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Uncovering Jewish Heritage

Uncovering Jewish Heritage

Category Archives: Jewish Culture

Posts about aspects of Jewish culture.

The Curious Tale of the Fake Rabbi

29 Tuesday Nov 2016

Posted by Marysia Galbraith in Identity, Jewish Culture, Polish-Jewish relations, Poznan, stereotypes

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Fake rabbi, Jacek Niszczota, Jacoob Ben Nistell, Ruth Ellen Gruber, Virtually Jewish

Purim 2015
Purim 2015
http://www.gloswielkopolski.pl/
http://www.gloswielkopolski.pl/

Not long ago, a reporter revealed that that the man acting as Poznan’s rabbi was not in fact a rabbi. He called himself Jacoob Ben Nistell and claimed to be an Israeli from Haifa, but it turns out he is actually Jacek Niszczota, a Catholic Pole from Ciechanów, a town 60 miles north of Warsaw.

I’m not quite sure what to think of the story, but it resonates with Ruth Ellen Gruber’s characterization of much of Jewish activity in contemporary Europe as “virtual.” In her book Virtually Jewish: Reinventing Jewish Culture in Europe (2002), Gruber describes the myriad ways Jewish spaces, performances, and even people are in fact idealizations, representations, or stylizations of Jewishness. They are done up in “Jewish style” but often without actual Jews. This has occurred throughout Europe, where the interest in all things Jewish far exceeds the capacity of the tiny or absent populations of Jews to fulfill. Instead, non-Jews renovate synagogues, restore cemeteries, run Jewish restaurants, perform Klezmer music, and lead Jewish heritage tours.

Jacoob/Jacek’s self-presentation as Hasidic rabbi can be added to this long list of virtual Jewish performances, with the important qualification that his role was deceptive. He claimed to be a real Hasidic Jew, not someone just dressed up as one. He wore his hair long, with the distinctive side curls. He also dressed in a black brimmed hat and long black jacket. I don’t believe his intentions were malicious. Nor am I sure how much he deliberately deceived people, and how much people saw him as they wanted him to be. When I met him, he didn’t tell me “I’m a rabbi.” Rather, he said “They call me a rabbi,” his sweet smile and amused tone suggesting he was willing to go along with what others were saying about him. He did, however, claim to be from Israel. I didn’t quite believe him; more accurately, I questioned whether I heard him correctly because it didn’t fit my reading of him. He seemed Polish to me. Others tell me he put on an Israeli accent, but I can’t always recognize accents of Polish speakers. When I talked with him about a possible interview, he did not refuse, but he did not seem very eager either so I never pursued it. He seemed quirky and harmless, a bit of a happy jester.

Nevertheless, Jacoob/Jacek was deceptive and his actions are highly offensive. I saw him at a number of commemorative events: praying at the grave of Akiva Eger, a respected early 19th century Poznan rabbi; saying kaddish at the unveiling of the commemorative monument and lapidarium in Wronki; leading prayers at the Jewish Religious Community in Poznan. What got him caught was the media attention he received when he appeared at an ecumenical meeting with a Catholic priest and a Muslim imam. Someone from his hometown recognized him and alerted the media.

At that point, it became clear that there had been rumblings among Israelis and other Hebrew speakers that Jacoob/Jacek didn’t actually know Hebrew. Rather he read texts phonetically, putting emphasis and accents in the wrong places.

So that leaves me with the question why no one at the Jewish Religious Community (which is an official religious association for practicing Jews) challenged the veracity of his claims. Either they were genuinely deceived or they chose not to do anything about it. It’s problematic either way. If they didn’t know, it reveals how tenuous their knowledge of Jewish religious practice, culture, and language is. If they did know, it suggests they allowed the deception to go on. Even though Jacoob/Jacek was never declared a rabbi officially, I did hear him referred to affectionately as “our rabbi” (“nasz rabin”) and he was allowed to lead prayers in contexts that everyone expected would be done by a real rabbi. The Jewish Religious Community has a legal status. It is supposed to be the official institution for practicing Jews. What it turned out to be instead in this case is part of the virtual Jewish space. The idea, look, and performance of Jewishness was deemed sufficient.

I feel sympathy for Jacoob/Jacek, who has disappeared since his deception was revealed. I wonder what compelled him to pretend he was Jewish, and why he adopted the stereotypical form of a Hasidic Jew. It’s anachronistic in so many ways. Being any kind of Jew is a rarity in Poland, and the only Hasidic Jews in Poznan are occasional foreign visitors. Even historically, when Jews lived in Poznan in greater numbers, very few were Hasidic. This was even pointed out to me by a prominent member of the Jewish Religious Community. He gestured toward Jacoob/Jacek and assured me that even in the past, Poznan Jews tended to be more modernized.

“Who, 30 years ago in this country, would have pretended to be a rabbi, to say nothing of 70 years ago?”asked the Chief Rabbi of Poland Michael Schudrich in an article in the Times of Israel. He described Jacoob/Jacek as “very sweet and smiley,” much the same as I saw him.

Poles Remember

01 Tuesday Nov 2016

Posted by Marysia Galbraith in Catholicism, Cemeteries, Commemoration, Dukla, Memory, Polish Culture, Polish-Jewish Heritage, Polish-Jewish relations

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All Saints Day

Today is the Catholic holiday, All Saints Day, the time to honor the dead. Customarily, Poles visit cemeteries to clean and decorate the graves of their family members. During the day, chrysanthemums in all shades adorn tombstones. At night, candle lanterns on graves make the cemeteries glow. Twinkling hillsides can be seen from far away.

I’m pleased to see that some Poles also remember Poland’s now-absent Jewish population on November 1. I’ve seen this in Warsaw and in Lutowiska. And here is a photo Jacek Koszczan posted on Facebook today showing the candle lanterns on the commemorative monument at the town of Dukla’s Jewish cemetery.

