Tag Archives: Janusz Marciniak

Pavement of Memory

17 Tuesday Apr 2018

Posted by in Cemeteries, Commemoration, Heritage work, Memory, Polish-Jewish Heritage, Poznan

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“We recover history…we record history.”

That is what the Jewish Community of Poznan wrote when they announced a new memorial, “Pavement of Memory,” built with fragments of Jewish tombstones that were recovered during roadwork in Poznan.

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“Pavement of Memory” composed with fragments of matzevot (Jewish Tombstones), Poznan                            Source: Janusz Marciniak

When the road crew dug up the old pavement, they noticed some stones with strange writing on them. Realizing the letters were in Hebrew, they contacted the Jewish Community. The fragments are too small to make out names or details about whose tombstones they were, but at least they have returned to the cemetery where they belong. All over Poland, fragments like this are being found, out of place, reinforcing road beds, bridge foundations, and lake beds. They were harvested during the terror of the Nazi occupation, and sometimes afterwards under state socialism. With only ghosts to look over them, Jewish cemeteries became a source for scarce building materials.

The extraordinary thing is that when public spaces are designated as repositories of Jewish memory and culture, objects return to them. As cemeteries are cleaned up, fenced, and marked, tombstones come back. In some cases, it’s as if people have known for a long time about these objects. They felt they were out of place and it has sat uneasily on their minds. They are relieved to finally know where these objects should go. In others, as with this road project, people are surprised to find these fragments, but they feel a sense of obligation to honor the memory of the past. To put things back into place.

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“Pavement of Memory” at the memorial site in a corner of Poznan’s Jewish cemetery.

These fragments are back home on a wall in the corner of the Poznan Jewish Cemetery.

“Pavement of Memory” was designed by Janusz Marciniak, who also designed the memorial at the Jewish cemetery in Piła and did a series of installations in the Poznan synagogue when it still housed a swimming pool. Janusz’s design is simple and powerful, honoring the integrity of each fragment by hanging them in three rows of ten. And yet together, like a mosaic, they make a unified statement.

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Detail of macevot fragments in Pavement of Memory

The words on the memorial plaque, in Polish, Hebrew and English, read:

Był czas, kiedy z macew robiono bruk. Czas, w którym najdosłowniej rozbijano, deptano i kaleczono pamięć o ludziach pochowanych pod macewami. Niektóre z kamiennych okruchów tej pamięci przetrwały i dziś ta pamięć łączy się z wdzięcznością dla wszystkich, którzy przyczynili się do jej ocalenia. „Z owocu swoich ust nasycony będzie człowiek dobrem, a odpłacone mu będzie według tego, co zrobity jego rece” (Prz 12, 14).

הייתה עת שבה עשו ממצבות אבני מדרכת, עת שבה היו באופן ממשי מנתצים, רומסים ופוצעים את זכרם של האנשים הטמונים מתחת למצבות. אחדים מהשברים של אבני הזיכרון

אותן הזיכרון מתאחד שרדו, וכיום עם הכרת טובה לכל אלה שתרמו להצלתו. “מפְרִי פי־אישׁ יִשְׂבַּע־טוֹב וּגְמוּל יְדֵי־אָדָם יָשִׁיב לוֹ” (משלי י”נ יד).

There was a time when matzevot [Jewish tombstones] were used for pavement; a time when the memory of the people buried under the matzevot was most literally broken, trampled, and maimed. Some remnants have survived and today this memory is connected with the gratitude to those who contributed to its rescue. “A man shall be satisfied with good by the fruit of his mouth, and the doings of a man’s hands shall be rendered unto him” (Prov. 12:14).

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Bird on an old boulder tombstone in the corner of the Poznan Jewish Cemetery that has been designated as a memorial site.

Revisioning Jewish Poland through Art

11 Friday Nov 2016

Posted by in Anthropology, Memory, Poland, Polish-Jewish Heritage, Post-World War II

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The abstract for the paper I will be giving at the American Anthropological Association Meeting next week:

Artistic expression can be a powerful means to challenge the hegemonic power structure and to imagine an alternative social and moral order. In this paper, I highlight the work of three Polish artists who experienced a moral awakening during the Solidarity Movement in the early 1980s which made them sensitive to the repression of memories of Poland’s multi-ethnic, multi-religious past. In the ensuing years, they have engaged politically through their art to expose what remains of Jewish material culture (such as synagogues, cemeteries, and photographs), and to bring back into the public sphere a recognition of the space Jews once filled in everyday life in Poland. This artwork is both documentary and affective; it is intended to simultaneously inform viewers and to generate in them deep emotional responses that encourage ethical reflection.  Through various media, the artists seek to communicate that Jews were an essential part of Polish culture until the Holocaust, and also to give form to a collective sense of loss experienced after their violent removal. The cases examined are Wojtek Wilczyk’s photographs of former synagogues, called “There is no Innocent Eye,” Janusz Marciniak’s installations in the former synagogue in Poznan, and Andrzej Niziołek’s book Fira which traces the everyday life of a Jewish woman as revealed in her photo album of snapshots taken between the World Wars. These artists engage their moral selves to challenge political exclusion, public indifference, and antisemitism that until recently has kept Jewish spaces outside of everyday public and personal memories.

