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Uncovering Jewish Heritage

Uncovering Jewish Heritage

Category Archives: Polish-Jewish Heritage

The Polish Shirley Temple and her sister the poet

25 Wednesday May 2016

Posted by Marysia Galbraith in Memory, Names, Poland, Polish-Jewish Heritage, Pre-World War II, World War II

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Ariana Spiegel, Elizabeth Bellak, Polish Consulate, Renia Spiegel

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Elizabeth Bellak and my mother met in Poland, when Elizabeth was just a child and mama a teenager. Years later, they reconnected in New York and have been best friends and confidants ever since. Elizabeth, her husband George, and their children Andrew and Alexandra visited us on Long Island more often than our biological relatives did. In fact, I’ve grown up calling her my aunt.

Elizabeth is as outgoing as my mother is shy. She loves to socialize, to tell stories, even to sing and dance. She dresses elegantly in heels and designer clothes, her hair and make up always perfect. I don’t think I’ve ever seen her in pants.

But she and my mother share a deep fondness for each other. They also share a hidden Jewish heritage that they kept silent about until recently. Elizabeth was actually Ariana Spiegel, born in eastern Poland in what is now Ukraine. Her talent was recognized at a young age, when she appeared in films like Gehenna, and was called “the Polish Shirley Temple.”

Ariana as the Gypsy girl in Gehenna, 1938.
Ariana as the Gypsy girl in Gehenna, 1938.
Review of Ariana Spigiel's performance in Gehenna. She is called the "Polish Shirley Temple." In Kurier Filmowy 1938, vol. 12, nr.27.
Review of Ariana Spigiel’s performance in Gehenna. She is called the “Polish Shirley Temple.” In Kurier Filmowy 1938, vol. 12, nr.27.
Ariana Spigiel
Ariana Spigiel

Her older sister Renia was equally talented, though as a writer and poet. Renia kept a diary for the last few years of her short life which has just been published along with her poetry (in Polish, though there are plans for it to be published in English as well).

I can’t wait to read it.

 

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Council for European Studies Conference

15 Friday Apr 2016

Posted by Marysia Galbraith in antisemitism, Brześć Kujawski, Commemoration, Family, Fieldwork, Heritage work, Jewish Culture, Kolski, Memory, Piwko, Poland, Polish Culture, Polish-Jewish Heritage, Polish-Jewish relations, Research Methodology, Włocławek

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Absence of Memory, Council for European Studies Conference, Postmemory, Reassembling Jewish Life in Poland, Włocławska Zapomniana Ulica

Yesterday, I presented a paper titled, “Reassembling Jewish Life in Poland.” It starts like this:

It is easy to get the impression that we have entered an era of retrenchment of exclusionary national, ethnic, and religious categories, making minorities of any kind suspect. Specific objects of fear, such as terrorists, raise suspicions about broader categories, such as Muslims; the economic threat attributed to immigrants extends to all Mexicans, Syrians, North Africans, or Eastern Europeans. And Jews have once again become the object of attacks in Western Europe, leading Atlantic journalist Jeffrey Goldberg (2015) to title his recent cover article, “Is it Time for the Jews to Leave Europe?” In the current climate of exclusionary politics, the quiet emergence in Poland of efforts to embrace the long history of Jewish residence is all the more striking. Recent studies have “revisited” Jewish Poland (Lehrer 2013) and documented the “return of the Jew” (Reszke 2013), challenging the common assumption that antisemitism rests at the heart of what it means to be Polish. I have been studying contemporary memory projects, including commemorative sites, museums, and cultural festivals that endeavor to reassemble the remaining fragments that provide a window into what Jewish life (and its destruction) was like in Poland. These fragments can reveal something about the past, even if it is just in an incomplete and shattered form. Perhaps of greater significance, they can point toward the future—the possibilities for reengaging with ethnic and religious categories in ways that acknowledge difference without encouraging exclusion. 

Placing a lantern at the opening of the Lapidarium in Wronki
Placing a lantern at the opening of the Lapidarium in Wronki
The Atlantic, April 2015
The Atlantic, April 2015

The figure of the Jew remains a multivalent symbol in Poland, even after the destruction of Jewish culture during the Holocaust and further erasure of its traces during state socialism. My research on Jewish heritage asks what can be done with the fragments of Jewish culture that remain, sometimes hidden and sometimes in plain sight. And what value does such memory work have? It might appear that too little is left, or that any attempt to piece together fragments will just expose more horror, trauma, and death. Nevertheless, the steady growth of interest in Jewish culture in Poland can be seen in major projects like Warsaw’s Polin Museum of the History of Polish Jews, and in much quieter ways in smaller communities throughout the country. Even President Duda, whose Law and Justice Party tends to support nationalism and exclusionary practices, recently spoke against antisemitism at the opening of the Ulma Family Museum of Poles Saving Jews. To set the stage for my reflections about reassembled fragments of Jewish culture, I first situate Jews within the disrupted history of Poland, and discuss the consequences of postwar trauma under state socialism. This is also a first attempt at integrating an ethnographic approach to the topic, through exploration of commemorative sites and practices, and a more personal one, in the form of interwoven stories about my own Jewish-Polish heritage. Building on concepts of postmemory (Hirsch) and absence of memory (Irwin-Zarecka), I consider what reassembly projects promise for the reconciliation of Polish-Jewish relations on both social and personal levels.