Candle lanterns on the monument commemorating Dukla's Jewish population, November 1, 2016, All Saint's Day.

Candle lanterns on the monument commemorating Dukla’s Jewish population, November 1, 2016, All Saint’s Day.

He and other citizens of Dukla made the trip out to the cemetery to light a candle for the dead. In this, I see an expression of honor that transcends religious difference.

Jacek has done a great deal to reassemble the memory of Jewish life in Dukla. In fact, he was honored last month by the Polin Museum for his work. The Polin website explains, “Jacek Koszczan is the founder and director of the Organization for the Preservation of Jewish Heritage in the Dukla Region–Dukla Shtetl. His work involves both obtaining and archiving knowledge about the Jews of Dukla and its surroundings, as well as educational activities. Jacek Koszczan is the initiator and builder of a monument commemorating the 70th anniversary of the murder of Dukla’s Jews, the volunteer caretaker of the Jewish cemeteries, mass grave, as well as the ruins of the Dukla synagogue. Thanks to his efforts and knowledge, he succeeded in facilitating the honoring of two Dukla-region families with the medal for the Righteous among Nations.”

Jacek Koszczan receiving his award from the Polin Museum for his work on Jewish heritage in Dukla, October 21, 2016. Photo by Janusz Czamarski

Jacek Koszczan receiving his award from the Polin Museum for his work on Jewish heritage in Dukla, October 21, 2016. Photo by Janusz Czamarski

All in all, Jacek has been instrumental in the return of the memory of Jews to his community. I have been impressed by his energy, enthusiasm, and generosity. For him, this is a labor of love–for his community, for the memory of those who suffered, and for humanity in the face of evil.

Two Bottles of Vodka

19 Monday Sep 2016

Posted by Marysia Galbraith in Heritage work, Jewish Culture, Memory, Polish-Jewish relations, Post-World War II, Survival, Włocławek, Żychlin

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Two times over the course of my visit to Żychlin, my host Henryk told me a story about a young Jewish boy who survived the war and returned to the town to collect his family’s jewels. A bad Pole threatened the boy’s life unless he showed him where the valuables were hidden. The frightened boy showed him. They sat down at a table and for each one item the bad Pole gave the boy, he took several for himself. The boy took out a roll of money and offered to buy the jewelry. Then, the brother of the bad Pole came in and saw what was going on. He told his brother, “Here, I have two bottles of vodka. We’ll drink together.” Then he gave the boy all his money and jewels back.

The story made an impression on Henryk. He said a woman from Włocławek had told it to him. Because they were talking on the phone, he didn’t want her to tell him the real names of the men. He wants to save it for when they meet in person. That kind of information is better shared face-to-face. The second time he told me this story, it occurred to me I might know the woman he had spoken with. Indeed, it turned out that it was Mirosława Stojak, who has made it her personal quest to learn all she can about Włocławek Jews. Henryk promptly called Mira so we could talk. I met Mira during my first visit to Włocławek in 2014, and then again when I was there in June.

Mira uses her talents as a poet, writer, and actress to share the stories of Włocławek Jews. In her book Utkane Sercem Włocławskim Żydom, she includes the story that so captivated Henryk, called “Two Bottles of Vodka.” Here is the translation of the story:

Two Bottles of Vodka

Utkane Sercem Włocławskim Żydom by Mirosława StojakWinter 1946 was cold. All around, snow covered homes, roads, and trees. Long icicles hung from the roofs. On a January afternoon, Ariel came on the snowy road to the home of his relatives. Before the war, together with his sisters, he was there a few times. During his last visit in 1939 Ariel’s father, a merchant from Żychlin, knew that soon Germans would attack Poland militarily. Sixteen-year-old Ariel, a short boy, emaciated after the experience of the camp, walked pensively listening to the scrape of his creaking shoes. In his ears rang what his father once told him:

“You have to save yourself, and whoever survives should return here…”

He knew perfectly well that his visit would not be viewed happily by the new owners of the house. He was even afraid that he would be treated poorly. He wasn’t sure, either, if the home still stood, or if it was bombed during the war. He hoped not. He walked slowly, every once in a while touching an icy rock. He passed ruins of houses and ashes, people shoveled snow. He heard dogs barking. Before the war he loved dogs, and they even had two beautiful German shepherds at home. Now, they reminded him of scenes from the camp and he was horribly afraid of them. In Auschwitz they were trained to murder. Ariel picked up his pace. Soon the sun would set and it would be dark. After a while, he saw the home of his uncles and aunts, who didn’t much care for visitors during the war. Fearfully, he knocked on the door. A young man stood before him, tall and well built. He had an unfriendly expression on his face, as if he had been expecting him. With his strong hand, he pulled Ariel inside, shutting the door, and yelled,

“Where is it?”

The frightened Jew led him down the stairs to the basement, and then the “brute” pushed him against a wall and demanded he say where the treasure is. A few strikes of a hammer against a wall and in the hands of his “captor” appeared a casket. Now, the boy was led upstairs and into the kitchen. The man grabbed his shirt and sat him on a chair at the table, then sat down across from him and opened the box. Inside was the ancestral jewelry of Ariel’s family. There were brilliantly shiny rings, broaches, and necklaces. Taking the valuables out of the casket, the man put them on the table, between himself and Ariel, loudly counting:

“Mine, mine, yours, mine, mine, mine, yours, mine, mine…”

When he finished, there were just three family heirlooms in front of Ariel. Tears appeared in his eyes. They reminded him of his mother, who always wore a string of white pearls around her neck when she went to synagogue. Now they lay in front of him on the table awaiting their verdict. The boy slowly reached into his pocket and pulled out a role of banknotes, explaining that for him the jewelry has sentimental value for his family and he would gladly buy them back. The “brute,” without thinking, took all the valuables lying on the table for himself, and in a deep resonant voice called out,

“Józek!”