Synagogue by Wojtek Wilczyk
Atlantis, 2004, by Janusz Marciniak. Star of David floating on water and lit by hundreds of blue candle lanterns, while the Academic Choir sang “Meditation on Peace.”
Fira by Andrzej Niziołek

It’s part of a panel organized by Natasa Garic-Humphrey at UCSD:

The Politics of Indignation, Resistance, and Reconstitution of the Moral Self

This panel explores the intersections of governmentality, citizenship, political subjectivity, activism, ethics, and morality, and critically examines the importance of inserting “the moral self” within political theory to better understand how citizens come to confront political organizations and policies. Recent years have provided unprecedented examples of large-scale resistance, uprising, protest, and violent confrontation to authoritarian regimes, invidious state policies, and localized manifestations of neoliberal political-economics. To explain current confrontations to prevailing forms of state power, scholars have successfully highlighted the gaps between policy making from above and people’s on-the-ground experiences, resulting in citizens’ alienation from governmental ideologies, programs, and practices, while another line of research explored the various ways in which experiences of subjectivity and suffering are shaped within particular contexts of political economy.

This panel however, takes a closer look at the ways people manage to change their moral orientations within the context of hegemonic power and (re)make their moral selves to engage in and confront larger political and socioeconomic processes. How do specific situations, events, and visceral experiences in people’s lives evoke moments of self-reflection, engender reorientations towards the self, and inspire courses of action that cultivate a new sense of moral personhood? How does this experience of generating a new moral self shape one’s perceptions of government ineptitude and prepare them to engage in citizen-based action to confront political injustices and socio-political reforms? What motivates people to resist, initiate change, and form new senses of themselves as moral actors in the midst of stifling crises brought by socioeconomic and political transformations, war, genocide, fear, and other examples of structural violence?

Swimming in the Synagogue?

20 Sunday Mar 2016

Posted by in Commemoration, Jewish Culture, Polish-Jewish Heritage, Post-World War II, Poznan, Pre-World War II, Synagogues, World War II

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How, realistically, can Jewish heritage be preserved in Poland? Some projects are easy to get behind, like the lapidarium in Wronki. Others fall into more problematic ethical territory. The fact remains that there are many more sites in need of preservation than there are funds for such projects. And yet, I would argue that because of the magnitude of the destruction of Jewish life in Poland, every fragment has enhanced value.

The survival of a building as grand as the New Synagogue in Poznań is thus of particular worth. As with most remaining synagogues in Poland, the New Synagogue was not destroyed because it was repurposed. The Nazis converted the building into a swimming pool; after World War II, it remained a municipal pool until 2011. Although there has been ongoing public debate about more appropriate uses of the space, which at some point was passed back into the hands of the Jewish Community, the main reason the pool was finally closed was because of its deteriorating condition.

The New Synagogue was built in 1907 on Stawna Street between Wroniecka and Żydowska (Jewish) Street, just a few blocks from the central market square of the old city. Intended for Poznań’s wealthier Jewish citizens, the imposing structure had a seating capacity of 1200 and a large copper-covered cupola. Its size and grandeur is all the more striking, considering the Jewish population of the city was under 6000 when the synagogue was built, and further dwindled to perhaps 3000 right before World War II (statistics from Virtual Sztetl).

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Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

As these photos show, the German occupiers also removed the cupola and other ornate features, leaving a far less elaborate structure. For several years, starting in 2004, artists like Janusz Marciniak were involved in installations and commemorative events that used the pool as a focal point. Some of these include Marciniak’s  Atlantis (2004),  Alphabet (2005), and 9/09/1939 (2006).

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Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

The Jewish Community, together with others interested in preserving the New Synagogue, proposed restoring the building to its prewar shape and condition, and housing a Center for Dialog and Tolerance. Unfortunately, the plan failed to gain the institutional support and financial backing necessary for it to be realized.

But now there is a new plan in the works, to turn the synagogue into a hotel. In and of itself, that is not the worst outcome; investors will preserve and upgrade the structure, which will include a mini-museum with information about the building’s origins and the history of Poznań’s Jews. So while a museum, or memorial, or center for dialog and tolerance would be preferable, at least the synagogue won’t be torn down, as some city leaders suggested as recently as 2006.

Artist’s rendering of the proposed hotel project. The prewar copper-clad dome is reimagined in glass. Photo from article in Gazeta Wyborcza
Elements of the pool being disassembled. Photo by Łukasz Cynalewski

But putting another pool in the synagogue is, as my husband put it, kind of tone deaf. It’s insensitive to the cruel history of the place.

A recent article in Gazeta Wyborcza about the planned hotel begins with the following fable:

(my translation) “Summer 2020. Early morning at the hotel on Wroniecki Street at the corner of Stawna Street. In a luxury room in the former Jewish synagogue Alessandro Gianini, a tourist from Rome, wakes up. He flew into Poznan the night before and stayed in the modern hotel with intriguing architecture. In the guidebook, he read that the glass copula of the building recreates the old outline of an imposing synagogue. Now he wants to look around the city.

“But before Alessandro sets out for the Old Market Square, he goes down to the second floor for a swim in the hotel pool. The swim helps to relax and awaken him. He changes, and full of life goes down to the ground floor to the restaurant. After a light breakfast and a cappuccino, he heads to the exit. In the hall, however, he sees an open door to a small space. A sign in English hangs on it: “Museum of the Jews of Wielkopolski.”

“Intrigued, Gianini looks inside. He sees large boards–reproductions of sepia-colored photographs. On the first of these–a long swimming pool under a high vaulted ceiling. On the wall of the pool–a fascist eagle.

“Surprised, the Italian looks at the caption below the photo: “In 1940 Nazi occupiers profaned the synagogue, removing the Star of David from it and building a pool inside of it.

“Alessandro suddenly feels ashamed. Because of his morning swim in the place where 80 years earlier Nazis showed complete contempt for the feelings and religion of Jews, and then sentenced them to a horrible death. He is ashamed and embarrassed. And more than anything surprised that history could be repeated in this cruelly perverse way…”

(the original Polish is in the article)

I don’t know anything more about these plans, except for rumors I heard while I was in Poznań last year, and the contents of this article. Perhaps if they do include a pool, it will be located in some new addition to the structure, in a less offensive place than the main sanctuary. I certainly hope so.