I focused on Włocławek for my case material: Places embodying the “absence of memory” such as the swimming pool in the Jewish cemetery in Brześć Kujawski, the crumbling buildings formerly owned by Jews in the center of Włocławek, and the monument to the Jewish ghetto in the schoolyard that used to be the Jewish cemetery. I discussed what such places communicate about the history of Jewish life (and death) in Poland, as well as the personal, emotional resonances of such places.

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Pre-World War II facade on Tumska Street, Włocławek

Then, I contrasted the impression left by the the Facebook page, “Włocławska Zapomniana Ulica (Forgotten Street of Włocławek),” in which students and teachers at the Automotive High School in Włocławek document “Places of the Holocaust close to us.” The site features historic photographs, brief histories, and excerpts from interviews with local historians and residents who remember the Nazi occupation of the city. This is heavy stuff, and yet the project reflects a different orientation toward the past than do the crumbling buildings on abandoned streets and the swimming pool in a burial ground. It is a public display of intangible heritage, a space for documenting the murder and destruction that occurred during the Holocaust in very personal, localized terms. The Facebook page announces, “These events happened here, on our streets.” It is all the more notable because the primary organizers and audience in this project are young people, probably in most cases the post-postmemory generation that was supposed to be too distant from events to feel any personal connection to them.

And the story doesn’t stop here. I am looking forward to visiting the high school students and their teachers in June. And now my cousins are also interested in the project and maybe even getting involved with it somehow. The ethnographic and personal strands of my work continue to become more strongly intertwined.

 

Włocławek Youth Document Jewish History

10 Sunday Apr 2016

Posted by Marysia Galbraith in Heritage work, Jewish Culture, Kolski, Memory, Piwko, Polish-Jewish Heritage, Post-World War II, Synagogues, World War II, Włocławek

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When I visited Włocławek last February, I was disheartened by the crumbling historic buildings that were formerly owned by pre-World War II Jewish residents. Still, I met a few people actively involved in documenting and preserving the memory of the city’s Jewish population. They include: Mirosława Stojak, who writes about Włocławek’s Jews and manages the website zydzi.wloclawek.pl, Tomasz Wąsik, the historian and director of the Museum of History in Włocławek, and Tomasz Kawski, a historian and professor at Kazimierz the Great University in Bydgoszcz, and author of several books on the history of Polish Jews.

And now high school students in Włocławek have been collecting photographs, writing historical accounts, and doing interviews with people who remember the events of World War II. Their work can be seen on their Facebook page. Here are just a few of the photos they have posted. The synagogue on Królowiecka Street:

Synagogue on ul. Królowiecka, Włocławek

Synagogue on ul. Królowiecka, Włocławek

The synagogue on Zabia Street:

Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek
Synagogue ul. Żabia, Włocławek

 

And here the synagogue in flames:

The synagogue in flames. Source: http://www.4ict.pl/szlaki_pamieci/
The synagogue in flames. Source: http://www.4ict.pl/szlaki_pamieci/
Jews in front of the burned Włocławek synagogue. Source: http://www.4ict.pl/szlaki_pamieci/
Jews in front of the burned Włocławek synagogue. Source: http://www.4ict.pl/szlaki_pamieci/

The students write on their Facebook page:

“On September 24, 1939, Germans ordered Jews they selected to bring a barrel full of tar to the synagogue on Żabia Street. Then they forced them to ignite the fire.

In this way, one of the prettiest synagogues in Poland ceased to exist. The synagogue on Królowiecka Street met the same fate.”

“24 września 1939 roku Niemcy nakazali wyznaczonym przez siebie Żydom wprowadzenie do Synagogi na ulicy Żabiej beczek wypełnionych smołą. Następnie zmusili ich do wzniecenia pożaru.
“Tym samym przestała istnieć jedna z najpiękniejszych Synagog w Polsce.
Podobny los spotkał Synagogę przy ulicy Królewieckiej.”

So while horrible truths are communicated, this project and the Facebook page that documents it stand out to me as a marker of hope. A new generation of Włocławek residents are learning about this difficult history, and returning the story of what happened to the city’s Jews to the center of the narrative about their hometown.

 

 

Swimming in the Synagogue?