In the kitchen doorway appeared a “man like an oak,” big and broad-shouldered, who asked contemptuously,

“What?” and looked at the table.

The brute moved aside, his eyes not leaving the valuables. Józek who was much older was supposed to settle the matter. Ariel began quickly explaining, persuading him to agree to his proposition to buy the jewelry. He asked Józek to take the money and give back the valuables and then everyone would be satisfied. Józek thought; he silently looked at the young Jew and the table with an appraising eye. Frightened, Ariel imagined them closing him in the basement and starving him, or God forbid, murdering him. Wouldn’t it be ironic to die here and now, after he had the good fortune to miss death at the hands of the Nazis? After a while, Józek broke the silence, yelling:

“Karol!”

A boy who was perhaps eight years old came into the kitchen. Freckled, with wavy hair and an intelligent look. From the pile of money lying on the table, Józek took one bill, gave it to the boy and told him:

“Go and buy two bottles of vodka.”

The boy, like a shot, ran from the cottage. Józek pushed the jewelry and money in the direction of Arial and said:

“Take it and go!”

Ariel ran as fast as his legs would take him. It was a marathon. He didn’t even touch the rock; he didn’t hear the barking dogs. He sped ahead with all the strength in his legs, not looking back. When he got to the station, the train stood ready for departure.

Mirosława Stojak recounting stories about Włocławek Jews, October 1, 2015

Mirosława Stojak recounting stories about Włocławek Jews, October 1, 2015

Mirka told me she met the boy from the story when he visited Włocławek (now of course, he’s an elderly man). His wife wore some beautiful jewelry; she doesn’t know if these were pieces he recovered, but it is nice to think that they were. At his request, she changed all the names when she wrote down the story. Nor did she write about the further misfortunes the boy experienced before he found his way to safety in Israel. I won’t either—the most important thing is that he survived.

How Żychlin Remembers, part 2

01 Thursday Sep 2016

Posted by Marysia Galbraith in antisemitism, Jewish Ghetto, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Post-World War II, Pre-World War II, stereotypes, Synagogues, World War II, Żychlin

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The next morning I met Tadeusz Kafarski for a tour of the city. He was with Józef Staszewski, the director of the Żychlin branch of the Association of Children of War. Because Józef was born in 1929, he remembers wartime better than Tadeusz, who was only a year old when the Nazis invaded. The two sometimes disagreed about details, but together they reconstructed for me Jewish life in Żychlin. As they pointed to the buildings that stand here and now, their descriptions transported me back and forth through time, to prewar life, wartime murder, and communist era absence. I had the odd sensation as I did so many times on this trip of being both here (in the present) and then (in the past), my mind trying to reconcile what stood before my eyes with what used to be. My guides led me back in time with varied fragments of information:

On Łukasieńskiego Street, we passed concrete apartment buildings built in the 1970s on the site of the second, larger Jewish ghetto.

Mr. Helmer, the richest Jew in town, lived across from the market square, to the left of Narutowicza Street, in what is now a well maintained two story building.

One block south, near the synagogue (the blue Star of David on the map below) on Kilińskiego Street, we passed the former home of a Jewish doctor, a building that used to be a dairy collection point, and another that was the preschool Tadeusz attended. A man named Merc lived nearer the synagogue. Behind some houses was the Jewish slaughterhouse, but Christian Poles also bought meat from there.

Jews and Poles lived side by side, even though this part of town was predominantly Jewish. Today, this section of town is run down though these particular buildings seem in good shape.

Map of Żychlin 1940-42 showing the ghettos in red, the first one is on the left and the second is on the right. The dark green shows the main areas where Jews lived--note that most were not in what became the ghetto. That meant gentiles had to move out of those areas when the Jews were forced to move in.

Map of Żychlin 1940-42 showing the ghettos in red, the first one is on the left and the second is on the right. The dark green shows the main areas where Jews lived–note that most were not in what became the ghetto. That meant gentiles had to move out of the ghetto areas when the Jews were forced to move into them.

As we wound through the dusty streets, the contemporary residents stared at us suspiciously, though some who know my guides greeted them, “Dzień dobry (Good day).”

The patch of tall weeds in front of the synagogue (on Jana Kulińskiego Street) used to be a fenced garden. The garden continued to be maintained after the war, even though the Polish residents used the synagogue as a warehouse, as did the Nazis. The lower sections of the windows were bricked in and new doorways were installed in the sides of the building to facilitate loading and unloading.

What's left of the Żychlin synagogue. Note the windows used to extend much father down, and the more recent doorway (now blocked) added when the building was used as a warehouse. The weedy area in the foreground used to be a fenced garden.
What’s left of the Żychlin synagogue. Note the windows used to extend much father down, and the more recent doorway (now blocked) added when the building was used as a warehouse. The weedy area in the foreground used to be a fenced garden.
Pan Józef beside the site of the well and mikvah
Pan Józef beside the site of the well and mikvah
Worn stones--something I learned to value as a student archeologist. These were used in place of asphalt before World War II
Worn stones–something I learned to value as a student archeologist. These were used in place of asphalt before World War II

As a child, Józef went inside several times with his parents, though he could only describe the general layout of the interior. The candlelit altar was on the east wall, the main entrance on the west. Above the entrance was a balcony that would have been for the choir in a church but in the synagogue was for women to pray in. In a neighboring building, the rabbi would change. On the other side of the synagogue were a well (with the best water in town) and mikvah. After the war, everyone used that bathhouse.

