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Ruth Ellen Gruber on Jewish Heritage

25 Monday Feb 2019

Posted by Marysia Galbraith in Heritage work, Jewish Culture, Memory, Poland

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Ruth Ellen Gruber, Virtually Jewish

Writer Ruth Ellen Gruber gives two lectures at The University of Alabama:

Imaginary Spaces, Dark Tourism, and Writing about Difficult Topics for a General Audience: A Conversation with Ruth Ellen Gruber

205 Gorgas Library, Monday, February 25, 7 PM

Structured as a conversation, Marysia Galbraith (New College and Department of Anthropology) asks Ruth about her work on “Virtually Jewish” heritage in Europe, “Wild West” theme parks, tourism at sites of terror, Holocaust, and slavery, and the practice of writing for traditional print media as well as digital venues like her website “Jewish Heritage Europe.”

 

Beyond Virtually Jewish: New Realities and Real Imaginary Spaces

215 Lloyd Hall, Tuesday, February 26, 12:30-1:45 PM

Ruth discusses new forms of Jewishness, Jewish practice, and religious and cultural expression. She describes how she coined the term “Virtually Jewish” to describe non-Jewish involvement, embrace, appropriation and engagement with Jews and Jewish culture — and what that means in today’s changing conditions. She discusses new realities and new authenticities; new definitions of “Jewish.” And she takes her audience on tours to Kazimierz, the old Jewish quarter of Krakow, and other Jewish spaces and places where community and commercialism combine and collide.

REG-krakow-fishman

Ruth Ellen Gruber in the Kazimierz District of Krakow, Poland. Photo credit: Chuck Fishman

Ruth Ellen Gruber has worked on Jewish heritage issues and chronicled Jewish developments in Europe for three decades and currently coordinates the web site www.jewish-heritage-europe.eu. (She also studies the European fascination with the American Wild West, its mythology and its music.) With her 2012 book Virtually Jewish: Reinventing Jewish Culture in Europe, she coined the term “Virtually Jewish” to describe the way the so-called “Jewish space” in Europe is often filled by non-Jews. Among her other books are National Geographic Jewish Heritage Travel: A Guide to Eastern Europe, first published in 1992; Letters from Europe (and Elsewhere), and Upon the Doorposts of Thy House: Jewish Life in East-Central Europe, Yesterday and Today. A former correspondent for UPI in Poland and elsewhere in communist Europe, she has written for many publications, both popular and scholarly. Her awards and honors include a Guggenheim Fellowship and Poland’s Knight’s Cross of the Order of Merit. She was the Distinguished Visiting Chair in Jewish Studies at the College of Charleston (South Carolina) spring semester, 2015.

Sponsored by: College of Arts and Sciences, New College, Department of Anthropology, Department of Religious Studies, Department of Journalism and Creative Media, and Blount Scholars Program

The Curious Tale of the Fake Rabbi

29 Tuesday Nov 2016

Posted by Marysia Galbraith in Identity, Jewish Culture, Polish-Jewish relations, Poznan, stereotypes

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Fake rabbi, Jacek Niszczota, Jacoob Ben Nistell, Ruth Ellen Gruber, Virtually Jewish

Purim 2015
Purim 2015
http://www.gloswielkopolski.pl/
http://www.gloswielkopolski.pl/

Not long ago, a reporter revealed that that the man acting as Poznan’s rabbi was not in fact a rabbi. He called himself Jacoob Ben Nistell and claimed to be an Israeli from Haifa, but it turns out he is actually Jacek Niszczota, a Catholic Pole from Ciechanów, a town 60 miles north of Warsaw.