20 Sunday Mar 2016

Posted by Marysia Galbraith in Commemoration, Jewish Culture, Polish-Jewish Heritage, Post-World War II, Poznan, Pre-World War II, Synagogues, World War II

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Janusz Marciniak, swimming pool in a synagogue

How, realistically, can Jewish heritage be preserved in Poland? Some projects are easy to get behind, like the lapidarium in Wronki. Others fall into more problematic ethical territory. The fact remains that there are many more sites in need of preservation than there are funds for such projects. And yet, I would argue that because of the magnitude of the destruction of Jewish life in Poland, every fragment has enhanced value.

The survival of a building as grand as the New Synagogue in Poznań is thus of particular worth. As with most remaining synagogues in Poland, the New Synagogue was not destroyed because it was repurposed. The Nazis converted the building into a swimming pool; after World War II, it remained a municipal pool until 2011. Although there has been ongoing public debate about more appropriate uses of the space, which at some point was passed back into the hands of the Jewish Community, the main reason the pool was finally closed was because of its deteriorating condition.

The New Synagogue was built in 1907 on Stawna Street between Wroniecka and Żydowska (Jewish) Street, just a few blocks from the central market square of the old city. Intended for Poznań’s wealthier Jewish citizens, the imposing structure had a seating capacity of 1200 and a large copper-covered cupola. Its size and grandeur is all the more striking, considering the Jewish population of the city was under 6000 when the synagogue was built, and further dwindled to perhaps 3000 right before World War II (statistics from Virtual Sztetl).

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Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

As these photos show, the German occupiers also removed the cupola and other ornate features, leaving a far less elaborate structure. For several years, starting in 2004, artists like Janusz Marciniak were involved in installations and commemorative events that used the pool as a focal point. Some of these include Marciniak’s  Atlantis (2004),  Alphabet (2005), and 9/09/1939 (2006).

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Poznań’s New Synagogue in 1907 when it was first opened and in 2011, around the time the swimming pool closed (photos from: http://www.januszmarciniak.pl/synagogue)

The Jewish Community, together with others interested in preserving the New Synagogue, proposed restoring the building to its prewar shape and condition, and housing a Center for Dialog and Tolerance. Unfortunately, the plan failed to gain the institutional support and financial backing necessary for it to be realized.

But now there is a new plan in the works, to turn the synagogue into a hotel. In and of itself, that is not the worst outcome; investors will preserve and upgrade the structure, which will include a mini-museum with information about the building’s origins and the history of Poznań’s Jews. So while a museum, or memorial, or center for dialog and tolerance would be preferable, at least the synagogue won’t be torn down, as some city leaders suggested as recently as 2006.

Artist's rendering of the proposed hotel project. The prewar copper-clad dome is reimagined in glass. Photo from article in Gazeta Wyborcza
Artist’s rendering of the proposed hotel project. The prewar copper-clad dome is reimagined in glass. Photo from article in Gazeta Wyborcza
Elements of the pool being disassembled. Photo by Łukasz Cynalewski
Elements of the pool being disassembled. Photo by Łukasz Cynalewski

But putting another pool in the synagogue is, as my husband put it, kind of tone deaf. It’s insensitive to the cruel history of the place.

A recent article in Gazeta Wyborcza about the planned hotel begins with the following fable:

(my translation) “Summer 2020. Early morning at the hotel on Wroniecki Street at the corner of Stawna Street. In a luxury room in the former Jewish synagogue Alessandro Gianini, a tourist from Rome, wakes up. He flew into Poznan the night before and stayed in the modern hotel with intriguing architecture. In the guidebook, he read that the glass copula of the building recreates the old outline of an imposing synagogue. Now he wants to look around the city.

“But before Alessandro sets out for the Old Market Square, he goes down to the second floor for a swim in the hotel pool. The swim helps to relax and awaken him. He changes, and full of life goes down to the ground floor to the restaurant. After a light breakfast and a cappuccino, he heads to the exit. In the hall, however, he sees an open door to a small space. A sign in English hangs on it: “Museum of the Jews of Wielkopolski.”

“Intrigued, Gianini looks inside. He sees large boards–reproductions of sepia-colored photographs. On the first of these–a long swimming pool under a high vaulted ceiling. On the wall of the pool–a fascist eagle.

“Surprised, the Italian looks at the caption below the photo: “In 1940 Nazi occupiers profaned the synagogue, removing the Star of David from it and building a pool inside of it.

“Alessandro suddenly feels ashamed. Because of his morning swim in the place where 80 years earlier Nazis showed complete contempt for the feelings and religion of Jews, and then sentenced them to a horrible death. He is ashamed and embarrassed. And more than anything surprised that history could be repeated in this cruelly perverse way…”

(the original Polish is in the article)

I don’t know anything more about these plans, except for rumors I heard while I was in Poznań last year, and the contents of this article. Perhaps if they do include a pool, it will be located in some new addition to the structure, in a less offensive place than the main sanctuary. I certainly hope so.