Józef said, “There is just one faith; Jews believe in God just like we do.” He declared children played together regardless of religion. He described distinctive aspects of the Jewish population. Men wore head covers and beards. They would take their shoes off in the synagogue, but had to keep their head covered. The Jewish “priest” was the only one with side curls. He wore a black hat, black clothes, and a white shirt. Jews stayed home Friday and Saturday; they didn’t work. They held their hands at their waist and rocked as they prayed. They read scrolls. Jews used to bury their dead in a sitting position with money on their eyes. Men carried the unclothed, shrouded body to the cemetery. They returned to God as they began. When they left the cemetery after the burial, mourners dispersed in different directions . He asked why and was told it was so the spirit doesn’t return home with them.

Are these personal memories or stereotypes picked up from other sources?

My guides told me about a man named Rozenberg. They pointed to the yard of his bakery, and then we walked around to what used to be its storefront on Narutowicza Street. Rozenberg lived in a multi-story home on the other side of the street. He married a Christian named Czajka. Jozek said the Rozenbergs’ children Krysia and Rudek were Jewish. He played with the boy. After her husband died, Czajka married her brother-in-law, a judge. They had two more children. After the war, the family was harassed by the police so they sold all their buildings and went to Israel. One child moved to Norway.

The Germans occupied the town on September 15. At first, they didn’t treat anyone harshly, but they did take their property—first the stores and richer buildings owned by Jews, and then jewelry and everything anyone had that was valuable.

The main entrance to the ghetto used to be across from Rozenberg’s bakery. This was the second ghetto, established later for the poorer Jews. The first ghetto, where the richer Jews were sent, was on the grounds of an old factory outside the center of town. As Jews were forced into the ghetto, Poles whose homes were within the ghetto territory had to move to homes on the other side of the street—homes that had been emptied of their Jewish residents.

In July 1942, the second ghetto was liquidated. It took five hours because thousands of people were loaded onto wagons, and then everything was removed from their homes and segregated into piles. Some Poles helped, forced to work under threat of death. My guides disputed claims that Poles plundered Jewish possessions. They insisted the Germans took everything valuable, then piled up all the remaining dirty and broken things and burned them.

We crossed the street to the main square. Right there in front of the church there used to be a row of market stalls run by Jews. The church owned the land, but didn’t have any problem with Jewish venders. We continued behind the church and across another market square to the town library. This solid stone structure was originally built for Hempel, the Nazi mayor of the town remembered for his cruelty.

My guides Tadeusz Kafarski and Józef Staszewski in the town square
My guides Tadeusz Kafarski and Józef Staszewski in the town square
The Żychlin town square
The Żychlin town square
Director of the Żychlin Library, Ewa Andrzejewska
Director of the Żychlin Library, Ewa Andrzejewska
Nazi Mayor Hempel's villa is now the Żychlin Public Library
Nazi Mayor Hempel’s villa is now the Żychlin Public Library

Tadeusz told me the wartime mayor’s villa was built with tombstones from the Jewish cemetery. Jews were pressed into service carrying the heavy stones. It was backbreaking labor made more difficult by the extreme heat. When one of the workers asked for a drink of water, the Nazi officer shot and killed him. Then, he held up a stick threateningly and asked who else wants a drink. No one dared ask for water after that. Józef told the story a little differently. He said the man who asked for water was dragged to the nearby lake and drowned.

Pani Ewa Andrzejewska, the director of the library, said her aunt who took care of Hempel’s children described him as ruthless, “A typical German.” He furnished his house with things he took from the richer people in the city. He rode a white horse. She also suggested my guides were a little too invested in showing Poles in a positive light to me—emphasizing heroism and victimization and minimizing complicity. She said that on one hand, Jews and Poles lived peacefully together. She was raised to not feel any prejudice. But on the other, many have negative sentiments toward Jews. She even went further to say Poles are genetically indisposed toward Jews. I challenged her on this saying that since sentiments toward Jews have changed over time, it’s a matter of history, not biology. She still didn’t agree, and repeated that Poles have a problem with this.

A dream of mine would be to help preserve and maybe even rebuild the town synagogue. My hosts said the TMHŻ has looked into turning it into their meeting space. Ewa said the ownership of the building is in dispute. So for now it just sits there, slowly crumbling away.

Leaving town the next day, I was once again stopped at the railway crossing as a train sped by. I didn’t mind having one last moment in this town where my great grandmother lived. I felt saddened and rooted by what I had learned, and grateful for the acquaintances who showed me Żychlin as it is now and as it was then.

How Żychlin Remembers, part 1

01 Thursday Sep 2016

Posted by Marysia Galbraith in Bolimów, Jewish Ghetto, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Post-World War II, Pre-World War II, Sobota, Synagogues, World War II, Żychlin

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My visit to Żychlin began and ended at the railway crossing. I had meandered up from the highway, passing through the small communities of Bolimów and Sobota where my ancestors lived over a century ago, and had to stop as a train sped by. I called pan Henryk to make sure I was on the right road. He assured me I was, and met me a few minutes later. Henryk, whom I met in 2014 through his website Historia Żychlina, had arranged meetings, tours, and interviews for me with resident fans of local history.

Bolimów synagogue, now the police station at 6 Farna Street
Bolimów synagogue, now the police station at 6 Farna Street
Central Square, Sobota
Central Square, Sobota

Tadeusz Kafarski, Vice President of the Association of Enthusiasts of Żychlin History (TMHŻ) joined us for a look around the train station. He and Henryk pointed across the tracks where during World War II transports took 2500 Jews from the Żychlin ghetto to Kulmhof (Chełmno) Camp near Poznań. They debated exactly where the trains had stood, but later, Henryk and his wife took me to a platform across from the main train station, saying that is where it happened.

