongoing public debate about more appropriate uses of the space, which at some point was passed back into the hands of the Jewish Community, the main reason the pool was finally closed was because of its deteriorating condition.

The New Synagogue was built in 1907 on Stawna Street between Wroniecka and Żydowska (Jewish) Street, just a few blocks from the central market square of the old city. Intended for Poznań’s wealthier Jewish citizens, the imposing structure had a seating capacity of 1200 and a large copper-covered cupola. Its size and grandeur is all the more striking, considering the Jewish population of the city was under 6000 when the synagogue was built, and further dwindled to perhaps 3000 right before World War II (statistics from Virtual Sztetl).

synagogue_1907-2011A

Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

As these photos show, the German occupiers also removed the cupola and other ornate features, leaving a far less elaborate structure. For several years, starting in 2004, artists like Janusz Marciniak were involved in installations and commemorative events that used the pool as a focal point. Some of these include Marciniak’s  Atlantis (2004),  Alphabet (2005), and 9/09/1939 (2006).

4_ATLANTIS

Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

The Jewish Community, together with others interested in preserving the New Synagogue, proposed restoring the building to its prewar shape and condition, and housing a Center for Dialog and Tolerance. Unfortunately, the plan failed to gain the institutional support and financial backing necessary for it to be realized.

But now there is a new plan in the works, to turn the synagogue into a hotel. In and of itself, that is not the worst outcome; investors will preserve and upgrade the structure, which will include a mini-museum with information about the building’s origins and the history of Poznań’s Jews. So while a museum, or memorial, or center for dialog and tolerance would be preferable, at least the synagogue won’t be torn down, as some city leaders suggested as recently as 2006.

Artist's rendering of the proposed hotel project. The prewar copper-clad dome is reimagined in glass. Photo from article in Gazeta Wyborcza
Artist’s rendering of the proposed hotel project. The prewar copper-clad dome is reimagined in glass. Photo from article in Gazeta Wyborcza
Elements of the pool being disassembled. Photo by Łukasz Cynalewski
Elements of the pool being disassembled. Photo by Łukasz Cynalewski

But putting another pool in the synagogue is, as my husband put it, kind of tone deaf. It’s insensitive to the cruel history of the place.

A recent article in Gazeta Wyborcza about the planned hotel begins with the following fable:

(my translation) “Summer 2020. Early morning at the hotel on Wroniecki Street at the corner of Stawna Street. In a luxury room in the former Jewish synagogue Alessandro Gianini, a tourist from Rome, wakes up. He flew into Poznan the night before and stayed in the modern hotel with intriguing architecture. In the guidebook, he read that the glass copula of the building recreates the old outline of an imposing synagogue. Now he wants to look around the city.

“But before Alessandro sets out for the Old Market Square, he goes down to the second floor for a swim in the hotel pool. The swim helps to relax and awaken him. He changes, and full of life goes down to the ground floor to the restaurant. After a light breakfast and a cappuccino, he heads to the exit. In the hall, however, he sees an open door to a small space. A sign in English hangs on it: “Museum of the Jews of Wielkopolski.”

“Intrigued, Gianini looks inside. He sees large boards–reproductions of sepia-colored photographs. On the first of these–a long swimming pool under a high vaulted ceiling. On the wall of the pool–a fascist eagle.

“Surprised, the Italian looks at the caption below the photo: “In 1940 Nazi occupiers profaned the synagogue, removing the Star of David from it and building a pool inside of it.

“Alessandro suddenly feels ashamed. Because of his morning swim in the place where 80 years earlier Nazis showed complete contempt for the feelings and religion of Jews, and then sentenced them to a horrible death. He is ashamed and embarrassed. And more than anything surprised that history could be repeated in this cruelly perverse way…”

(the original Polish is in the article)

I don’t know anything more about these plans, except for rumors I heard while I was in Poznań last year, and the contents of this article. Perhaps if they do include a pool, it will be located in some new addition to the structure, in a less offensive place than the main sanctuary. I certainly hope so.

Hiding in Plain Sight: Lesko 1992

29 Monday Feb 2016

Posted by Marysia Galbraith in Cemeteries, Jewish Culture, Lesko, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Synagogues

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Funny what we forget. I got an SLR camera for my ethnographic fieldwork in the early 1990s, thinking it would be an important tool for documenting everyday life. I even experimented with shooting and developing black and white film (this was a film camera). The photos are interesting because they capture things I deliberately went out to photograph. As it turns out, fragments of Jewish culture figure prominently; they’re the subject of 28 out of 112 photos. Here are some of them from Lesko:

Tombstones (some painted) in the Lesko Jewish Cemetery. 1992
Tombstones (some painted) in the Lesko Jewish Cemetery. 1992
Marcin beside a tombstone taller than he is. 1992
Marcin beside a tombstone taller than he is. 1992
Front facade of the former synagogue in Lesko. 1992
Front facade of the former synagogue in Lesko. 1992

This ornate facade of the synagogue features the Ten Commandments and the inscription in Hebrew: “How awesome is this place! This is none other than the house of God; this is the gate of heaven” (see Virtual Sztetl). The building was partially destroyed during World War II, and rebuilt in the 1960s and 70s. That’s when the round tower was enlarged and the curved roofline was added. You can tell because the newer features are made of brick instead of the original stone. Here are photos of the interior and exterior of the synagogue in 1932 (from fotopolska.eu):

Lesko Synagogue 1932
Lesko Synagogue 1932
Lesko Synagogue 1932 interior
Lesko Synagogue 1932 interior

 

Last spring, I learned that the iron railing that used to surround the central alter is now a balcony on a building in the center of town. I actually took this photo of it in 1992, but had no idea where the balcony came from.

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The balcony on this building used to be the iron railing around the alter in the synagogue, Lesko 1992

It’s one of the prettiest buildings in town, especially since it was renovated and repainted golden orange. Still, this railing brings to home the fact that fragments of Jewish life and its destruction are hiding in plain sight. I suppose its appropriation is what preserved this particular part of the synagogue. But knowing what it is and where it came from, it seems horribly, terribly, out of place.

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