Southern Conference on Slavic Studies

18 Friday Mar 2016

Posted by Marysia Galbraith in Anthropology, Cemeteries, Heritage work, Identity, Jewish Culture, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Wronki

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The Southern Conference on Slavic Studies has its annual meeting right here in Tuscaloosa starting today until March 19. Tomorrow, I will present a paper about my heritage work in Poland. Here is the abstract:

From Curbstones to Commemoration: Reincorporating the Memory of Jewish Life in a Polish Town

The figure of the Jew remains a multivalent symbol in Poland, resilient even in the face of the destruction of Jewish culture during the Holocaust and erasure of its traces during state socialism. My research on Jewish heritage asks what can be done with the fragments of Jewish culture that remain in Poland, sometimes hidden and sometimes in plain sight. And what value does such memory work have? The growth of interest in Jewish culture in Poland can be seen not just in major cities, but also in smaller communities throughout the country. I focus on one commemorative project in one Polish town to illustrate changing, though still contested, orientations toward the history of Jewish residence in Poland. Specifically, I examine the rescue of fragments of Jewish tombstones from a street curb where they rested for sixty years, and the decade-long effort of multiple stakeholders to return the stones to a place of commemoration. I argue that an essential component of the project was to reincorporate the history of Jews into the wider history of the town—a kind of making what was regarded as “other” (“obcy”) into something that is one’s own (swój). The Lapidarium of tombstones from the old Jewish cemetery in Wronki has literally become a place on the map, and has returned the memory of Jewish lives to town residents and visitors. The fragments of tombstones, historical sign, and commemorative marker reveal something about the past, even if it is just in an incomplete and shattered form. And they point toward the future—the possibilities that might emerge out of reassembling Jewish life in Poland.

In memory of the Jewish community that inhabited Wronki from 1507-1939. Lapidarium of tombstones from the destroyed Jewish cemeteries of Wronki
In memory of the Jewish community that inhabited Wronki from 1507-1939. Lapidarium of tombstones from the destroyed Jewish cemeteries of Wronki
Lapidarium of Jewish Tombstones, Wronki
Lapidarium of Jewish Tombstones, Wronki
Lapidarium of Jewish Tombstones, Wronki
Lapidarium of Jewish Tombstones, Wronki
Stone offering on the monument at the lapidarium in Wronki
Stone offering on the monument at the lapidarium in Wronki

This is my first effort to make sense of one of the most inspiring heritage projects I witnessed while in Poland last year–the lapidarium of Jewish tombstones in Wronki. I describe the project as a collective representation–symbolic of an inclusive concept of Wronki history (and by extension Polish history). Jewish residents, although they are no longer present, nevertheless comprise an essential element of that history. As such, this new resting place for Jewish tombstones represents the return of the memory of Jews back into the center of town and the center of residents’ consciousness.

But more tomorrow–my panel is from 10:15-12 PM at the Embassy Suites in downtown Tuscaloosa.

Jewish Krakow 1992

01 Tuesday Mar 2016

Posted by Marysia Galbraith in Cemeteries, Fieldwork, Jewish Culture, Kazimierz, Krakow, Memory, Poland, Polish-Jewish Heritage, Polish-Jewish relations

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1992, Erica Lehrer, Jewish Poland Revisited, Postcommunism

During my photography expeditions in 1992, Krakow’s Kazimierz district caught my eye. Kazimierz has long been associated with Krakow’s Jewish population. It became a separate city for Jews when new regulations restricted their access to Krakow’s center during the 15th century. Before World War II, Kazimierz was incorporated into Krakow, but still most residents were Jewish. After the war, a tiny Jewish community congregated in a few remaining Jewish organizations. Despite their small numbers, the district continued to be associated with Jewish culture.

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A menorah motif on the fence around the green space on Szeroka Street, 1992

Over the past 25 years, Jewish life has returned to Kazimierz. It’s an eclectic community of people who define their links to Judaism and Jewish culture in a wide range of ways, including Poles who have recently rediscovered or reconnected with their Jewish heritage, Jews from the US or Israel or elsewhere, and people who simply appreciate Jewish culture. This is not a return to the prewar Jewish community; it is its own unique hybrid. Erica Lehrer describes the disparate strands that are woven together in Kazimierz in her book Jewish Poland Revisited: Heritage Tourism in Unquiet Places. It’s well worth reading for anyone interested in understanding something about what’s happening in Kazimierz today.

But back in 1992, the main site of active Jewish culture in Poland was the Remuh synagogue and adjoining cemetery.

Remuh cemetery, 1992. Stones left on a tombstone
Remuh cemetery, 1992. Stones left on a tombstone
Inside the Remuh synagogue courtyard, 1992
Inside the Remuh synagogue courtyard, 1992
Remuh cemetery, the synagogue in the background, 1992
Remuh cemetery, the synagogue in the background, 1992

These are some of the older graves in Kazimierz, with the distinctive vaulted grave covers.