Pan Tadeusz describing the transports that took away the Jewish residents of Żychlin in 1942.
Pan Tadeusz describing the transports that took away the Jewish residents of Żychlin in 1942.
Żychlin Train station, boarded up and unused
Żychlin Train station, boarded up and unused
Looking across the express train tracks to the platform where Jews were loaded onto transports
Looking across the express train tracks to the platform where Jews were loaded onto transports
A closer look at the same platform
A closer look at the same platform

The station building signals the effects of communism and its demise on this community. My guides told me the prewar station was imposing and beautiful. The postwar building that stands today—boarded up in places, broken windows and graffiti in others—is more functional than attractive. Its size shows that this used to be a major stop on the route from Moscow to Berlin. But since the express tracks were laid following the fall of communism, only a few trains stop here each day. Instead, every few minutes, one zips by at breakneck speed. The place was deserted, except for a group of teenagers who were hanging out.

Tadeusz told me he remembers the transports as they left the station with their human cargo in 1942, even though he was only four years old. During the war, when his family was forced to move from their home, as were many residents, they were resettled in a former Jewish residence. From the street it looked like a normal cottage with a living room on one side and a kitchen on the other. A distinctive feature of this house, though, was the stairs from the kitchen to the basement and the door from the basement to the courtyard behind the house. This private entrance was used sometimes by the men of the family who didn’t want to be seen returning in their dirty clothes.

Others whom I met during my visit shared similar memories of childhood. Janusz Tomczak, who was a teenager during the war, remembers seeing the land covered with wagons. Only later, he understood that these belonged to the Jews who were being taken to the camps. Józef Staszewski was with some older boys when the ghetto was being liquidated. It was a few days before Easter. He was a scout at the time and he made a vow to God he that he would choose death before he betrayed his friends. A couple of blocks from where they stood, Nazis loaded people into wagons and took them away. Now he knows that the captives were segregated by age and ability, and the children and elderly were led to special vehicles and then gassed inside them.

To be continued….

 

Włocławek’s Forgotten Street: The Street of Death (Ulica Śmierci)

04 Thursday Aug 2016

Posted by Marysia Galbraith in Heritage work, Memory, Polish-Jewish Heritage, Synagogues, World War II, Wronki, Włocławek

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Facebook Fan Page, Memory for the Future, Miejsce Pamięci Zagłady Blisko Nas, Pamięć dla Przyszłości, Places of Holocaust Memory Near Us, Włocławek’s Forgotten Street, Włocławska Zapomniana Ulica

“Here and then” (“Tu i wtedy”)…that was the recurring line in Deputy Mayor Robert Dorna’s speech at the unveiling of the lapidarium in the Jewish cemetery in Wronki in December 2014. He linked the place we were standing (tu—here) to various moments in history (wtedy—then).

This could be an apt description of many of the heritage projects I have observed. They are efforts to gather together the fragments that can be recovered, and to reassemble them so they bring back to everyday landscapes the memories of multiple historical events in the lives of former Jewish residents. Seeing the past in the present has also been the touchstone of my recent trip to Poland. Everywhere, it seemed I was walking through streets as they look today, and at the same time carrying envisioning the way they looked back then (wtedy). Linking a particular place concretely to its past was also the goal of the contest that led the students and teachers at the Automotive High School in Włocławek (Zespół Szkół Samochodowych im. Tadeusza Kościuszki) to develop their Facebook “fan page” Włocławek’s Forgotten Street (Włocławska Zapomniana Ulica). They decided to focus on Piwna Street, which despite its small size (just two blocks long) became a focal point for viewing Jewish life and death in this city.

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Włocławska Zapomniana Ulica–the Facebook fanpage documenting the history of Włocławek’s Jews, on Piwna Street and beyond.

For thirteen years, the program “Memory for the Future” (“Pamięć dla Przyszłości”) has held annual contests for middle and high school students, challenging them to explore some aspect of Holocaust history. Initiated by the Association of Children of the Holocaust in Poland, and joined in recent years by the Polin Museum, Jewish Historical Institute, and Center for Educational Development, students have produced a variety of projects—essays, posters, and drawings. This year, the sponsors decided to try something new, more in keeping with the way young people communicate today. That’s why this year’s challenge “Places of Holocaust Memory Near Us” (“Miejsce Pamięci Zagłady Blisko Nas”) involved the production of a Facebook page.

Włocławek is a city of about 114,000 residents; the population has been declining since the fall of state socialism as local industries have closed and residents have sought better opportunities in more prosperous places within and outside of Poland. A century earlier, the city experienced rapid growth; during the four decades before World War II, it became a regional industrial center and the population tripled, reaching 68,000 by 1939. Jews were important contributors to the city’s development, and comprised nearly 20% of residents. My family was among the migrants to the city during this time. By the end of the war, most of Włocławek’s Jews had been murdered, the synagogues burned, and the cemetery desecrated.

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Map of Włocławek in 1930. Piwna Street is to the left of the bridge, just past an estuary opening out to the river. Map by Wojskowy Instytut Geograficzny.

Piwna Street is located off of Wyszyński Street (one of the main routes through town). About one third of the way along its short length it makes a 90 degree turn and runs for another block parallel to the Vistula River. On the river side is a massive two story building and dock that includes the Rejs na Przystani Café. Across the street, colorful depictions of fruits and the products made with them decorate the wall around the Delecta factory (see the cover photo of the Facebook page above). Until the Forgotten Street project, nothing indicated that Piwna was called the “Street of Death” after the Nazi occupation.

In September of 1939, the city’s synagogues were burned to the ground and the Jewish population was terrorized (read more about this here); some were arrested while others were killed. The retreating Polish forces had blown up the bridge across the Vistula, so the Nazis decided to replace it with a pontoon bridge at Piwna Street. But first the riverbank had to be reinforced. Captive Jews were forced to do this backbreaking work, using the stone and concrete remnants of the synagogue as building materials. Many died in the process, hence the name “Street of Death.”