I’m not quite sure what to think of the story, but it resonates with Ruth Ellen Gruber’s characterization of much of Jewish activity in contemporary Europe as “virtual.” In her book Virtually Jewish: Reinventing Jewish Culture in Europe (2002), Gruber describes the myriad ways Jewish spaces, performances, and even people are in fact idealizations, representations, or stylizations of Jewishness. They are done up in “Jewish style” but often without actual Jews. This has occurred throughout Europe, where the interest in all things Jewish far exceeds the capacity of the tiny or absent populations of Jews to fulfill. Instead, non-Jews renovate synagogues, restore cemeteries, run Jewish restaurants, perform Klezmer music, and lead Jewish heritage tours.

Jacoob/Jacek’s self-presentation as Hasidic rabbi can be added to this long list of virtual Jewish performances, with the important qualification that his role was deceptive. He claimed to be a real Hasidic Jew, not someone just dressed up as one. He wore his hair long, with the distinctive side curls. He also dressed in a black brimmed hat and long black jacket. I don’t believe his intentions were malicious. Nor am I sure how much he deliberately deceived people, and how much people saw him as they wanted him to be. When I met him, he didn’t tell me “I’m a rabbi.” Rather, he said “They call me a rabbi,” his sweet smile and amused tone suggesting he was willing to go along with what others were saying about him. He did, however, claim to be from Israel. I didn’t quite believe him; more accurately, I questioned whether I heard him correctly because it didn’t fit my reading of him. He seemed Polish to me. Others tell me he put on an Israeli accent, but I can’t always recognize accents of Polish speakers. When I talked with him about a possible interview, he did not refuse, but he did not seem very eager either so I never pursued it. He seemed quirky and harmless, a bit of a happy jester.

Nevertheless, Jacoob/Jacek was deceptive and his actions are highly offensive. I saw him at a number of commemorative events: praying at the grave of Akiva Eger, a respected early 19th century Poznan rabbi; saying kaddish at the unveiling of the commemorative monument and lapidarium in Wronki; leading prayers at the Jewish Religious Community in Poznan. What got him caught was the media attention he received when he appeared at an ecumenical meeting with a Catholic priest and a Muslim imam. Someone from his hometown recognized him and alerted the media.

At that point, it became clear that there had been rumblings among Israelis and other Hebrew speakers that Jacoob/Jacek didn’t actually know Hebrew. Rather he read texts phonetically, putting emphasis and accents in the wrong places.

So that leaves me with the question why no one at the Jewish Religious Community (which is an official religious association for practicing Jews) challenged the veracity of his claims. Either they were genuinely deceived or they chose not to do anything about it. It’s problematic either way. If they didn’t know, it reveals how tenuous their knowledge of Jewish religious practice, culture, and language is. If they did know, it suggests they allowed the deception to go on. Even though Jacoob/Jacek was never declared a rabbi officially, I did hear him referred to affectionately as “our rabbi” (“nasz rabin”) and he was allowed to lead prayers in contexts that everyone expected would be done by a real rabbi. The Jewish Religious Community has a legal status. It is supposed to be the official institution for practicing Jews. What it turned out to be instead in this case is part of the virtual Jewish space. The idea, look, and performance of Jewishness was deemed sufficient.

I feel sympathy for Jacoob/Jacek, who has disappeared since his deception was revealed. I wonder what compelled him to pretend he was Jewish, and why he adopted the stereotypical form of a Hasidic Jew. It’s anachronistic in so many ways. Being any kind of Jew is a rarity in Poland, and the only Hasidic Jews in Poznan are occasional foreign visitors. Even historically, when Jews lived in Poznan in greater numbers, very few were Hasidic. This was even pointed out to me by a prominent member of the Jewish Religious Community. He gestured toward Jacoob/Jacek and assured me that even in the past, Poznan Jews tended to be more modernized.

“Who, 30 years ago in this country, would have pretended to be a rabbi, to say nothing of 70 years ago?”asked the Chief Rabbi of Poland Michael Schudrich in an article in the Times of Israel. He described Jacoob/Jacek as “very sweet and smiley,” much the same as I saw him.

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All original text and images are copyright © Marysia Galbraith. Please contact the author before quoting.

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