Part of the cemetery is surrounded by a wall made of fragments of tombstones. During World War II, many of these stones had been repurposed around the city as sidewalks and roadbeds, but they were recovered and placed in this wall.

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Wall around the Remuh cemetery, composed of fragments of tombstones recovered from building projects after World War II.

I also visited the larger Jewish cemetery off of Miodowa Street. Here are newer graves, dating from the 19th-20th centuries, including some postwar burials. The opulence of some of the tombstones attests to the prominence of the people buried here.

New Jewish Cemetery, Krakow 1992
New Jewish Cemetery, Krakow 1992
New Jewish Cemetery, Krakow 1992
New Jewish Cemetery, Krakow 1992
New Jewish Cemetery, Krakow 1992
New Jewish Cemetery, Krakow 1992
New Jewish
New Jewish

But much of the cemetery was in disrepair. The tree above that is engulfing a tombstone attests to the length of time this neglect had lasted.

A final place that caught my eye, pointed out to me by a friend, Krystyna, was some graffiti inside the courtyard of a broken-down (though still occupied) building in Kazimierz. Someone painted a Madonna, but where her face should have been was a tiny door. I don’t remember what was behind the door, but it looks like there might have been

Madonna graffiti, Kazimierz 1992
Madonna graffiti, Kazimierz 1992
Madonna painted in a recess of a courtyard full of trash and broken down walls, Kazimierz 1992
Madonna painted in a recess of a courtyard full of trash and broken down walls, Kazimierz 1992

electrical circuits or perhaps water pipes. I remember Krystyna being captivated by this image. An artist herself, she wondered about its larger meaning: who would have drawn it, and why they would have put it where a door replaced the face? And why place it in a trashy courtyard in Kazimierz? I can’t remember if she said anything explicitly about the placement of Catholic imagery in the former Jewish district, but I think she did. And I certainly ponder this. It wasn’t a reclaiming of territory for Catholics–if it had been it would not have been placed where it was without a painted face. It was meant to be ironic, I believe. The Madonna of Trash and Disintegration.

 

 

Hiding in Plain Sight: Lesko 1992

29 Monday Feb 2016

Posted by Marysia Galbraith in Cemeteries, Jewish Culture, Lesko, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Synagogues

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Funny what we forget. I got an SLR camera for my ethnographic fieldwork in the early 1990s, thinking it would be an important tool for documenting everyday life. I even experimented with shooting and developing black and white film (this was a film camera). The photos are interesting because they capture things I deliberately went out to photograph. As it turns out, fragments of Jewish culture figure prominently; they’re the subject of 28 out of 112 photos. Here are some of them from Lesko:

Tombstones (some painted) in the Lesko Jewish Cemetery. 1992
Tombstones (some painted) in the Lesko Jewish Cemetery. 1992
Marcin beside a tombstone taller than he is. 1992
Marcin beside a tombstone taller than he is. 1992
Front facade of the former synagogue in Lesko. 1992
Front facade of the former synagogue in Lesko. 1992

This ornate facade of the synagogue features the Ten Commandments and the inscription in Hebrew: “How awesome is this place! This is none other than the house of God; this is the gate of heaven” (see Virtual Sztetl). The building was partially destroyed during World War II, and rebuilt in the 1960s and 70s. That’s when the round tower was enlarged and the curved roofline was added. You can tell because the newer features are made of brick instead of the original stone. Here are photos of the interior and exterior of the synagogue in 1932 (from fotopolska.eu):

Lesko Synagogue 1932
Lesko Synagogue 1932
Lesko Synagogue 1932 interior
Lesko Synagogue 1932 interior

 

Last spring, I learned that the iron railing that used to surround the central alter is now a balcony on a building in the center of town. I actually took this photo of it in 1992, but had no idea where the balcony came from.

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The balcony on this building used to be the iron railing around the alter in the synagogue, Lesko 1992

It’s one of the prettiest buildings in town, especially since it was renovated and repainted golden orange. Still, this railing brings to home the fact that fragments of Jewish life and its destruction are hiding in plain sight. I suppose its appropriation is what preserved this particular part of the synagogue. But knowing what it is and where it came from, it seems horribly, terribly, out of place.

The Phantom Limb

24 Wednesday Feb 2016

Posted by Marysia Galbraith in antisemitism, Catholicism, Cemeteries, Jewish Culture, Lesko, Memory, Poland, Polish Culture, Polish-Jewish Heritage, Polish-Jewish relations, stereotypes

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Fieldwork 1991-3

It was a beautiful sunny day in Alabama. As I walked across the quad enjoying the promise of spring, I bumped into a colleague, Joanna Biermann, who is going to Warsaw next month to participate in a conference associated with the annual Beethoven Festival. She has been an invited guest several times already, and has made some good friends in Warsaw as a result. We took a half hour to catch up, sipping tea on a bench under the large oaks behind the library. In response to my current research, she quoted a friend of hers who describes Polish Jews as the nation’s phantom limb; the pain remains even after the Jews are gone.