What’s extraordinary about the high schoolers’ project is how effectively it brings into the present an awareness of the past. It does so with a wide variety of archival information, photographs, and first-person recollections. The public nature of the fan page also meant that other people learned about this history and could even contribute to it. For instance, one viewer posted this gouache painting of Piwna Street from the mid-19th century.

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The view across Zgłowiączki Estuary and Piwna Street. Gouache by Alfons Matuszkiewicz, c. 1853. Posted on Włocławkska Zapomniana Ulica

To date the fan page has 1773 “likes.” Another component of the project was the posting of a QR code that when scanned with a smartphone connects to a brief explanation of the history of Piwna Street in four languages. QR codes were also posted at several other sites around town that are associated with Jewish culture (listen here).

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QR code linking to a brief history of Piwna Street.

For now, these notices are just on laminated paper, but the hope is that something more permanent will be installed so visitors will continue to connect here and then—this particular location with the events that occurred in the past. When I visited in June, the city’s president expressed his support for the project. The question remains where the money will come from to pay for a more lasting marker. Still, with people of good will and extraordinary energy like the teachers and students at the Automotive High School, I’m hopeful something will be done in the not too distant future.

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The teachers who worked on the project Włocławska Zapomniana Ulica: from the left, Anita Kaniewska-Kwiatkowska, Monika Lamka-Czerwińska, and Robert Feter.

Threading the Needle

27 Wednesday Jul 2016

Posted by Marysia Galbraith in antisemitism, Baligród, Commemoration, Fieldwork, Heritage work, Jewish Culture, Kazimierz, Krakow, Lesko, Memory, Poland, Polish Culture, Polish-Jewish Heritage, Polish-Jewish relations, Tarnów, Warsaw, Wronki, Włocławek, Zasław, Żychlin

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Erica Lehrer, Jacek Nowak, Jewish Poland Revisited, Katka Reszke, Return of the Jew

I am back from six weeks in Poland. I envisioned regular posts from the field in this blog. But instead, doing fieldwork left little time for writing and reflecting about it. Nevertheless, a structure for my next book project has been emerging. The challenge will be threading the needle between celebrating the renewal of interest in Jewish life in Poland, captured so well in Erica Lehrer’s Jewish Poland Revisited and Katka Reszke’s Return of the Jew, and addressing the ongoing silences, distaste, even hatred expressed toward Jews, as revealed in Jacek Nowak’s interviews with ordinary Poles. Because both are happening at the same time, often in the same places, and sometimes even within the same people.

And I’ve seen evidence of both in my own research. People all over Poland are doing incredible work to preserve cemeteries, renovate synagogues, document first-person accounts, and celebrate Jewish music and culture, often in the absence of any involvement from living Jews. They work with passion to fill what they feel to be a void in their local communities. And they do so despite the resistance they sometimes face from fellow residents and local government representatives. Every place tells a different story, even though many of the same elements can be found in each of them. Over the next several posts, I’ll highlight the places and projects I visited. Watch for the place names to become links to more details.

Włocławek

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Students and teachers from the Automotive High School in Włocławek receive the first place award for their Facebook “fan page” “Włocławska zapomniania ulica” (“Wloclawek’s forgotten street”) at the Polin Museum in Warsaw, June 22, 2016. The contest was “Places of Holocaust Memory Near Us” and the challenge was to highlight a place in the local community. The team from Włocławek chose Piwna Street, called “the street of death” during World War II.

Żychlin

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Detail of the synagogue in Żychlin, converted into a warehouse by the Nazis and used as such for many years after. The roof caved in several years ago. Traces of frescos are barely visible through the empty windows.

Kutno

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New signs at the Kutno Jewish cemetery provide historical information and urge residents to keep in mind this green hillside is a cemetery. Installed by Towarzystwo Przyjaciół Ziemi Kutnowski (Association of the Friends of the Kutno Region).

Wronki

An arial view of the Lapidarium in Wronki that shows the shape of the raised beds, meant to evoke an open book.

Warsaw

konferencja_zdk_polin-eng_1600_rgbIn Warsaw, the conference Jewish Cultural Heritage: Projects, Methods, Inspirations at the Polin Museum of the History of Polish Jews gave me a good idea of the scope of heritage work throughout Europe, as well as ongoing debates about Jewish heritage projects.

Krakow

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Glass House Orchestra performing at Shalom on Szeroka, the outdoor concert culminating the Krakow Jewish Culture Festival.

Tarnów

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Professor Hońdo of the Jagiellonian University helps participants in the Tarnów Tombstone camp for volunteers (Tarnowskie macewy – obóz dla wolontariuszy) decipher the text on a tombstone.

Baligród

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The weeds grow tall in the Jewish cemetery in Baligród, despite indications of maintenance done not too long ago. It takes constant attention to keep these sites from slipping back into obscurity.

Zasław

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Historical information about the Nazi Work Camp in Zasław marking the beginning of the trail from the Zagórz train station to the monument on the mass grave at Zasław. A project of the Stowarzyszenie Dziedzictwo Mniejszości Karpackich (Association of the Heritage of Minorities of the Carpathians).

Lesko

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The synagogue in my beloved Lesko–much of the front facade was rebuilt and reinvented around 1960.

 

Council for European Studies Conference

15 Friday Apr 2016

Posted by Marysia Galbraith in antisemitism, Brześć Kujawski, Commemoration, Family, Fieldwork, Heritage work, Jewish Culture, Kolski, Memory, Piwko, Poland, Polish Culture, Polish-Jewish Heritage, Polish-Jewish relations, Research Methodology, Włocławek

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Absence of Memory, Council for European Studies Conference, Postmemory, Reassembling Jewish Life in Poland, Włocławska Zapomniana Ulica

Yesterday, I presented a paper titled, “Reassembling Jewish Life in Poland.” It starts like this:

It is easy to get the impression that we have entered an era of retrenchment of exclusionary national, ethnic, and religious categories, making minorities of any kind suspect. Specific objects of fear, such as terrorists, raise suspicions about broader categories, such as Muslims; the economic threat attributed to immigrants extends to all Mexicans, Syrians, North Africans, or Eastern Europeans. And Jews have once again become the object of attacks in Western Europe, leading Atlantic journalist Jeffrey Goldberg (2015) to title his recent cover article, “Is it Time for the Jews to Leave Europe?” In the current climate of exclusionary politics, the quiet emergence in Poland of efforts to embrace the long history of Jewish residence is all the more striking. Recent studies have “revisited” Jewish Poland (Lehrer 2013) and documented the “return of the Jew” (Reszke 2013), challenging the common assumption that antisemitism rests at the heart of what it means to be Polish. I have been studying contemporary memory projects, including commemorative sites, museums, and cultural festivals that endeavor to reassemble the remaining fragments that provide a window into what Jewish life (and its destruction) was like in Poland. These fragments can reveal something about the past, even if it is just in an incomplete and shattered form. Perhaps of greater significance, they can point toward the future—the possibilities for reengaging with ethnic and religious categories in ways that acknowledge difference without encouraging exclusion. 

Placing a lantern at the opening of the Lapidarium in Wronki
Placing a lantern at the opening of the Lapidarium in Wronki
The Atlantic, April 2015
The Atlantic, April 2015

The figure of the Jew remains a multivalent symbol in Poland, even after the destruction of Jewish culture during the Holocaust and further erasure of its traces during state socialism. My research on Jewish heritage asks what can be done with the fragments of Jewish culture that remain, sometimes hidden and sometimes in plain sight. And what value does such memory work have? It might appear that too little is left, or that any attempt to piece together fragments will just expose more horror, trauma, and death. Nevertheless, the steady growth of interest in Jewish culture in Poland can be seen in major projects like Warsaw’s Polin Museum of the History of Polish Jews, and in much quieter ways in smaller communities throughout the country. Even President Duda, whose Law and Justice Party tends to support nationalism and exclusionary practices, recently spoke against antisemitism at the opening of the Ulma Family Museum of Poles Saving Jews. To set the stage for my reflections about reassembled fragments of Jewish culture, I first situate Jews within the disrupted history of Poland, and discuss the consequences of postwar trauma under state socialism. This is also a first attempt at integrating an ethnographic approach to the topic, through exploration of commemorative sites and practices, and a more personal one, in the form of interwoven stories about my own Jewish-Polish heritage. Building on concepts of postmemory (Hirsch) and absence of memory (Irwin-Zarecka), I consider what reassembly projects promise for the reconciliation of Polish-Jewish relations on both social and personal levels.

I focused on Włocławek for my case material: Places embodying the “absence of memory” such as the swimming pool in the Jewish cemetery in Brześć Kujawski, the crumbling buildings formerly owned by Jews in the center of Włocławek, and the monument to the Jewish ghetto in the schoolyard that used to be the Jewish cemetery. I discussed what such places communicate about the history of Jewish life (and death) in Poland, as well as the personal, emotional resonances of such places.

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Pre-World War II facade on Tumska Street, Włocławek

Then, I contrasted the impression left by the the Facebook page, “Włocławska Zapomniana Ulica (Forgotten Street of Włocławek),” in which students and teachers at the Automotive High School in Włocławek document “Places of the Holocaust close to us.” The site features historic photographs, brief histories, and excerpts from interviews with local historians and residents who remember the Nazi occupation of the city. This is heavy stuff, and yet the project reflects a different orientation toward the past than do the crumbling buildings on abandoned streets and the swimming pool in a burial ground. It is a public display of intangible heritage, a space for documenting the murder and destruction that occurred during the Holocaust in very personal, localized terms. The Facebook page announces, “These events happened here, on our streets.” It is all the more notable because the primary organizers and audience in this project are young people, probably in most cases the post-postmemory generation that was supposed to be too distant from events to feel any personal connection to them.

And the story doesn’t stop here. I am looking forward to visiting the high school students and their teachers in June. And now my cousins are also interested in the project and maybe even getting involved with it somehow. The ethnographic and personal strands of my work continue to become more strongly intertwined.

 

Włocławek Youth Document Jewish History

10 Sunday Apr 2016

Posted by Marysia Galbraith in Heritage work, Jewish Culture, Kolski, Memory, Piwko, Polish-Jewish Heritage, Post-World War II, Synagogues, World War II, Włocławek

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When I visited Włocławek last February, I was disheartened by the crumbling historic buildings that were formerly owned by pre-World War II Jewish residents. Still, I met a few people actively involved in documenting and preserving the memory of the city’s Jewish population. They include: Mirosława Stojak, who writes about Włocławek’s Jews and manages the website zydzi.wloclawek.pl, Tomasz Wąsik, the historian and director of the Museum of History in Włocławek, and Tomasz Kawski, a historian and professor at Kazimierz the Great University in Bydgoszcz, and author of several books on the history of Polish Jews.

And now high school students in Włocławek have been collecting photographs, writing historical accounts, and doing interviews with people who remember the events of World War II. Their work can be seen on their Facebook page. Here are just a few of the photos they have posted. The synagogue on Królowiecka Street:

Synagogue on ul. Królowiecka, Włocławek

Synagogue on ul. Królowiecka, Włocławek

The synagogue on Zabia Street:

Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek

 

And here the synagogue in flames:

The synagogue in flames. Source: http://www.4ict.pl/szlaki_pamieci/
The synagogue in flames. Source: http://www.4ict.pl/szlaki_pamieci/
Jews in front of the burned Włocławek synagogue. Source: http://www.4ict.pl/szlaki_pamieci/
Jews in front of the burned Włocławek synagogue. Source: http://www.4ict.pl/szlaki_pamieci/

The students write on their Facebook page:

“On September 24, 1939, Germans ordered Jews they selected to bring a barrel full of tar to the synagogue on Żabia Street. Then they forced them to ignite the fire.