The beauty of ethnographic fieldwork is you record everything, even what seems at the times peripheral to your area of focus. That means I have over twenty years of fieldnotes I continue to mine for information about other aspects of Polish culture. Recently, I returned to the notes from my earliest fieldwork in 1991-1993 looking for references to Jews and Jewish culture. I coded them using ethnographic software, and now I’m trying to pull out patterns in the way Poles talked about and acted toward Jewish subjects. The first thing that strikes me is how often Jews were mentioned in interviews and informal conversations, despite the fact that most of the people I spoke with had limited or no contact with actual Jews. Most of the participants in my study were still in high school in the early 1990s. That means that by the time they were born in the 1970s, most of the Polish Jews who had survived the Holocaust had left, pushed out by organized political campaigns and by everyday prejudice.

LeskoSynagog

Lesko Synagogue in 1992

The comments I recorded are mostly superficial, and usually fall back on stock phrases, sentiments, and stereotypes. Since I mostly did group interviews in the early 1990s, I was able to witness young peoples’ debates about the role of Jews in Polish life. Their views were so varied that no unified perspective emerged. One person would claim that Jews are still prevalent in government, or in journalism, and others would disagree. One criticized Poles for intolerance, while others interjected that tolerance was a fundamental value that has made Poland a hospitable environment for minorities (including Jews) for most of the nation’s history. Some addressed a lingering distaste, or even hatred of Jews; others countered that these are dying artifacts of an older generation that young people do not share.

Most commonly, Jews were linked to property and wealth. I was told that Jews used to say, “You own the streets but we own the buildings.” Even today, this phrase is repeated. Usually, it’s a way of highlighting the discrepancy between the political domination of Poles and the economic power of Jews. Some imply that because Jews expressed disdain for the impoverished Poles, it justifies Poles’ resentment and dislike of Jews. But also, because I’ve heard this phrase so many times in so many ways, I know it’s often repeated without much thought at all, as one of the few things anyone ever told them about Jews.

Some participants in my study expressed continued concern about Jews reclaiming property or Jewish capital flooding into Poland and buying up the country, yet again leaving Poles with nothing. Others defended everyone’s right to invest in Poland, emphasizing the importance of being open to other groups, or countered that Poles are envious of anyone who gets ahead. One person suggested that Jews should be admired for their ability to create and organize; Poles should learn from them, not assume that they are schemers.

On the ten-day walking pilgrimage to Częstochowa (I really did this—all 300 km—to the monastery housing Poland’s most important icon, the Black Madonna), a priest entertained the pilgrims on the journey with stories that used humor as a vehicle for discussing the differences between Catholics and Jews. Although he tried to show that the two faiths have shared origins and fundamental similarities, he sometimes crossed the line toward mockery. For instance, when explaining why Catholics don’t abide by Sabbath restrictions, he told a story about an Orthodox Jew who hadn’t locked his business before sunset on the Sabbath, so he used his cat to turn the key.

On another occasion, I spoke with a priest who felt the Polish people and the Catholic Church are under attack by accusations of intolerance and antisemitism. He talked about slander in the press, and referred to an article that linked antisemitism in Germany to the irrational antisemitism that persists in Poland despite the virtual absence of Jews. He complained that this view is biased and has no place in an article about Germany. He further complained that when Poles tell the truth, for instance that most communists in Poland during and after WWII were Jews, Jews accuse them of antisemitism. These are the same Jews, he went on, who told Poles, “You own the streets but we own the buildings.” The priest also argued that press reports are overwhelmingly negative and misrepresent the Church, giving it a bad name. But then he went on to label as Jews two prominent journalists—Adam Michnik, the editor of the newspaper Gazeta Wyborcza and Jerzy Urban, editor of the satirical news weekly Nie. On another occasion, he got into a heated defense of Poles, saying he doesn’t understand why they have a reputation in the West for antisemitism.

Both of the priests reinforced the distance between Poles and Jews, though in different ways and with different degrees of vitriol. They offered little possibility for Jews to be regarded as Poles.

The person who expressed the most nuanced view of Poles’ relations with other ethnic and religious groups was the director of one of the high schools in Lesko, a small town in the southeastern mountain region of Bieszczady. Even before I started the taped interview with him, he told me that the biggest ethnic problem in Poland was going to be with Lithuanians and Jews who want their former properties back. For example, the dormitory of the high school is claimed by prewar owners who were Jews. At the time, it wasn’t yet clear if the building would be returned, and if the money spent on its renovation would be reimbursed. During the interview, he had this to say:

“There are minorities [in Poland], everyone knows that. It’s an interesting situation. The typical American may not understand because in the US there are many nationalities that cultivate their own traditions, but nevertheless remain primarily American. But because of the unjust politics toward minorities during the Interwar period, hatred was awakened between Poles and Jews and Poles and Ukrainians. This was easy to do because Poles were in their own country but poor, while Jews owned the buildings and businesses. Jews are condemned for being rich, while Ukrainians are pushing for higher positions. But there are no attacks. Everyone lived together, went to school together, met and got to know each other’s culture. They were all free to study their religion. Also, in Lesko, there was a Greek Catholic church, a Catholic church, and a Jewish place of worship, and nothing happened. Everyone could believe what they wanted, and no one was persecuted for what they think. Jews were destroyed by Germans[…] After the war, state politics was also in error. It acted as if minorities didn’t exist at all.”

Although he reiterated stereotypes, he also sought to balance positive and negative views of Jews and their history in Poland.

Others hinted at an ethos of tolerance. They talked about historically mixed communities that functioned peacefully, and about the need for acceptance of all people. One student in Krakow said, “If we are really are democratic now, there has to be a place for Jews [in Poland]. We can’t say ‘Polska dla Polakow’ [‘Poland for Poles’].” Others, like the student who showed me the Jewish cemetery in Lesko shortly after I moved there in 1992, expressed sadness that Jews are no longer present. He said it’s too bad the cemetery is neglected, but Poles have no money and there are no more Jews to insure its upkeep. He said he likes to come to the cemetery; it’s a peaceful place.

Much of the talk I recorded in the early 1990s seems predicated on the assumption that there were more Jews present than actually were at the time, and they were hiding in plain sight. Some felt threatened by the potential wealth and power of these covert Jews. But others asserted that there are no more Jews in Poland. If any remained, they assimilated— it was Jews who felt threatened by Poles after the war and during communism, so they stopped admitting their ethnicity, changed their last names, and forgot their culture and traditions. These are two sides of the same coin because in fact, public Jewish life and religion disappeared from nearly every Polish village, town, and city. But the past 25 years have shown that a notable proportion of contemporary Poles have some Jewish heritage and an increasing number of them (though still a tiny fraction of the contemporary Polish population, and a tiny fraction of the prewar Polish-Jewish population) is becoming more curious about their origins. Already in 1992-3, the sense was growing among the teenagers I spoke with that it isn’t necessary to hide one’s ethnic/religious roots anymore. After the fall of communism in 1989, something significant had shifted and institutional barriers against ethnic and religious minorities had weakened.

Still, so much about Jewish lives and deaths were left out of the comments I collected, as if the pain of their amputation from Polish communities was too much to bear.

Where’s Ralph?

13 Saturday Feb 2016

Posted by Marysia Galbraith in Jewish Culture, Kazimierz, Krakow, Memory, Polish-Jewish Heritage, World War II

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Amon Goeth, Ralph Fiennes, Schindler's List

I should have remarked yesterday how strange it was to see Nazi uniforms and people wearing yellow stars in the middle of Kazimierz. Even though the atmosphere was relaxed–people were play acting, or really just standing around and waiting. Those piles of suitcases stood out as a stark reminder of the destruction the scene was designed to recall. Also, the energy shifted when Ralph Fiennes/Amon Goeth strode purposefully to the top of the pile. He exuded an authority that even at a distance was unsettling. And in case you’ve been wondering where Ralph Fiennes is in this photo:

1993SchindlersList3

Filming Schindler’s List, 1993. Ralph Fiennes is in the background, playing Amon Goeth

Here he is:

RFiennes

Ralph Fiennes preparing to climb to the top of the pile of suitcases while playing Amon Goeth

Kazimierz

13 Saturday Feb 2016

Posted by Marysia Galbraith in Cemeteries, Identity, Jewish Culture, Kazimierz, Krakow, Memory, Polish-Jewish Heritage, Polish-Jewish relations, Synagogues

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Schindler's List

Raised on stories about Mama’s magical homeland of Poland, I visited for the first time in 1986. This was before the fall of communism, when the country was still in the grips of a state socialist government. But although I went in search of my roots, I didn’t think about my heritage as being Jewish. I knew nothing about Polish Jews, and I didn’t identify as Jewish. Nor did I mention it to anyone; there would not have been much to tell since I didn’t know anything about this aspect of my family history. Moreover, and perhaps primarily, I had somehow internalized the unspoken understanding that Poles are Catholic, and Jewish heritage wasn’t supposed to be talked about.

I review the memories in my mind, searching for clues about how I thought about Polish Jews. Again, I am reminded that I didn’t think about my own Jewish heritage during my first visits to Poland, except perhaps to repress it. I preferred the family narrative about our Polish Catholic background to the reality of our more complex past. From time to time, I saw anti-Semitic graffiti, or heard prejudicial remarks about Jews. But mostly, neither I nor the Poles I met paid much attention to the past lives of Polish Jews.