In this way, one of the prettiest synagogues in Poland ceased to exist. The synagogue on Królowiecka Street met the same fate.”

“24 września 1939 roku Niemcy nakazali wyznaczonym przez siebie Żydom wprowadzenie do Synagogi na ulicy Żabiej beczek wypełnionych smołą. Następnie zmusili ich do wzniecenia pożaru.
“Tym samym przestała istnieć jedna z najpiękniejszych Synagog w Polsce.
Podobny los spotkał Synagogę przy ulicy Królewieckiej.”

So while horrible truths are communicated, this project and the Facebook page that documents it stand out to me as a marker of hope. A new generation of Włocławek residents are learning about this difficult history, and returning the story of what happened to the city’s Jews to the center of the narrative about their hometown.

 

 

Swimming in the Synagogue?

20 Sunday Mar 2016

Posted by Marysia Galbraith in Commemoration, Jewish Culture, Polish-Jewish Heritage, Post-World War II, Poznan, Pre-World War II, Synagogues, World War II

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Janusz Marciniak, swimming pool in a synagogue

How, realistically, can Jewish heritage be preserved in Poland? Some projects are easy to get behind, like the lapidarium in Wronki. Others fall into more problematic ethical territory. The fact remains that there are many more sites in need of preservation than there are funds for such projects. And yet, I would argue that because of the magnitude of the destruction of Jewish life in Poland, every fragment has enhanced value.

The survival of a building as grand as the New Synagogue in Poznań is thus of particular worth. As with most remaining synagogues in Poland, the New Synagogue was not destroyed because it was repurposed. The Nazis converted the building into a swimming pool; after World War II, it remained a municipal pool until 2011. Although there has been ongoing public debate about more appropriate uses of the space, which at some point was passed back into the hands of the Jewish Community, the main reason the pool was finally closed was because of its deteriorating condition.

The New Synagogue was built in 1907 on Stawna Street between Wroniecka and Żydowska (Jewish) Street, just a few blocks from the central market square of the old city. Intended for Poznań’s wealthier Jewish citizens, the imposing structure had a seating capacity of 1200 and a large copper-covered cupola. Its size and grandeur is all the more striking, considering the Jewish population of the city was under 6000 when the synagogue was built, and further dwindled to perhaps 3000 right before World War II (statistics from Virtual Sztetl).

synagogue_1907-2011A

Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

As these photos show, the German occupiers also removed the cupola and other ornate features, leaving a far less elaborate structure. For several years, starting in 2004, artists like Janusz Marciniak were involved in installations and commemorative events that used the pool as a focal point. Some of these include Marciniak’s  Atlantis (2004),  Alphabet (2005), and 9/09/1939 (2006).

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Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

The Jewish Community, together with others interested in preserving the New Synagogue, proposed restoring the building to its prewar shape and condition, and housing a Center for Dialog and Tolerance. Unfortunately, the plan failed to gain the institutional support and financial backing necessary for it to be realized.

But now there is a new plan in the works, to turn the synagogue into a hotel. In and of itself, that is not the worst outcome; investors will preserve and upgrade the structure, which will include a mini-museum with information about the building’s origins and the history of Poznań’s Jews. So while a museum, or memorial, or center for dialog and tolerance would be preferable, at least the synagogue won’t be torn down, as some city leaders suggested as recently as 2006.

Artist's rendering of the proposed hotel project. The prewar copper-clad dome is reimagined in glass. Photo from article in Gazeta Wyborcza
Artist’s rendering of the proposed hotel project. The prewar copper-clad dome is reimagined in glass. Photo from article in Gazeta Wyborcza
Elements of the pool being disassembled. Photo by Łukasz Cynalewski
Elements of the pool being disassembled. Photo by Łukasz Cynalewski

But putting another pool in the synagogue is, as my husband put it, kind of tone deaf. It’s insensitive to the cruel history of the place.

A recent article in Gazeta Wyborcza about the planned hotel begins with the following fable:

(my translation) “Summer 2020. Early morning at the hotel on Wroniecki Street at the corner of Stawna Street. In a luxury room in the former Jewish synagogue Alessandro Gianini, a tourist from Rome, wakes up. He flew into Poznan the night before and stayed in the modern hotel with intriguing architecture. In the guidebook, he read that the glass copula of the building recreates the old outline of an imposing synagogue. Now he wants to look around the city.

“But before Alessandro sets out for the Old Market Square, he goes down to the second floor for a swim in the hotel pool. The swim helps to relax and awaken him. He changes, and full of life goes down to the ground floor to the restaurant. After a light breakfast and a cappuccino, he heads to the exit. In the hall, however, he sees an open door to a small space. A sign in English hangs on it: “Museum of the Jews of Wielkopolski.”

“Intrigued, Gianini looks inside. He sees large boards–reproductions of sepia-colored photographs. On the first of these–a long swimming pool under a high vaulted ceiling. On the wall of the pool–a fascist eagle.

“Surprised, the Italian looks at the caption below the photo: “In 1940 Nazi occupiers profaned the synagogue, removing the Star of David from it and building a pool inside of it.

“Alessandro suddenly feels ashamed. Because of his morning swim in the place where 80 years earlier Nazis showed complete contempt for the feelings and religion of Jews, and then sentenced them to a horrible death. He is ashamed and embarrassed. And more than anything surprised that history could be repeated in this cruelly perverse way…”

(the original Polish is in the article)

I don’t know anything more about these plans, except for rumors I heard while I was in Poznań last year, and the contents of this article. Perhaps if they do include a pool, it will be located in some new addition to the structure, in a less offensive place than the main sanctuary. I certainly hope so.

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