But not entirely. For instance, during the summer school I attended in Krakow, a fieldtrip was organized to Kazimierz, the former Jewish quarter of the city. Jews settled there near the end of the 15th century when faced with restrictions against living in the city center. By the 1930s the population of Kazimierz reached about 60,000 Jews. Most died in the Holocaust, leaving the district abandoned. After the war, it was not a popular place to live and those who moved in did little to maintain or update the historic buildings. By the 1980s, most of Kazimierz was in disrepair. Some buildings had fallen down completely while others had cracked, grey, and dirty walls. In fact, much of the Old City of Krakow looked run down. But Kazimierz was worse, even on Szeroka Street, the historic center of the Jewish district.

Trace of a mezuzah in a doorway, Kazimierz 1986
Trace of a mezuzah in a doorway, Kazimierz 1986
Kazimierz 1986
Kazimierz 1986
Old Synagogue in Kazimierz, 1986
Old Synagogue in Kazimierz, 1986

It’s hard for me to distinguish memories from my first visit to Poland and subsequent ones in the early 1990s, but I think I went to the Remuh Synagogue already in 1986. That’s where a small group of older Jews continued to congregate. I also visited the walled cemetery next to the synagogue, where at least some of the gravestones and arched grave coverings were maintained and, judging by the small stones left on them, visited regularly. I think it was in the 1990s I was told that many of these older Jews were not in fact Polish, but rather came from the former Soviet Union. Such talk left me with the impression they weren’t real Polish Jews, but rather opportunists exploiting the growing interest in Jewish heritage tourism.

Some of the historic buildings started to be renovated already in the early 1990s. The first Jewish-themed business I remember was Ariel, a restaurant and café on Szeroka Street. It featured Jewish food and displayed Jewish memorabilia and artwork. I took some of my friends from Bieszczady, my rural fieldsite in the southeast of the country, to Ariel. I wanted to impress them with the cultural diversity of Krakow. Looking back at my fieldnotes from that time, I was surprised to see I noted that my friends were fascinated by this former Jewish district. They asked me if the café was in a Jewish style, and if the people around us were Jewish. So perhaps even then, Poles were more interested in Jewish culture than I realized.

1993Ariel

Ariel Cafe in Kazimierz 1993

Over the years, Kazimierz has become more and more popular. The first to come were artists and students seeking an edgier, cheaper part of the city to live in, as well as tourists seeking traces of Poland’s Jewish past. I have read that a turning point came after Steven Spielberg filmed Schindler’s List in the district. This was in early 1993, while I was still living in Krakow. A fake wall was built to enclose Szeroka Street near Starowiślna Street, and movie-set facades resembling World War II era businesses were painted on abandoned buildings. In effect, Spielberg turned the area into the Jewish ghetto, even though the actual ghetto was a few miles away in the district of Płaszów. I watched filming one day. An actor dressed as a Nazi officer (I now realize it was Ralph Fiennes playing Amon Goeth) strode to the top of a pile of suitcases over and over again. Mostly, everyone was just standing around. I was able to pick Spielberg himself out; he was wearing one of his signature ball caps. Some of his kids were there, and I think I saw his wife as well.

Filming Schindler's List, 1993. Ralph Fiennes is in the background, playing Amon Goeth
Filming Schindler’s List, 1993. Ralph Fiennes is in the background, playing Amon Goeth
Filming Schindler's List, Kazimierz 1993. Note Ariel Cafe in the background and the fake facades on the surrounding buildings.
Filming Schindler’s List, Kazimierz 1993. Note Ariel Cafe in the background and the fake facades on the surrounding buildings.

After witnessing the filming of Schindler’s List, I couldn’t suspend my disbelief and become absorbed into the story when I watched the movie in the theatre. It didn’t help that one of my friends, a swarthy Brazilian whose father’s family was Polish, appeared larger than life in the first “Jewish” crowd scene.

Today, so many parts of Kazimierz have been reconstructed or renovated that it can be easy to forget how derelict it used to be. In addition to the many cafes and restaurants, the synagogues, prayer houses, and other Jewish institutions have been restored. Even more significantly, eclectic forms of Jewish life have returned to the district, most visibly at the Jewish Community Center, which holds Shabbat dinners and Jewish cultural events, and functions as both a gathering point and an information center for Jewish residents of Krakow and visitors from around the world.

Inside the Tempel Synagogue, Kazimierz
Inside the Tempel Synagogue, Kazimierz
Inside the Tempel Synagogue, Miodowa Street, Kazimierz 2015
Inside the Tempel Synagogue, Miodowa Street, Kazimierz 2015
Izaak Synagogue, Kazimierz
Izaak Synagogue, Kazimierz
I gave a talk at the Jewish Community Center in Kazimierz, June 2015
I gave a talk at the Jewish Community Center in Kazimierz, June 2015
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